| Weinstein Company, The | Release Date: December 25, 2015 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
34
Mixed:
12
Negative:
5
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Critic Reviews
While it’s not as audacious or as provocative or as brutally violent as “Django Unchained,” it’s still an exhilarating moviegoing experience, filled with wickedly dark humor, nomination-worthy performances and a jigsaw puzzle plot that keeps us guessing until the bloody, brilliant end.
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The GuardianDec 15, 2015
Working from a self-penned screenplay, Tarantino has come up with one of the wordiest Westerns on record, and even some of his most diehard fans may grimace at the film’s occasionally slow pace. But The Hateful Eight more than compensates through its intriguing characters, ominous atmosphere and palpable suspense.
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My personal view is that Quentin Tarantino is now permanently high on his own supply, but you could just as well say that he has succeeded in reinventing the art film. Is it worth it to put yourself through the brutal and incoherent three-hour ordeal of The Hateful Eight for its moments of brilliance and its ultimate catharsis? Jesus, don’t look at me.
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Even if you don’t get the references, you can enjoy the ripely robust acting – especially Russell, Jackson and Leigh – and Tarantino’s storytelling skill. I could have done without the bad-boy excesses, which always seem like the mark of his immaturity, but the rest of the film comes from a mature and capable artist.
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Movie NationDec 21, 2015
Stretched to three hours, including a pointless (old fashioned) overture and intermission, does it live up to the “Cinema Event” Tarantino has hyped it as? Hell no. It’s just a minimalist Spaghetti Western suffering from auteur bloat — sometimes entertaining, with not even remotely enough story of action to support its insuperable length and gravitas.
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This time the talk was cheap, not witty or sharp. Tarantino the writer let his gift of gab get away from him and didn't give his script a close enough edit. Tarantino the director didn't do enough with the static setting; the flashbacks don't help and the big timeshift that's meant to explain everything that's happened feels incomplete.
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The Hateful Eight is bold, gorgeous, verbally clever, morally repellent, and, in some way I am still struggling to put my finger on, possibly somehow evil. Any movie that inspires mixed feelings that intense can, I suppose, be said to have done its work on the viewer. But I’m not sure the work The Hateful Eight performed on me was what the filmmaker intended or that it’s an operation I would consent to again.
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