| Netflix | Release Date: November 2, 2018 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
29
Mixed:
3
Negative:
0
|
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Critic Reviews
This The Other Side of the Wind has a haphazard “well, he shot it, so we better include it” vibe. One wonders just how much of the existing editing Welles got to oversee himself; the answer is: probably not much. There’s a tight, 80-minute feature trapped in The Other Side of the Wind, one that Welles most likely would have exhumed had he not run out of money while filming.
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To be clear, there are dazzling sequences in The Other Side of the Wind, and virtually every minute has something interesting in it. It’s absolutely worth seeing as a curiosity. But as a work of narrative art it doesn’t sustain itself for its full two-hour running time. After an hour, you might even have to struggle to stay awake.
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The first 30 minutes of this film feel like a fever dream, as Hannaford and his entourage trade barbs while the film stock (and subjects) change like a child’s kaleidoscope. It is frenetic and a bit unsettling. But once the party settles in at the director’s estate, it becomes mildly coherent.
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