| Warner Bros. Pictures | Release Date: May 15, 2003 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
25
Mixed:
14
Negative:
1
|
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Critic Reviews
The Matrix Reloaded is about sensation, not logic. As such, it delivers, in spades, exactly what you should expect from a popcorn flick -- thrills, chills and spills -- plus a little more for good measure, just to keep anyone from whining who might want a beginning, a middle and an end.
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Moves like a bullet and, even if they're overblown, the action sequences are still mostly exhilarating and hypnotic. Moreover, the film's human dimension and character development is richer and more rewarding than the genre requires, and its philosophical underpinning more intellectually audacious and seductive: The film is more of a mind-trip than I expected.
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The Wachowskis have put together a mix of culture, kung fu, sci-fi and speculation, that makes them the warped wonders they are. When the film ends with a "To Be Continued," the hooks are in for The Matrix Revolutions on November 5th. Maybe I've been programmed to say it, but I am so there.
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Where The Matrix was a heady cocktail of gnostic Zen Philip K. Dick cyberpunk '60s psychedelic bull, well spiked with high-octane digitally driven Hong Kong action pyrotechnics, those elements reloaded soon separate out. The refreshing draft of effervescent movie magic leaves a sludgy sediment of metaphysics.
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Inevitably, the one ingredient that does remain constant are the performances -- once again, there aren't any (the lone exception is Gloria Foster's mommy Oracle, although, even here, the shine is off the joke). Of course, for the hyperactive principals, this gig isn't about acting -- it's about athleticism, which suits Keanu Reeves's talents just fine.
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This cold, generally soulless movie does feel like it was made by people who are taking themselves way too seriously. Remember the delicious anticipation you felt when The Empire Strikes Back was over? You won't feel that way when The Matrix Reloaded reaches its cliffhanger finale. You'll just feel relief.
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Suffers mightily from sequelitis. Forced to explain whats going on and whats going to be going on in the next and final installment (due out in November), the Wachowskis have laced the film with a series of crushingly dull and often incomprehensible scenes of exposition and yakky gabfests.
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Although (Reeves) acting inclines toward the wooden, it's always been his weird genius (if that's the term) to exude a charmed aura, an uncanny sense of being the chosen one -- remember, he's been the Buddha. I'm not sure any other actor could play Neo nearly so well, for the others would all be working to seem like The One (as he's known), while Reeves conveys that quality just by showing up.
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