| Universal Pictures | Release Date: August 11, 2023 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
12
Mixed:
17
Negative:
4
|
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Critic Reviews
This is good, fun summer fare, shot in ominous shades of darkness by cinematographers Roman Osin and Tom Stern and fueled by an effective score by Bear McCreary that isn’t obtrusive. Ovredal knows how to stage atmospheric horror sequences, and the Norwegian even gives us a variation on a Viking funeral that serves as the film’s biggest emotional moment.
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The Last Voyage of the Demeter is a threadbare high-concept story given the high-thread-count treatment — a lovely piece of luxury pulp. It’s also the creepiest and classiest bit of late-summer counterprogramming you’re likely to find, which may say more about our current landscape of cinematic pleasures than the movie itself.
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The Last Voyage of the Demeter should delight horror fans raised on Boris Karloff and Bela Lugosi, and offers an R-rated bite of vampiric brutality for genre fans with a stronger bloodlust. Øvredal does well to transport his cast to a time when scary stories were told around lanterns in the dead of night, and even if the moodiness evaporates due to a protracted runtime and the foregone conclusion of Dracula’s landfall, the director accentuates the basics of violent feeding sessions in hair-raising fashion.
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Admittedly, big stretches of Demeter are a bit overwritten and unnecessary; there’s no real need for a film like this to exist, especially considering we know how it’ll all turn out. But as long as it’s here, it might as well be celebrated for what it is: lean, effective nautical horror of a type we don’t often get anymore. Seaside scares are a rare thing these days, especially when Øvredal packs this much atmosphere and characterization into such a wafer-thin premise.
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