| Columbia Pictures | Release Date: October 5, 2018 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
4
Mixed:
28
Negative:
14
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Critic Reviews
For several weird stretches, though, Venom is a bouncy good time. The movie doesn’t seem to care if you’re laughing with it, at it, or whatever. Just as long as you’re engaged, rollicking along as it doles out fan-service while still making a gleeful hash of so many serious franchise movies about very silly things.
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In the end, Venom exists in what may end up being regarded as a no-man’s land — too much like a superhero movie to appeal to people who despise the genre, and yet too deliberately silly to be taken seriously by superhero fans. There’s nothing memorable in Venom, nothing to talk about the next day. But if it happens to hit you right, its lightness is refreshing.
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The best moments toy with a kind of superhero body horror, but the movie never fully commits to that angle, maybe to appease a ratings board and perceived audience of 13-year-olds (isn’t that who Venom was designed to please?), or maybe because director Ruben Fleischer (Zombieland) is more interested in the comic possibilities than the horrific ones.
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Venom wants to be something different, an off-kilter dark comedy whose protagonist doesn’t need to be cleaned up so he can fight alongside Iron Man someday. But it’s also terrified to step out of line, and the stench of fear overwhelms whatever wisps of fresh air have sneaked through the cracks in the doorway.
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If you are going to Venom for cool superhero action — or for compelling characters, pulpy science-fiction, impressive special effects, a parable about corporations run amok, or a single significant connection to Spider-Man — you will be sorely disappointed. If you can look past all of that (and the dreadful first hour), your reward is Hardy, delivering one of the all-time great unhinged performances.
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I do want to make it clear that I think Venom is not a good movie, but I also want to make it clear that I had the time of my life watching it. I think in a couple of years Venom could be the type of movie that sells out midnight showings as people come up to the screen and act out their favorite parts.
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Tom Hardy’s committed performance can’t overcome a painful script and indecisive direction, resulting in a film with a personality that’s as split as its titular character. There are occasional moments of brilliance in the dynamic between Eddie and Venom that give a hint of what the film could have been in steadier hands, but ultimately, that only makes the finished product a more frustrating viewing experience.
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The direction by Ruben Fleischer (Zomebieland, Gangster Squad) is oddly slapdash, and hardly does justice to the skills of his cast or his own chops as a comedic filmmaker. Hardy squeezes some baffled comedy out of his schizoid shtick, but there just isn’t much here for him to work with.
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The TelegraphOct 2, 2018
Venom can be quite a lively watch, both as a reminder of why Hollywood stopped making superhero films like this, and also for the occasional glimpse of the off-the-wall, star-driven freak-out that might have been.... But in terms of basic entertainment, let alone as the foundation of a franchise, it is miserably shaky stuff.
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Venom feels like a throwback, a poor second cousin to the all-stars that have reliably dominated the box-office charts for most of this century. Partly, this is due to the fact that, as an origin story, this one seems rote and unimaginative. On top of that, the writing and filmmaking are blah in every respect; the film looks like an imitator, a wannabe, not the real deal.
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