The House on Sorority Row

Rosman's debut movie was a pretty fair show-reel promising, falsely it seems, more and better to come. Read full review

Although director Rosman spices up the predictable murders with some stabs at surrealism, a slasher movie is a slasher movie is a slasher movie, and this one soon wears out its welcome. Read full review

As is usual for this durable genre, victim and villain are well matched. Though House on Sorority Row does not have a single screeching-cat red herring, and though power tools are not employed, it does have a classic of low camp, a scene in which a girl who has just been nearly brained by a falling corpse repairs immediately and alone to her bedroom, where she changes into a baby-doll nightie and stands with her back to an open window. [23 Feb 1983, p.B4]