| Fine Line Features | Release Date: December 23, 1998 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
6
Mixed:
7
Negative:
2
|
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Critic Reviews
The Theory of Flight is built from the kind of material that either soars or crashes with audiences. And here, it doesn't quite hold together. But if the film, as a whole, never takes flight, the actors do. Watching them bicker and sail up is so delightful, you only wish their vehicle could keep them aloft longer.
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What saves the movie from taking a nose-dive is the confident performance of Helena Bonham Carter and some genuinely funny scenes involving her character. She plays Jane, a smart, feisty, rebellious young woman who is confined to a wheelchair because she is dying of ALS (Lou Gehrig's disease). [22 Jan. 1999, p.E3]
A key strategic decision in the success of this 100-minute feature is Greengrass' determination to accentuate the humorousness of his salty-tongued heroine and valiantly resist the temptation to sentimentalize her plight. The upshot is a touchingly off-kilter, bravely platonic love story that -- wonder of wonders -- never turns sticky. [5 March 1999, p.L28]
The novelty of hearing Ms. Bonham Carter spew four-letter words fades quickly. So does the sight of Mr. Branagh elaborately rehearsing how to rob a bank. This versatile actor has many strengths, but as his wooden turn in ''Celebrity'' has already demonstrated, comedy isn't one of them.
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