| The Roku Channel | Release Date (Streaming): November 4, 2022 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
32
Mixed:
10
Negative:
0
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Critic Reviews
Weird is an unapologetically ridiculous and over-the-top romp that’s sold by people who are completely, sincerely, and unfailingly committed to the bit on every level. It’s not particularly groundbreaking or subversive, but it doesn’t need to be. It’s smart (or so silly it’s smart), expertly executed, and genuinely funny.
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NMENov 11, 2022
Radcliffe’s winning performance – like a goofy high-schooler who wins the lottery – is enough to keep everyone laughing. Top that off with an album’s worth of quirky cameos, including Conan O’Brien’s genuinely laugh-out-loud Andy Warhol impression, and you’ve got a cult classic in the making. M-m-m-myyy bologna
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The IndependentNov 3, 2022
Radcliffe, who remains movie-star ripped for the film’s duration, is a genius casting choice. He has pitch-perfect comic timing without necessarily coming across as someone trying to tell a joke. There’s a real sincerity to him and he has the eager grin of a Broadway performer about to take their bow.
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Eric Appel's directorial debut essentially plays like a movie-length Funny or Die sketch — which it is, technically (or at least produced under that production umbrella): a giddy cameo-stacked satire propelled by murder, mayhem, Mexican drug lords, and athletic sex with Madonna. This is whole-cloth fantasy, of course, and that's the point: less Walk the Line than Walk Hard, with accordions.
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ColliderSep 9, 2022
Weird might not be the best biopic parody (Walk Hard still holds that crown), but it is an absolutely charming and often hilarious look at the world’s greatest parody musician, packed with an excellent cast that wants to pay tribute to this weird man. Weird dares to be stupid and succeeds because of it.
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Screen RantSep 16, 2022
SlashfilmSep 9, 2022
All of this unfolds at a rather brisk pace, but sooner or later, "Weird" starts to run dry. While the film is consistently funny — I laughed out loud, and I mean really loud, on more than one occasion — the narrative begins to drag, giving one the sense that Appel was right to make this a short film first, and that maybe, just maybe, it should've stayed that way.
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