Warner Bros. | Release Date: December 7, 1990
5.7
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Mixed or average reviews based on 10 Ratings
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4
Compi24Jul 23, 2020
While I think that, on the whole, the man's filmography ranges from "meh" ("Absolute Power," "Hereafter, "etc.) to "terrific" ("Million Dollar Baby," "Gran Torino," etc.) this particular Eastwood-directed movie is hard to apologize for. I'dWhile I think that, on the whole, the man's filmography ranges from "meh" ("Absolute Power," "Hereafter, "etc.) to "terrific" ("Million Dollar Baby," "Gran Torino," etc.) this particular Eastwood-directed movie is hard to apologize for. I'd probably even go so far as to say it's the worst one I've seen yet. "The Rookie's" first half plays out like what you sort of expect a movie on the lower end of the Eastwood entertainment spectrum to feel like. Slow, understated, but with some minor moments of levity and fun scattered about. The second half, however, takes a flying leap down the drain, as we're all of a sudden introduced to a whole host of new problems. Filled out with some frustratingly incongruous plotting, some truly horrific bit character acting and one of the most head-scratchingly out-of-place and unnecessary scenes I've ever seen in a movie like this, it almost felt like the second half of this was like a cry for help. My general rule of thumb with Eastwood movies is this — they're only as good as their script, because Clint (God, love him) sure isn't going to polish a turd with his admittedly by-the-numbers directorial style. And boy, oh, boy, what a turd this script is. Expand
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6
r96skFeb 4, 2022
Decent action flick, rubbish buddy cop movie.

The reason for the latter is that Clint Eastwood and Charlie Sheen just don't really work as a pairing, when I think of great buddy cop duos - see the preceding 'Lethal Weapon' or the succeeding
Decent action flick, rubbish buddy cop movie.

The reason for the latter is that Clint Eastwood and Charlie Sheen just don't really work as a pairing, when I think of great buddy cop duos - see the preceding 'Lethal Weapon' or the succeeding 'Rush Hour' - I always recall the banter and that the two are subconsciously looking out for each other. Here, it just felt like Eastwood and Sheen weren't connected - despite being policing partners.

The action elements help raise this film from the depths though, as all the set pieces and stuff like that come off - there's one scene that Michael Bay would love, I'm sure. The support cast are alright too, I recognised - among one or two others - Xander Berkeley and Tony Plana.

Despite those (minor) positives, the initially mentioned parts override them in 'The Rookie'. These type of films need to make you love watching the two leads together, but here I simply didn't - they make for an average partnership, at best.
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