| Columbia Pictures | Release Date: February 1, 1954 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
7
Mixed:
5
Negative:
0
|
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Critic Reviews
A well-acted, soft-centred example of pre-rock rebelliousness with one of Brando's finest performances, it features the celebrated exchange between local lawman's daughter Mary Murphy and Brando: "What are you rebelling against?" - "What have you got?" [31 Aug 2014, p.48]
Aside from Brando's performance, The Wild One hasn't aged well. Although its leather and chrome iconography and Brando's hipsterism inspired biker and rebel cults for decades to come, it fits all too snugly into the musty category of "cautionary tale." Its story ultimately reduces Brando's biker to the quintessential crazy mixed-up kid. [27 Jan 2002]
Inspired by an episode when a mob of youths on motorcycles terrorized a Californian town for an entire evening, this feature is long on suspense, brutality and sadism. Marlon Brando contributes another hard-faced 'hero' who never knew love as a boy and is now plainly in need of psychoanalysis.
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It’s a mix of impressive on-location cycle spills (the roaring-down-the-empty-road opening is still a grabber) and embarrassingly hokey rumbles on obvious poverty row sound-stages. Lee Marvin is superbly grungy as a supporting troublemaker, and his character doesn’t sell out by reforming for the love of a weedy but decent woman.
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Effectively banned in Britain until 1968, Brando's biker seems disarmingly tame by comparison with the wild angels he spawned. Yet the film isn't half bad as it sets up characters and situation with neat economy, tracing the seeds of explosion when the Black Rebels ride into town, are detained by a minor accident, and hang around trading insults with a rival gang.
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