| Walt Disney Studios Motion Pictures | Release Date: July 8, 2022 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
31
Mixed:
28
Negative:
5
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Critic Reviews
If this particular franchise’s material feels at times a bit thin to be spun out even to two hours, it may be simply that three solo movies per Avenger is more than enough. But this weekend, if the lure of an air-conditioned summer blockbuster summons you like a sacred Asgardian hammer, you could do worse than this Easter egg–colored, classic rock–scored frolic.
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Waititi’s playfulness buoys Love and Thunder, but the insistence on Thor’s likability, his decency and dude-ness, has become a creative dead end. The movie has its attractions, notably Hemsworth, Thompson and Crowe, whose Zeus vamps through a sequence with a butt-naked Thor and fainting minions.
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PolygonJul 5, 2022
The Film StageJul 5, 2022
Sans some overarching Avengers narrative providing these standalone epics their thrust, Thor: Love and Thunder plays adrift and uneven, once again resistant to use its untethered narrative and leading hunk in any meaningful—meaningfully sexy—way. By film’s end, when one character tells another to “choose love,” I could hear a handful in my theater beginning to sniffle and cry. It’s hard to understand why. The only thing my eyes could do was roll.
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The Observer (UK)Jul 9, 2022
For the most part, however, this romp, which pits Thor against Christian Bale’s cadaverous God-slayer, is superficial stuff – a film that brings a greeting-card triteness to its themes of love and sacrifice; that harvests internet memes (screaming goats) in the service of easy laughs.
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Where Thor: Ragnarok was unpredictable and unruly in the most thrilling way, Love and Thunder by contrast feels safe and formulaic. Waititi is too preoccupied with trying to land the same jokes, and he burdens the film with a wishy-washy love story which even by the MCU’s low standards feels shallow and perfunctory.
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Dipping less rewardingly from the same well in Thor: Love and Thunder, Waititi pushes the wisecracking to tiresome extremes, snuffing out any excitement, mythic grandeur or sense of danger that the God of Thunder’s latest round of rote challenges might hope to generate. Chris Hemsworth continues to give great musclebound himbo, but the stakes never acquire much urgency in a movie too busy being jokey and juvenile to tell a gripping story.
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