Warlock

Director Miner (Friday the 13th, House) executes some of the scary scenes competently (one in which Sands gives his male host the ultimate French kiss is grossly memorable), but he never takes the material beyond its rather limited parameters. Read full review

Except for a few gory flourishes and several jolly special effects, Warlock is a surprisingly old-fashioned horror adventure that benefits from the superbly malevolent presence of Julian Sands as said warlock. Read full review

This is a hoot, the kind of hammy horror romp you wouldn't kick out of the video on a wet Wednesday night. Read full review

Warlock is supposedly about the battle between Good and Evil, but movies about the battle between Heckle and Jeckle have more terror or profundity. [17 Jan 1991, p.F12]

Warlock is unexpectedly entertaining, having been concocted with comic imagination by D. T. Twohy, who wrote the screenplay, and Steve Miner, the director. Read full review

Excellent flick. [22 Feb 1991, p.13]

A dull and hackneyed would-be thriller, it takes such elements as Satanism, time-travel and cross-country treasure-hunting and combines them to no effect whatsoever. [18 Jan 1991, p.R13]

As directed and produced by Steve Miner, the film is gory (eyes gouged out, a tongue bitten out, children murdered), but it also features better than usual actors (including Richard E. Grant as a 17th-century warlock-hunter who also jumps into the future) and has such a giddy sense of humor that it's hard to ever get too indignant about its splatter violence. [12 Jan 1991]

The best that can be said of this campy but witless time-travel thriller is that it's acted with some authority. [12 Jan 1991, p.C7]

Warlock is one of those awful movies that serves a purpose: On a rainy day it's a way to keep dry, and most of the film is so dark that it's easy to nod off during the duller parts. [06 Mar 1991, p.5E]

Directed by Steve Miner, who got his start working on the Friday the 13th films, Warlock aspires to more than many genre movies, though it actually achieves very little. Read full review

Although Warlock doesn't muster enough of a charge to shoot for genre classic status as Sands subsides, it does have a degree of interplay uncommon in such outings. [19 Apr 1991, p.43]

Warlock is an occult schlock-o-rama, with special effects so low-budget they might have come out of a joke shop. Read full review

This updated witch-finder movie eschews hardcore horror in favour of supernatural action adventure, with enjoyable results. Its master-stroke is the inspired casting of blond-haired wimp Sands as the suavely malevolent warlock, and raven-haired Grant as the witch-hunter. Read full review

Warlock is an attempt to concoct a pic from a pinch of occult chiller, a dash of fantasy thriller and a splash of 'stalk 'n' slash'. But what could have been a heady brew falls short, despite some gusto thesping from Richard E. Grant and Lori Singer. Read full review