| Belga Films | Release Date: July 21, 2017 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
17
Mixed:
22
Negative:
6
|
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Critic Reviews
The Film StageJul 18, 2017
Are there rules on how to make a space epic? If there are, Luc Besson has certainly never heard them because in Valerian and the City of a Thousand Planets, he takes the genre upside down, gives it a shake and rattle, and delivers one of the most positively bonkers films of the year.
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“Valerian” manages to be both cutting-edge and delightfully old-school — the kind of wild, endlessly creative thrill ride that only the director of “Lucy” and “The Fifth Element” could deliver, constructed as an episodic series of missions, scrapes and near-misses featuring a mind-blowing array of environments and stunning computer-generated alien characters.
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The longer action scenes may not always rank with Besson’s early ’90s highlights (Léon: The Professional, La Femme Nikita) or the mania of the more recent Lucy, but there isn’t a moment in this ludicrous, lushly self-indulgent movie that doesn’t feel like its creator is having the time of his life.
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In short, Besson builds a dazzling alterna-universe — a bit of Terry Gilliam, a dash of “Blade Runner,” a smidgen of “Star Wars” (which, to be fair, was probably influenced by the original comic), and a lot of extra-strength Besson-ian whimsy. And then he strands us with the two least interesting people there.
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