| Universal Pictures | Release Date: March 13, 2020 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
15
Mixed:
21
Negative:
9
|
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Critic Reviews
Director Zobel and writers Lindelof and Cuse, peering through the lens of social media hijinks and polarized politics, paint a ridiculous picture of how we’re all eating ourselves alive. That they do so in such a fun and absurdly bloody way makes The Hunt worth a retweet at the very least.
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Scoff, roll your eyes, and shrug all you want, but the hyperbolic nature of The Hunt is all part of the fun, and whether you take this literally, or metaphorically, rhetorically, spiritually, whatever, it all boils down to a big ol’ sensationalized portrait of a very heated country.
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IndieWireMar 11, 2020
Combining the droll self-satisfaction of a New Yorker cartoon with the wet gore of an Eli Roth movie, Zobel’s tense, well-crafted, and deviant grindhouse take on the national temperature has no trouble caricaturing what ails us, but even that fun combo lacks the killer instinct required to see us more clearly than we see each other.
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The most shocking part of this too-shocking-for-audiences-today production is that Cuse and Lindelof are even involved, given the far smarter and sharper work they did last year on HBO’s "Watchmen," which took the carcass of U.S. politics and thoroughly eviscerated it in a new and startling fashion.
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