Read Mixed User Reviews for The Kid Who Would Be King

6

Voodoo123Apr 14, 2019

+Great premise
+Excellent pacing
+Memorable adventure genre set pieces -Overall film budget isn't quite enough to do the idea (of this scale) justice -Lead actor is decent enough but feels like casting should've been stronger here I expected+Great premise
+Excellent pacing
+Memorable adventure genre set pieces
-Overall film budget isn't quite enough to do the idea (of this scale) justice
-Lead actor is decent enough but feels like casting should've been stronger here

I expected very little and this film delivers a LOT more! What it lacks in budget it makes up for in heart... Its a classic tale that reminds me of the dungeons and dragons cartoon mixed with a touch of time bandits for action adventure lark. Certainly not cinematic perfection, but none-the-less TKWWBK is a great film to watch with the kids.… Expand

2 of 2 users found this helpful20

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6

JLuis_001Feb 18, 2019

Maybe the kids of today are much more cynical than innocent but this film has a heart I must say. Even though it may seem too corny at times.

It's not genius but I found it more enjoyable than I expected at first.

2 of 2 users found this helpful20

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6

amheretojudgeJan 28, 2019

And The Kid Who Would Rule.

The Kid Who Would Be King Cornish has made a delightful treat for the kids and the adults. This '70s textbook plot breeds the sincerity it had decades ago with a taste of the 21st century humor and ideologies.And The Kid Who Would Rule.

The Kid Who Would Be King

Cornish has made a delightful treat for the kids and the adults. This '70s textbook plot breeds the sincerity it had decades ago with a taste of the 21st century humor and ideologies. And this is something that we get fresh right out of the oven, since these teenage kids are dipped into this more practical world where everything has to be mocked and questioned. Filtering out those exact characteristics, Cornish polishes his story more and more as the characters themselves starts putting it into trial. The first act is rudimentary with spiraling out the usual introduction which personally I feel is his biggest bluff. Contradicting you in every step on rest of the film, this adventure that these brave kids have chosen to go through keeps giving you back enough reasons to be giddy up for more.

Aforementioned, the characters are well aware of the assumptions that film might lead you to, hence quoting Lord Of The Rings and Game Of Thrones and plenty other references it keeps the tone light and breezy. Cornish is still aware of the practicality of the storyline or how does it appear as a whole picture. And this is how he makes sure that his film is mythological, through all the exceptions are prophecies or their special characteristic.

For instance, the action is written maturely, it never jumps on a conclusion of the battle, it makes sure that the stakes are always the same and putting up such kids in the battle field requires lots of character insight to be developed. Lopping off all that work, Cornish is speaking behind the screen with notions that actually comes off as mumbo-jumbo in such genre but not in here; the rules set by Stewart plays a vital and probably the best part of the film. This prophecy-like plot kick in its middle act which is the smartest of all for it puts the king on a test that everyone was already in, circling back the humane part of the character.

As far as the performance is concerned the younger cast has done a decent work if not anything extraordinary. Stewart and Ferguson gets a scene to share where probably is the only point where they are completely themselves but the performance is surprisingly disappointing. The script is absorbing and gripping with its main asset being the characters that are three dimensional and are analyzed through and through; even after out team teams up, they still have to go through plenty of issues to fight as one.

Taylor who plays Lance, hence, gets one of the best role to play since it is the one with a complete cinematic arc. The background score and visual effects could have been a lot better but with good sound mixing and action packed sequences, it sails off smoothly on technical aspects. The Kid Who Would Be King has a king that we haven't seen before- at least not for a while- it is a triumph on civilizing that king and then make him rule along with his army or perhaps friends.… Expand

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6

TyranianOct 21, 2019

This is a solid kids King Arthur film with good visuals and some decent acting.

1 of 1 users found this helpful10

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4

PipeCApr 10, 2019

Why don't they understand that King Arthur belongs to the books?

We have gone from ageless classics such as "Camelot" by Joshua Logan, "Monty Python and the Holy Grail" by Terry Gilliam and Terry Jones and "Excalibur" by John Boorman toWhy don't they understand that King Arthur belongs to the books?

We have gone from ageless classics such as "Camelot" by Joshua Logan, "Monty Python and the Holy Grail" by Terry Gilliam and Terry Jones and "Excalibur" by John Boorman to insufferable "reimaginations" and lifeless adaptations such as Stuart Gillard's "Avalon High," Michael Bay's "Transformers: The Last Knight," Guy Ritchie's "King Arthur: Legend of the Sword" and even Otto Bathurst's "Robin Hood" — which features many of the ingredients that made Ritchie's film what it is.— Exactly in the middle of these two categories lays the latest effort as writer and director of Joe Cornish, which rethinks the timeless legend within a world of smartphones, homework, bullying and chicken wings; while simultaneously trying to condense a fantasy adventure à la Spielberg, a Disney Channel film and a subtle anti-Brexit commentary; of course, not everything works out.

First and foremost, "The Kid Who Would Be King" means an irrefutable improvement over shameful adaptations Hollywood has insisted on producing. 20th Century Fox's delightfully British new take is likely to be far from covering its production and advertising costs, but quality-wise, it does redeem and save Arthur from ending up, again, on a "worst of the year" list in the face of the failures/flops from studios like Warner Bros. and Paramount Pictures.

After the reckless 2011 hybrid between sci-fi, comedy, and horror he used as his directorial debut, Joe Cornish jumps from playground to the most 80s fantasy, which is called Amblin. It opens with a didactic, gorgeously animated introduction to give some context about what sort of film we are about to see, enjoy and suffer in equal parts. Just like Spielberg, Cornish almost completely restricts parent prominence, using them uniquely as dramatic supporting vehicles. For this reason, Alex, played by Louis Ashbourne Serkis — son of motion capture pioneer Andy Serkis, — his bestie Bedders, portrayed by Dean Chaumoo, and bullies Kaye and Lance, by Rhianna Dorris and Tom Taylor respectively, are the story's eyes. Each one does a great job portraying his roles, especially Serkis, who with his tenderness and unbelievable drama range makes a short part of the film compelling. But when it comes to juvenile performances, Angus Imrie and his hypnotizing and elaborate hand gestures steal the show. It's a huge surprise to learn that stars Patrick Stewart and Rebecca Ferguson are here standing by the project; the former with quite short yet meaty appearances as adult Merlin, and the latter as Morgana, a female villain that even though Ferguson tries her best to deliver a credible, menacing antagonist, the script only makes her look like a one-dimensional cartoon figure that wants to take over the world. Brilliant moments are at a premium, but still, the film treasures some touches of brilliance. From clever commentary against controversial withdrawal Brexit to writing jokes adapting the well-known Arthurian mythology to the 21st century manners; from dazzling blockbuster-like set-pieces to pieces of training as imaginative as catching, Cornish manages to pull several easter-eggs and comical interludes off thanks to his careful, faithful writing and the professionalism and commitment of his actors portraying their roles.

As for the rest, "The Kid Who Would Be King" has the potential to become a headache for some adults, nonsense for some teenagers and for most kids an endless fascination. Due to its abusively drawn-out running time, many viewers could stand in a position of radical skepticism midway, not receiving equally the other sequences and narrative moments, which can get to be dull, boring and ridiculous if you don't get into it from the beginning. The film tends to use its purpose of kids entertainment as an excuse to produce visuals and narrative threads that don't work well. From ridiculous to boring, young Merlin's slapstick and Bedders' naive humor might not land so well for grownups, because it handles a kind of humor that even today's children don't understand it as children used to. "The Kid Who Would Be King" by Joe Cornish is not only a taste of its own medicine for majors that don't get tired of re-visiting existing IPs, but a production of British flavor severely diminished by an unnecessary lengthening of the events, a too mild treatment to resonate among today's audiences, some uninspired visuals and a story that fails to create interest for unlikely sequels. Those who grew up in the splendor of the 80s and 90s will certainly be willing to be carried along by the homages and easter eggs of the last century— for starters, the parallelism with films such as "The Man Who Would Be King" —however, those who, like me, belong to the new millennium will have a hard time trying to connect and stay connected with the idea for more than a quarter of an hour.… Expand

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6

alvindinoMar 11, 2019

The Kid Who Would Be King will invite his audience to go back to enjoying the classic adventures of past history with the present settings without exaggeration. The film also presents a relaxing but meaningful and moral message through theThe Kid Who Would Be King will invite his audience to go back to enjoying the classic adventures of past history with the present settings without exaggeration. The film also presents a relaxing but meaningful and moral message through the journey of life from the perspective of children. So that this film is very suitable to be enjoyed with family, especially with children.… Expand

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6

Trineo99Jan 25, 2019

First of all, the musical score, which is composed by Christophe Beck and Electric Wave Bureau, was incredible. You could just listen to the score and understand what is going on in the film at that point in time. It helped to understand whatFirst of all, the musical score, which is composed by Christophe Beck and Electric Wave Bureau, was incredible. You could just listen to the score and understand what is going on in the film at that point in time. It helped to understand what was going on in the scenes and what you should feel in that moment. The scenery in this film looked well done and you could tell a lot of detail went into them. At certain times in the film, the CGI and special effects were decent to look at but for a majority of the film, it looked like the special effects department was rushed to get something done. The transitions in this film were awkward and made no sense. At some points, it would feel like the scene had more in it but they had to cut out something to get to a shorter run time. Now, I understand that a majority of the actors are kids and I believe they all can go far in the future is just their acting in this film was really bland. There was very little to no emotion given in any scene from the four main characters. There was only one actor who actually showed emotion and that was Angus Imrie, who plays young Merlin. His character was weird and outgoing and he was probably one of my only favourite things in this film. Although at some parts he probably should have toned his acting down a notch. The villain in this film was just bad and made no sense. I think if they had a longer run time this film could have fixed any of the flaws the had. The last thing I want to mention is how this film relies on certain things to happen and if one of those things didn’t happen the entire film wouldn’t happen. In the end, this film is a good time for younger kids but not for the whole family.… Expand

3 of 4 users found this helpful31

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4

Daniel_EndureJan 25, 2019

First and foremost, let me just say, The Kid Who Would Be King is intended for children of very early ages, no matter how "fun for the whole family" the trailers may make it out to be. It's a lot of CGI and young actors who've clearly neverFirst and foremost, let me just say, The Kid Who Would Be King is intended for children of very early ages, no matter how "fun for the whole family" the trailers may make it out to be. It's a lot of CGI and young actors who've clearly never worked with the likes of it as they awkwardly and unconvincingly battle imaginary trees and ghostly horsemen. The villain has a poor character build and doesn't come off being the big, scary threat she's made out to be, nor does our hero's quest to defeat her seem meaningful. He's told, "she's evil and needs to be stopped," and he generically sets out to do just that. The most disappointing part of the film is that it's not the least bit funny. There are so many moments open to funny and witty banter, but instead the writer(s) try to take kids battling demonic, ancient forces seriously. I went in expecting Goosebumps and instead I got Goosebumps 2: A Haunted Halloween.… Expand

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6

DukeJonApr 27, 2020

A serviceable little movie. Nothing special, quite predictable. Liked the false ending towards the end, though to be honest I was ready for it to end by that point. I also feel like the lead actor was outshone by the others, particular theA serviceable little movie. Nothing special, quite predictable. Liked the false ending towards the end, though to be honest I was ready for it to end by that point. I also feel like the lead actor was outshone by the others, particular the bully and his female friend.… Expand