The Book Thief
Twentieth Century Fox Film Corporation | Release Date: November 8, 2013
7.1
USER SCORE
Generally favorable reviews based on 178 Ratings
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Positive:
111
Mixed:
53
Negative:
14
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2
foxgroveMar 9, 2014
An air of artifice hangs over 'The Book Thief' like a heavy fog and not even seasoned pro's like Emily Watson and Geoffrey Rush can save it from being a stultifying bore. This Second World War story is based on a best selling novel but itsAn air of artifice hangs over 'The Book Thief' like a heavy fog and not even seasoned pro's like Emily Watson and Geoffrey Rush can save it from being a stultifying bore. This Second World War story is based on a best selling novel but its adaptation here is protracted and bloodless and must be classed a major disappointment. Young Sophie Nelisse, as the titular character, looks the part but her line delivery at times comes over as phonetic. The production itself looks immaculate, but again this is also a big problem. as everything is just so pristine. At one point Emily Watson berates the girl as being 'filthy' when in fact she looks as if she is on her way to a photo shoot. A bogus in-authenticity pervades and prevents the film from generating any true emotion or pathos. John Williams' pretty score adds to the detrimental effect and actually feels as if it belongs to another type of movie in another era. A couple of scenes do ignite. The cellar search grabs one's attention temporarily and the ending, coming as it does from left field, causes one to stir in a way that the rest of the film never does. I also have to mention that the scene where Geoffrey Rush plays his accordion whilst everyone is hiding in an air raid shelter, made me think that the cast were going to start singing Oom Pah Pah a la Carol Reed's musical Oliver! One thing I did like was the unusual narrative device which is intrigueingly employed at the beginning and used to devastating effect at the end.… Expand
2 of 2 users found this helpful20
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7
stakoMar 2, 2014
Markus Zusak in my opinion is one of the better modern novelists. I've read most of his books, out of all of them, no question, my favorite is The Book Thief. I often recommend this book to almost every book-lover, so it's to no one'sMarkus Zusak in my opinion is one of the better modern novelists. I've read most of his books, out of all of them, no question, my favorite is The Book Thief. I often recommend this book to almost every book-lover, so it's to no one's surprise that I was looking forward to this movie, because out of what I had seen in the trailers, it seemed fine. However, after seeing it, I still recommend the book, because if you only see the movie, you will be simply missing out.
I've never watched a movie by Brian Percival before this one, so I can't compare this movie with some of his other works, but from what I've seen, I can't really blame the shortcomings of the movie on the director. There are some enjoyable and well-done scenes in this movie, it's wonderfully shot. Two exclusions to take into account - the overall feel seems off, if you've read the book you will get what I mean. The movie is much more relaxing and somehow warm than the book, but I will leave out anything specific for the sake of spoilers, and second: the length. This was my primary consearn when I heard about this movie, because I know for a fact that you can't fit a 500+ page novel in a 2 hour movie, you have to leave some stuff out if you can. In the case of The Book Thief - there is almost nothing to leave out without ruining the experience in the process. I blame the director for these, because for one - since it's a book, I suppose it's simply his view on things, but even at that, I can quote out passages that prove the setting is off, it's like he has read the book once. And for the lenght - if you see the movie, you will notice that this movie is not cheaply made, I think they could have gone the extra mile and it wouldn't have costed them that much to add another hour like the movie deserves.
In the end, story-wise, we get 3 developed characters, 2 semi-developed and a lot - simply missing from the plot. Also gone is the intriguing narrative that is present in the book (not absolutely, but noticeably). The movie simply coudln't handle the whole plot, but even if I look at it as simply a movie - the characters are still underdeveloped.
The acting in the movie is good, most notable was Geoffrey Rush, he is just the perfect fit for his role - everytime he was on screen you could sense it, he is, by far, the movie's highlight when it comes to acting. My biggest disappointments were Sophie Nélisse who was a terrible choice for a protagonist - she was bland and had little to do with the character from the book when it comes to personality, and also Nico Liersch who had just two moments in the movie where he was good-ish, the rest was terrible and I don't know who in their right mind chose this boy. He just seems to not feel like acting in half the movie, and he is supposed to play one of the more-important roles. Also, on a side note, the guy who plays his father, couldn't find his name - he is terrible too. Guess it runs in the imaginary family.
When it comes to the soundtrack in the movie, I have to point out that there were two moments where the soundtrack was being weird. I won't spoil it, but I'm pretty sure any normal person will notice it if they are paying attention.
All in all, my biggest gripe with the movie is it that it's too short - there is no character development, very weak narrative (compared to the book), pathetic ending... all in all - a very weak script adaptation by Michael Petroni, which is no surprise to me. I still say - read the book, it's great and I believe you will have a lot more fun with it. If you are a fan of the book and are curious, however, give this movie a chance, because even with all of the above - I'm rating a 7/10, because all in all it's enjoyable - it's shot nicely, it's even beautiful and creative at times (just not as often as it should) and it's still worth your time if you don't go in expecting a masterpiece.… Expand
2 of 2 users found this helpful20
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7
Blackthorne20Dec 1, 2013
I normally read books before watching their film adaptations. My family, however, forced me watch this before I had the chance, so I cannot compare the movie to the book. But judging the movie by itself, it was thoroughly entertaining,I normally read books before watching their film adaptations. My family, however, forced me watch this before I had the chance, so I cannot compare the movie to the book. But judging the movie by itself, it was thoroughly entertaining, mature, and artistic. In my opinion, it is better than most movies I have seen in quite some time. My favorite thing about it is that it did not need to resort to graphic violence or overly pompous special effects to create a memorable experience. Although the story can be a little too predictable and trite at times, it still delivers a strong impact and generates much sympathy for the characters. I loved the atmosphere; it felt so authentic and harked back to a feeling of closeness with one's family that seems to have been lost in today's society. Overall, this movie is good, not superb, but definitely worth a watch.… Expand
1 of 1 users found this helpful10
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10
LeZeeMar 4, 2014
This movie did not look like any fictional tale, but was very realistic, that happened back in the 40s. It was based on a book of the same name. The filmmakers given soul to the movie with a great adaptation. This children's movie was awesomeThis movie did not look like any fictional tale, but was very realistic, that happened back in the 40s. It was based on a book of the same name. The filmmakers given soul to the movie with a great adaptation. This children's movie was awesome to watch if you are a fan of this genre. It was set in the backdrop of world war two in Germany, which chronicles a 8 year old girl’s life during those times.

The movies based on world wars are always interested either it was fictional or real. There are not many war movies which tell from the perspective of German’s especially their citizens who are forced to do many unbelievable stuffs. This movie was pure drama which tells only a family’s struggle over the rule of the Nazis.

The performances were hypnotised me a lot. The old man role, Hans was played by the great Geoffrey Rush and the little girl, both of them were the highlight of the movie. In fact, one of the Geoffrey Rush’s best movies I have seen, I went speechless for his acting in the movie. The girl was also so good in fact she was the backbone of the movie. Except those two, few other characters were shown in brilliant shades such as Max, Rosa and Rudy.

I don't know why this movie did not qualify in many categories for the 2014 Oscar. A fine movie specially made for events like this by the Unknown filmmaker for many of us. It is a must see in my opinion, in the end everything is left to the audience and their movie tastes.

9.5/10… Expand
1 of 1 users found this helpful10
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9
busbfranJan 31, 2014
The Book Thief is a slow paced emotional masterpiece that delivers a quality script and cast. A setting which has been use over and over this time stands from the pack and will leave you satisfied after the credit begin to role. The BookThe Book Thief is a slow paced emotional masterpiece that delivers a quality script and cast. A setting which has been use over and over this time stands from the pack and will leave you satisfied after the credit begin to role. The Book thief is a excellent movie to begin 2014 and will defiantly be one to remember.… Expand
1 of 1 users found this helpful10
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9
nfernandesJan 12, 2014
Loved to watch this movie , with brilliant acting, lots of emotion . Very nice surprise. Overall, this movie is very good, not superb, but definitely worth a watch.
1 of 1 users found this helpful10
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8
ThegodfathersonNov 9, 2013
Surprisingly, The Book Thief doesn't dissapoint the fans of the books and moviegoers. The film set entirely in WWII is very kinetic and full of joyous activities. Brian Percival has done a good job directing the film and writing the script.Surprisingly, The Book Thief doesn't dissapoint the fans of the books and moviegoers. The film set entirely in WWII is very kinetic and full of joyous activities. Brian Percival has done a good job directing the film and writing the script. In the end, not a film for the squeamish but certainly scary, fun and inspiring- The Book Thief is the only film that represents a book by its merits.… Expand
3 of 4 users found this helpful31
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2
ecojuliaseFeb 20, 2014
I'll try and write in English, I apologize if I make mistakes. I actually had great expectations about this movie, I had heard of the book a long time ago. It disappointed me. It's unreal, and fake. The girl reacts in a very artificial way toI'll try and write in English, I apologize if I make mistakes. I actually had great expectations about this movie, I had heard of the book a long time ago. It disappointed me. It's unreal, and fake. The girl reacts in a very artificial way to the things that happen to her, it tastes like lie. The movie is full of empty speeches, that sound good but mean nothing at all. The characters are cursory. You get the sensation the director is trying to tell you something, but in the end he's just saying obvious stuff like it's amazing. They say "We have to. We're people" or something like that all the time. I was like: don't you say? Don't get me wrong, it's a good start for a reflection when it goes with other information. It's a cliché, in all senses. But it entertains you.… Expand
3 of 4 users found this helpful31
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9
QadoshDec 2, 2013
What a charming and engaging movie. Thought the acting was superb and the storyline very well written. I was in a large, completely packed theater, and I don't think there was a dry eye in there. It is sad to see reviews by those that claimWhat a charming and engaging movie. Thought the acting was superb and the storyline very well written. I was in a large, completely packed theater, and I don't think there was a dry eye in there. It is sad to see reviews by those that claim to be experts put this movie down; it just shows their prejudice in my opinion. I thought this movie was MUCH better than Gravity, at least the "Book Thief" is a plausible story!… Expand
2 of 3 users found this helpful21
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7
JCouch777Dec 2, 2013
The acting is what raised my grade a whole point. Rush and Nelisse are perfectly cast with Nelisse shining above all others. The story is heartwarming and showcases character development at its finest. And the ending was basically justThe acting is what raised my grade a whole point. Rush and Nelisse are perfectly cast with Nelisse shining above all others. The story is heartwarming and showcases character development at its finest. And the ending was basically just perfect. I just walked away feeling like something was missing and that it could have been better. Overall I'm impressed and can't wait to see what Nelisse has to show us next.… Expand
2 of 3 users found this helpful21
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8
sparkvark111Nov 28, 2013
This was a very good film. I think the critics are judging this way too hard. The acting was very good by the entire cast and especially Sophie Nélisse as Liesel, very refreshing.
2 of 3 users found this helpful21
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10
ZenFuryFeb 2, 2014
I was pleasantly surprised by this film. A keeper for sure because some of its messages will always be applicable. Don't let the meager earnings ($568,500) fool you or lousy overpaid critics.
2 of 4 users found this helpful22
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0
AlexSoderlundJul 7, 2014
This movie is an embarrassing thing. First off, the title, "The Book Thief" doesn't even really apply to the movie at all. She steals books on 2 occasions but that's it. I don't even know what the story is. They're so many events going on andThis movie is an embarrassing thing. First off, the title, "The Book Thief" doesn't even really apply to the movie at all. She steals books on 2 occasions but that's it. I don't even know what the story is. They're so many events going on and NONE OF THEM ARE IMPORTANT TO THE STORY LINE WHATSOEVER. The book thievery happens in a 15 minute span of the whole 2 hour movie. As a historian, it pains me to view their feeble attempt to cover WW2. The chronology of the war is all screwed up. They had Germans still deporting Jews in 1942, which all deportation had been dealt with. Lezeil and Rudy's fathers had been drafted into the war. Let us take the time to note these two gentlemen are in their late 60s or 70s. Now men like this were drafted into the war, but later in the war like 1944/45. The drafting for these men happens in 41. The movie tries to give the viewer a notion of time passing, BUT ALL THE CHARACTERS LOOK AND ACT THE SAME AS THEY DID IN THE BEGINNING OF THE FILM. All in all this is a pitiful movie, with weak to no apparent story line, pathetic acting, and a time line that went to ****… Expand
1 of 2 users found this helpful11
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6
TVJerryDec 2, 2013
This is one of those trying-to-be-touching stories about a child growing up during war. This time it's a 9 year-old girl, who is adopted by new parents (Geoffrey Rush & Emily Watson) in Nazi Germany. She develops a love of books and shares itThis is one of those trying-to-be-touching stories about a child growing up during war. This time it's a 9 year-old girl, who is adopted by new parents (Geoffrey Rush & Emily Watson) in Nazi Germany. She develops a love of books and shares it with the Jew hidden in the basement (isn't there always one?). The deliberate pacing means that it often takes too long for scenes to develop. There's a constant sense of dread, but never much real drama. So many plot points are predictable and the whole things feels manipulative in a Hallmark Movie of the Week style. While it's competently made, it's slight on emotional impact. On a side note: It also observes one of those silly Hollywood traditions. The people are all supposed to be German, but they speak English with a German accent (and a few actual German words are sprinkled about).… Expand
2 of 5 users found this helpful23
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5
Patrick94May 6, 2014
I honestly am siding with the critics this time. It had a lot to say, and all of it's messages are kind of lost within each other that at the end you go "Okay, I get it. But, is that it?". A lot of people are talking about how faithfully theI honestly am siding with the critics this time. It had a lot to say, and all of it's messages are kind of lost within each other that at the end you go "Okay, I get it. But, is that it?". A lot of people are talking about how faithfully the film sticks to the book. Maybe that's the problem. It's definitely not a must-watch IMO. I'm actually a bit disappointed to be honest.… Expand
0 of 1 users found this helpful01
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5
NightReviewsDec 8, 2013
There are movies that can be put in a category appropriately labelled ‘Oscar bait’; and if there is one film that exemplifies that best this year, it is The Book Thief. Just like any cold or flu, ‘Oscar bait’ films have very clear symptoms.There are movies that can be put in a category appropriately labelled ‘Oscar bait’; and if there is one film that exemplifies that best this year, it is The Book Thief. Just like any cold or flu, ‘Oscar bait’ films have very clear symptoms. For starters, setting the film during The Academy Awards’ favourite time in history, World War II is a must; having a young lead performance is another; previous academy award winners and nominees within the cast (in this case the illustrious Geoffrey Rush and the always impressive Emily Watson) always helps; and finally, the icing on the cake is the heavy-handed and manipulating (to the point of distracting) forced drama (in this case, a completely unnecessary voice-over). Put all those factors together and you have one of the most formulaic and familiar films during Oscar season this year. Read more!

I have not had the pleasure to read Markus Zusak‘s supposed enthralling source material in which the film is based off of. The novel has received an overwhelming amount of accolades for presenting a story through the perspective of an unlikely narrator, but within Brian Percival‘s cinematic adaptation, unfortunately, this narration is far from effective.

The Book Thief is by no means a terrible film. Mediocre at best, the film is a slow, long-winded feature that check-marks most of the essential plot-points of its far superior World War II predecessors. With just over a two hour run time, The Book Thief uses morbid images of death, sometimes involving children, to get its dramatized point across and elicit notions of pure sentiment.

The film follows Liesel Meminger (French-Canadian Sophie Nélisse from Monsieur Lazhar), a newly orphaned child who is in the midst of pre-war Germany in 1938. Liesel is sent to live with a new family, Mr. & Mrs. Hans Hubermann (Rush & Watson) and like any child her age, she is very much reserved towards the strangers she must now call her parents. Hans does everything in his power to comfort his new daughter, finding a common passion in literature. Liesel, who is unable to read before she arrives to her new home on Heaven St., seeks the guidance of her new father, and together they find a small solace amongst the raging political ideology and war propaganda within Germany at the time. As you would expect, Liesel befriends a young, lemon-haired boy Rudy (Nico Liesch), and together the film recounts the innocent relationship these two share during one of the most atrocious times in our world’s history.

The scenes between Rudy and Liesel are some of the best within the film, surely capturing the simplicity of children trying to make sense of a very complex time. The very fabric of the relationships and loyalties between the people she holds dear to her are tested with the sudden arrival of Max (Ben Schnetzer), the son of an old friend of Hans. With cultural tension and war on the rise, Liesel and her family must turn a blind eye to patriotism in favour of humanity, finding a new way to survive without ever compromising their own integrity.

Some of the finer points of The Book Thief comes from its impeccable acting talent. Nélisse embodies the young heart of Liesel and makes the character her own. While Rush and Watson make the best of the material they are given, Rush is always shining, capturing our hearts and the heart of Liesel any which way he can. His affections are as sweet as the lumps of sugar he magically surprises her with.

Light on any real emotional responses, The Book Thief will less than likely make a dent during the award season. It’ll probably be left mostly forgotten by the time nominations come early next year.

Rush is a fine actor joined by an equally talented cast. Despite the great acting unfortunately, The Book Thief will surely be crippled for its cliched war narrative that we have seen time and time again. Applause is surely warranted for choosing to focus on elaborate set pieces, excellent production design, authentic filming locations in Berlin and talented actors, however the film neglects its chance to actually drop any emotional bombs on its audience.… Expand
0 of 2 users found this helpful02
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7
MovieGoer14Mar 5, 2014
Not a perfect film, thus it is compelling and effective. The story of Lisel is one of the few that stay with you. Beautiful score & lovable characters. The whole story is bold & courageous.
0 of 1 users found this helpful01
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5
mvoelckerJan 28, 2014
It`s not a bad movie, but also does`t have anything that would make it a great movie. It includes good actors like Geoffrey Rush and Emily Watson but they are not even close to their bests.
0 of 2 users found this helpful02
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7
lukechristianscApr 12, 2014
i found the book thief depressing , interesting , and very creative . this is one of the most inspiring , sole surviving movie i had ever seen . But its just sad for me .
Grade A
0 of 1 users found this helpful01
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9
djniceyMar 4, 2014
I have no idea how this film got such low critic reviews, its so much better than a lot of the rubbish that Hollywood produces. I haven't read the book so cant compare how the movie compares to the book, but I thoroughly enjoyed the film. TheI have no idea how this film got such low critic reviews, its so much better than a lot of the rubbish that Hollywood produces. I haven't read the book so cant compare how the movie compares to the book, but I thoroughly enjoyed the film. The acting, particularly by the lead characters, id superb, the story is engaging and interesting and the pace of the film is just right. There wasn't anything I disliked about the film, I think some of the critics are judging this film far too harshly.… Expand
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9
NJWolfgangMar 13, 2014
I like many others was caught off guard by this film. I expected on thing and got an entirely different film. There was the envitable fear quotient in the film but it's wasn't a film about fear so much as it was a film about hope andI like many others was caught off guard by this film. I expected on thing and got an entirely different film. There was the envitable fear quotient in the film but it's wasn't a film about fear so much as it was a film about hope and living. It's was a welcome relief to not have to relive the horrors we usually witness in films that are about this time period and instead watch something that dramatically played out but basically played out quietly. This film suceeded for me where 12 Years a Slave failed because the director and the writers made me care about the characters who were truly brought to life by the actors. Yes it's sentimental but we live in a time where sentimentality seems to go against the grain of sex and violence in film. Not a single shot of nudity. No sex scenes. No real violence. Nicely done.… Expand
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3
dylan111Nov 22, 2014
If you loved the book, as I did, then avoid this movie because it's a complete disappointment. The novel draws you in and keeps you turning the pages; the film seems endless. One of the biggest flaws is just how terrible the child actors are.
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5
TyranianApr 7, 2019
Bit of a non-event story-wise. Decent acting and visuals but not really worth making a film about.
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9
Mad_Hatter91May 19, 2014
The Book Thief , based on the novel by Markus Zusac, is a 2013 film directed by Brian Percival with Geoffrey Rush, Emily Watson and Sophie Nelisse .

The film is set in Nazi Germany of Hitler and has as its protagonist a young Liesel , aThe Book Thief , based on the novel by Markus Zusac, is a 2013 film directed by Brian Percival with Geoffrey Rush, Emily Watson and Sophie Nelisse .

The film is set in Nazi Germany of Hitler and has as its protagonist a young Liesel , a young girl who is adopted by Hans and Rosa Huberman . With her there had to be the little brother but died shortly before. In the new school Liesel is teased because he can neither read nor write , but he manages to make a friend , Rudy Steiner , a boy who falls in love with her.
Nevertheless, Liesel is intrigued by the books and with the help of Hans soon learn to read. However, the situation will become very difficult with the outbreak of the Second World War and with the arrival of Max, a jew Hans decides to protect as the father of the first saved him during the First World War.

The film turns out to be very interesting in several places although in certain parts could be made ​​better.
Meanwhile, let's start with the themes of the film ; as you can imagine we will talk about the persecution of the Jews, of martial law and war. These topics in the film , there are shown in a brutal manner , letting us see the horrors of that period ( such as did Schindler 's List) , but they are told in order to be accessible to all , that in order to be seen and understood even by smaller .
But not only are these the main themes of the film , there's another one in the film that proves to be the central one , which is the importance of culture . The culture that allows us to see things with greater awareness and makes us truly understand who we are , all represented during the dark period of Nazism, where ignorance seemed to reign supreme.
Particularly interesting in the film is the fact that at certain points in the main narrator is nothing less than Death. I found it particularly deep and great monologue that is the end.

The film , however , as I said before , it has some flaws. The main problem it can be found towards the end of the film that was supposed to represent the most dramatic part of the story (and a little ' dramatic it is) , but fails to hit deep in the viewer. Another small flaw (perhaps in some cases are a bit ' perfectionist but some things it is better to point out ) are the books that Liesel law . Ok that the film is an American production , but the film is set in Germany and then I would have liked to see them written in German not in English.

The actors , however, are all of great, away from little Sophie Nelisse who plays Liesel , to Hans and Rosa interpreted both by a great Geoffrey Rush and fantastic Emily Watson.

Talking about the technical side , the film is very nice, especially photography and soundtrack. The photography Florian Ballhaus proves to be accurate and in some places can do very artistic shots .
The soundtrack instead was done by one of the most talented and legendary composers of film, namely John Williams (do not know which of his films to mention , I will be spoiled for choice). Regarding the latter I have to say that , like all the scores made ​​by Williams, is of great quality and an Oscar nomination if all is well deserved ( although I must say that if it would be well deserved as he deserved even those de The Hobbit: The desolation of Smaug ) .

I conclude by saying that , although it is not a masterpiece , the film turns out to be very nice ( and lasts 130 minutes ) and will succeed for sure make you appreciate the many characters in the film.… Expand
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7
bm2759Mar 9, 2014
This review contains spoilers, click expand to view. To my surprise this was a nice film which covered a lot of emotional content and giving us a fictional yet believable story of ordinary people in Germany during WW2.

Credit goes to the use of death as the narrator of Liesel's story which was refreshingly different. It enabled the story to be presented in a more pleasant and child-like manner than a typical tragedy of suffering.

One further positive is the effort taken to replicate a believable Stuttgart. Characters spoke realistic sounding German, English with a German accent or a mixture of both. Very few films enable the audience to understand another language whilst also telling a story in their own language. Also the use of real propaganda like posters, school choir songs, outfits, living conditions and public atmosphere all benefit the film and allow us to appreciate it better.

Each of the 5 main characters are all very well acted. Geoffrey Rush nails a caring yet slightly silly father beautifully as does Emma Watson as the tough mother with a big, yet hidden, heart. The standout is Sophie Nélisse as Liesle portraying wonder, innocence, joy, sadness, or empathy with us ease; they definitely chose the correct actress. Nico Liersch as Rudy was solid as light-hearted, joyful best friend of Liesel. Ben Schnetzer as Max portrayed a jew in hiding we've not seen before, i.e. confident, understanding and caring towards those who are keeping him alive, without being frightened , tormented or helpless.

My main criticisms are:

* Mama coming to school to give Liesel good news - why do that and risk being exposed when such news can be delivered at home?
* Bodies of those who died from their homes being bombed looking like people asleep. Surely if the filmmakers go to the effort of having vocal coaches for realistic German accents, then why not also give us authentic looking corpses.
* Max appearing at the end. Where did he go and how did we survive? Not even some dialogue to explain how or why? His appearance lacks any impact upon the audience and lines up too nicely to be believable, i.e. cheap.
* The film skips from sometime in 1943 to 1945 when Americans arrive in Stuttgart. What happened to Liesel in that time? The most interesting part of her story is what happened to her after the town was severely bombed.
* The last 5 minutes of the film was quite rushed where it seemed to hurry up and finish the story without giving many details. I wanted to see a little more of what happens to the characters.
* The ending is beautiful and a positive. However why can't we see how she ended up in Manhattan, New York. And why New York? Of all the places she would have emigrated to surely choosing New York was too cliched. I suspect it was chosen because many Europeans emigrated to the USA and New York is likely where they arrive. Despite being an open-minded and multicultural city it is unrealistic she'd remain there her whole life.

A few small grievances aside this is a film I'd recommend to anyone wanting to see a story of how regular Germans experienced life under Nazi Germany.… Expand
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3
oDjentoFeb 4, 2016
Been a while since I saw this but when i went to the cinema I thought it would be a haunting and character driven story that would be enchanting to watch. Instead, I got a serious of random instances to "develop" characters along withBeen a while since I saw this but when i went to the cinema I thought it would be a haunting and character driven story that would be enchanting to watch. Instead, I got a serious of random instances to "develop" characters along with predictable story lines and an emotionless feel to all characters; I conceded no empathy for them. The film was bland and ends on a skewed note. A real snore fest to be frank, and the positive user feedback is truly bewildering.
3/10… Expand
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7
KezSchmezJan 18, 2014
I think this is a particularly difficult storyline to try and translate to the big screen. For me, the appeal of the novel was the sublime use of language and imagery, as well as Death as narrator. So I had pretty low expectations for thisI think this is a particularly difficult storyline to try and translate to the big screen. For me, the appeal of the novel was the sublime use of language and imagery, as well as Death as narrator. So I had pretty low expectations for this film. It was much better than I anticipated, but there were still some parts that didn't work for me. Overall, the performances were top notch. I was particularly pleased by Geoffrey Rush and the actor who played Rudy. I felt Roger Allam was wrong as the narrator; something about his tone and delivery seemed off, maybe too polished. All the key relationships were handled well, and I think the film depicts Liesel's growing awareness of the horrors around her beautifully. This is a quiet film, that at times became a tad too quiet. However I do give them props for giving it a crack and not making a total hash of it.… Expand
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8
Christian0205Mar 30, 2014
Despite developing in the holocaust, it manages to make a really good story, in which the war plays secondary role. Really good acting and direction. A must see!
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6
vitortfvDec 29, 2020
If I hadn't read the book before, maybe my experience would be completely different. Totally disappointed, the whole story in my view is treated superficially. Two lenght hours and failed to develop the relationships between the characters -If I hadn't read the book before, maybe my experience would be completely different. Totally disappointed, the whole story in my view is treated superficially. Two lenght hours and failed to develop the relationships between the characters - an example of the friendship of Lisel and Max, Liesel and Rudy -, not to mention the changes they made, which although they seem simple, do not work, as it is a failed attempt to create a drama that has become superficial. Yes, it could be a thousand times better.… Expand
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6
GoodukladyMar 16, 2014
I viewed The Book Thief with great anticipation at the beginning, but unfortunately my attention flagged halfway through. There was little new in the story line and I wasn't convinced by Emily Watson's performance as a harsh, Germanic fosterI viewed The Book Thief with great anticipation at the beginning, but unfortunately my attention flagged halfway through. There was little new in the story line and I wasn't convinced by Emily Watson's performance as a harsh, Germanic foster mother with a heart of gold. The acting was fair, in my opinion, and the film plodded along without any great surprises. There were no heart-stopping moments - nothing to make me laugh or cry - so I am sad to say that I felt this movie was just average and a waste of Geoffrey Rush's talents. I hated the insertion of German phrases with American accents. Either English or German - or sub-titles please. Everything seemed forced and formulaic. Nice try, but I wouldn't recommend it.… Expand
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4
charlieburyMar 20, 2014
The problem with The Book Thief is that it feels as though Brian Percival (known for his work on Downton Abbey) has narrowed the whole story to the confinements of a stage play. Okay, one can still make staging methods effective (take Dial MThe problem with The Book Thief is that it feels as though Brian Percival (known for his work on Downton Abbey) has narrowed the whole story to the confinements of a stage play. Okay, one can still make staging methods effective (take Dial M for Murder), but the way the camera moves, the actors enter right to left, the design shuffles as time goes by, all feels robotic and even oppressive. There is a great war going on outside, agreed this film isn’t directly intended to expose the war effort, but to signify the unconceivable act of the Nazis in true force one might need to dampen the glamorization of this storytelling.

The structure of the film is designed in such a way that the final act is alive, theoretically, with all the acts. At least, you can be sure to be awoken by the final 30 minutes of tailored clichés interweaving disaster and relief. I can admire the day-to-day life of our book thief Liesel Meminger (played by Sophie Nélisse), the core of the story, and her fascination with what lies beyond and above (she finds in the written word). This is, in fact, the most enjoyable aspect of the film, not to mention how well Sophie Nélisse holds everything together with her perceptive performance. The Book Thief feels alive and then the final years of the war are crammed into one act, an act spreading an entire story arc, an arc that would be better suited to capturing a separate film. It was never going to be an easy book to adapt.

The film begins with the voice of death (narrated by Roger Allam), a voice instantly recognizable and a voice that will no doubt shadow the entire film. However, this voice seems irrefutably naïve to the story it is telling. It takes a nap for a few years before coming back and interrupting the film three quarters of the way through. The film has made every effort to immerse its audience only to be pulled out of the picture by the voice of death shrewdly reappearing, perhaps to remind us that there is indeed a war going on outside of the street where Liesel lives.

The cast is occupied with pleasantly accomplished performers (Geoffrey Rush, Emily Watson), however the Germanic approach of the film is inconceivable to any admirable performance. “Nein” is apparently a plausible word in the English language? My take would be that if you are going to speak any German, then I want to see the whole film in German. And, in fact, I would have very much loved to see this film in German. Part of the disposition from the horrors of the depicted reality is bred from the fact that our characters are reciting English (could you imagine watching Downfall in English?). Consequently, and for other reasons mentioned, this film doesn’t sink its claws deep enough. It balances on the rope of knotting together a less frightening past.

I must note that the ending is fatefully superfluous. The tracking of the camera, in a present day, past mature pictures of a prosperous Liesel is grossly implemented by an ostentatious white iMac pulling apart the skin of the entire screening before us. This concentrated product placement, led by the palpable apple logo, was scornful to the foundations of the story and was the only symbol reminiscent on my mind as I left the cinema. Couldn’t the final assemblies of the budget have come from elsewhere?

I wish to admire this film, but it doesn’t attempt the depth required of a child’s eyes on the horrors of a war; don’t look for such a powerful picture as The Boy in the Striped Pajamas. There were moments in which I obtained a deep affection for the family, their love of the lost and found. Yet, I feel that all along I was perhaps searching for a different movie altogether.… Expand
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8
choc_raisinsMar 20, 2014
I always feel somewhat inadequate writing about movies with a massive understanding of their place and time. Perhaps it's an inferiority complex I carry around with me, questioning my own ability to pass judgement (such as it is) on a subjectI always feel somewhat inadequate writing about movies with a massive understanding of their place and time. Perhaps it's an inferiority complex I carry around with me, questioning my own ability to pass judgement (such as it is) on a subject I am never going to fully appreciate and, if we're honest, have no right to pass comment on whatsoever. How very dare I sit, critically finger-pointing, at something that I have absolutely no comprehension of? It's like asking my ten-year-old to judge figure skating at the winter olympics.

Approaching the all round general unpleasantness of the second world war in film is never an easy task, as it still holds a massive amount of importance to many, and rightly so. You need to be on your game, as events touched millions of people so radically that any apparent sign of disrespect, be it by a lackadaisical approach to storytelling or maybe an ambivalent nonchalance to the feelings of an audience most likely highly invested in its telling, would speak volumes about not only a lack of attention, but also cinema's duty of care to remember not only those featured, but all of those that go unmentioned.

Unusually, the story we are told here is from a perspective less viewed. This is the story, predominantly, of a young german girl, Liesel (Sophie Nélisse) separated from her mother and tragically from her brother shortly before the onset of war. The reasons for their estrangement are never conclusively revealed, but it is hinted on occasion that her mother was rumbled for being a communist and subsequently disappeared with the shadowy aid of Hitler's minions. Liesel is adopted by the Hubermans, Hans (Geoffrey Rush) and Rosa (Emily Watson). Hans is an unemployed and aging accordion player with an honest heart and a caring soul. Rosa does other people's laundry to make ends meet, has a sharp tongue and little patience. She makes no secret that adopting Liesel was for financial gain, due to the allowance provided by the government for such care.

And it is here that we spend most of the running time, as Liesel is introduced to education. She learns to read, aided buy the loving Hans, who creates an opportunity for her to create her own dictionary of words on the walls of their basement. Liesel, initially fearing her new surroundings becomes more comfortable, makes friends (and the odd enemy) and integrates herself into this little town with as few ripples as possible.

She strikes up relationships easily as her happiness expands and the audience cannot help but smile as this sweet, radiant child begins to enjoy life for what seems like the first time. And then, without warning, Percival will have our lead dressed in the uniform of what has become a symbol of hatred and fear, singing songs praising the Fuhrer. This comes, of course, out of a childhood innocence and a over-riding sense of impending fear of speaking out, but the innocent vision turned mindless, wanton evil, even defended by ignorance is often a jarring juxtaposition for the audience to deal with. When the war inevitably arrives, then we are afforded the trials that come with a nation under siege. Normally, our English speaking souls would be watching the valiant endeavours of our brave soldiers fighting against the evil Reich, but here, the war is a bit player that does not feature as much as it might. There are air-raids and conscription, not to mention a fair degree of destruction and death, but for a young girl, this is as an accurate representation of her experiences of wartime in her home town as we could feasibly expect to witness.

Director Brian Percival has done a truly admirable job, recreating a mostly happy perspective. Even in times of hardship and strife, normal lives continued to be normal, as much in this little german town as anywhere else in Europe at that time. Percival's skill here is making the war a subtle, circling monster in the life of a girl that has no real understanding of what earth-shattering events are going on around her.

When this newly formed family unit takes in a young Jewish man because of a promise made in another time, Rosa's first thought is to turn him in, concerned that food is already scarce and her soup would become even thinner with an extra mouth to feed. Hans is resolute, however, and the young man is nursed back to health as Liesel warms to him, as a sister to an older, unfamiliar visiting brother.

Nelisse's performance as Liesel is excellent, rounded and complete. It may just be fifteen or twenty minutes too long. Overall, however, a very satisfying experience all round.… Expand
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7
SodaPopLuvaApr 16, 2014
While this film definitely had it's flaws, it was enjoyable and worth watching. The first flaw is that it the entire movie was fairly slow, which may or may not actually be a bad thing. The main flaw is how they leave so many details out asWhile this film definitely had it's flaws, it was enjoyable and worth watching. The first flaw is that it the entire movie was fairly slow, which may or may not actually be a bad thing. The main flaw is how they leave so many details out as well as some of the aesthetic details. More than a few years progress in the story and yet the only thing that changes in the main character is her hair style ans maybe a bit of makeup. Many story details are left unresolved such Max's story and the girl's mother.… Expand
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7
GarfoodleSep 14, 2014
Surprisingly, its quite good. It has some pretty heavy political commentary throughout, but really, the story of Lisel, her foster parents, and her friends is an interesting and engaging one. Its moving from time to time, and equallySurprisingly, its quite good. It has some pretty heavy political commentary throughout, but really, the story of Lisel, her foster parents, and her friends is an interesting and engaging one. Its moving from time to time, and equally enjoyable. If you like this sort of movie, WW2 movies not focuses on the fighting, then this one is a must-watch, If your looking for something to watch with your parents, or your kids, then the same applies. Just don't go in expecting the best movie in the world.
Also-This movie is 2.5 hours, and it does tend to drag on from time to time… Expand
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5
clayscottbrownJul 21, 2014
The Book Thief, is a whimsical sort of film that I thought was going to have magic in it, I kept waiting for something to happen, besides the usual Western vibe of THIS IS BAD/THIS IS GOOD!

The Hitler movies without Hitler are not asThe Book Thief, is a whimsical sort of film that I thought was going to have magic in it, I kept waiting for something to happen, besides the usual Western vibe of THIS IS BAD/THIS IS GOOD!

The Hitler movies without Hitler are not as interesting.

This time it's a German Girl living with a family who decide to take in a Jewish man about 20 something... they hide him in the basement.

It's a fair film but I found it quite dull.

VERDICT: CHICK FLICK!… Expand
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9
FusionNFireJul 31, 2014
I had never read the book before and honestly, I wish I had. This film was beautiful from start to finish. The acting was incredible and the story was literally an emotional rollercoasters with constant ups and downs! This film showed thatI had never read the book before and honestly, I wish I had. This film was beautiful from start to finish. The acting was incredible and the story was literally an emotional rollercoasters with constant ups and downs! This film showed that you do not need cgi to make a film worth watching. If the story is good...which it was...and the acting is exceptional then naturally us as audience members will enjoy the ride. I highly recommend everyone of all ages to watch this masterpiece.… Expand
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7
vikesh2206Dec 9, 2014
Brian Percival's flimsy portrayal of the horrors of World War II is masterfully concealed by superb acting and a warm, touching tale of war visualized through the eyes of a child.
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8
mbelizecNov 6, 2014
The book thief is a war drama based on a bestseller. It is warm story about a girl who live during WW2. It makes you wonder about who we are.... how can people became so evil and so blind... what makes us do the things that will hurt othersThe book thief is a war drama based on a bestseller. It is warm story about a girl who live during WW2. It makes you wonder about who we are.... how can people became so evil and so blind... what makes us do the things that will hurt others beyond repair. It is definitely movie to watch again. You will not find answer to those questions, but you will think and ask yourself the same things over and over again.. it is also a movie about unconditionally love and good in the evil times of the third Reich. At the time of fear their is a love, laughter, joke, people who don't judge others by religion, skin color. There is an light of hope for humans. I will definitely read a book. :)… Expand
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10
FSimmerNov 22, 2014
"A Menina Que Roubava Livros" é impressionante. Ótima fotografia, intérpretes impressionantes e uma história de arrepiar. Emocionante e muito bem feito, tiro o chapéu pra essa obra-prima.
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10
blupacDec 19, 2014
This is clearly a film aimed at a younger audience and it sticks to this throughout. They have told the story through the childs eyes hence the lack of blood and gore some critics crave. Sophie nelisse will be a major player in the filmThis is clearly a film aimed at a younger audience and it sticks to this throughout. They have told the story through the childs eyes hence the lack of blood and gore some critics crave. Sophie nelisse will be a major player in the film industry in the future, demonstrating a natural talent for the big screen, appearing to carry her role with seemingly effortless ease. It was not my type of film as i prefer a more gritty, hard hitting retelling of world war 2. It is aimed at children and for that i believe it was perfectly produced and entirely believable.… Expand
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10
slimbillFeb 14, 2015
This is one of the best movies I have watched in my life and it left a positive impression on me. Amazing characters with a compelling narrative. You can't help but be drawn into the world of the characters. It forces you to see the worldThis is one of the best movies I have watched in my life and it left a positive impression on me. Amazing characters with a compelling narrative. You can't help but be drawn into the world of the characters. It forces you to see the world through their own eyes and leaves you a better person. I haven't read the book but the movie left me itching for it. I highly recommend this movie.… Expand
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6
MrMovieBuffMay 13, 2016
'The Book Thief' means well, it's an innocent film depicting a little girl's point of view of the war, so that means we will not be seeing a graphic view of the combat and violence of these horrific events that take place.

Directed by'The Book Thief' means well, it's an innocent film depicting a little girl's point of view of the war, so that means we will not be seeing a graphic view of the combat and violence of these horrific events that take place.

Directed by Brian Percival (of 'Downton Abbey'), he adapts the widely acclaimed novel by Markus Zusak, Percival sets the ideal tone of the movie. The movie focuses on a young girl named Liesel Meminger (Sophie Nelisse) who meets her new foster parents (played by Geoffrey Rush and Emily Watson) and tries to get comfortable in her new home. She begins to grow closer towards her foster father as he notices that she collects a lot of books. However, it seems that she is not quite as literate and nor is he, so they develop a sort-of school in the basement of their home and learn how to read.

Later on, we meet a young, Jewish man named Max (Ben Schnetzer) who is a refugee and stays with the family. Liesel develops a friendship with the innocent man, discovering that they share a love for reading. Liesel even runs away to a hidden library somewhere to take some books and read them to Max for comfort. During her journey, she meets a young boy named Rudy (Nico Liersch) who doesn't mind getting into trouble for her, he seems infatuated, and so does she.

This is a warm film, filled with some touching moments and is well acted...it has hints of being the next 'Hugo' (2011), but what does hold it back is its ability to emphasize on the horrors of the war, even though this isn't that kind of film, a lot of things seemed to be glossed over. There is an emotional impact throughout this movie, and it does its job to hold your attention for longer than possible. I guess, at times, it feels empty, almost like opening a shiny wrapped present, but what's inside is a box full of accessories, but not the product itself.

It's a film I wanted to love...but I just admired it.… Expand
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9
kat267Sep 30, 2015
I had to read The Book Thief for class and it is one assigned book which was surprisingly enjoyable. The movie was just as enjoyable and followed all the book's key themes very well. The ending is honestly the best scene, the emotions andI had to read The Book Thief for class and it is one assigned book which was surprisingly enjoyable. The movie was just as enjoyable and followed all the book's key themes very well. The ending is honestly the best scene, the emotions and feelings are almost tangible, and though I cried, it was worth it to see that scene played out. A strong, moving film that I highly recommend.… Expand
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10
CharlieBetterIsDec 26, 2015
This review contains spoilers, click expand to view. Um dos melhores filmes que eu já assisti. Mesmo cortando algumas partes, o filme foi bem fiel ao livro o tanto quanto pode. Contou verdadeiramente a história de Liesel, que sua paixão com os livros começou com a morte de seu irmão. Emocionante, ele reflete bem o que o regime nazista fez com os alemães. Maravilhoso!… Expand
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6
MoviesR_OKOct 22, 2017
Well, the movie was nice to watch. It had some nice sentimental moments and it does make you have emotions inside and feel for the movie. However, the opening scene was pretty horrible. Coupled with Liesel's screaming and her brother dying,Well, the movie was nice to watch. It had some nice sentimental moments and it does make you have emotions inside and feel for the movie. However, the opening scene was pretty horrible. Coupled with Liesel's screaming and her brother dying, made me feel like I was watching a horror movie. Everything was decent except the opening scene.… Expand
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9
DawdlingPoetNov 20, 2021
I thought this film was very good - the story I thought was particularly good, as I felt the characters were quite likeable, even the stern and very strict foster mother, Rosa, who seems unnecessarily harsh but in time we learn some of theI thought this film was very good - the story I thought was particularly good, as I felt the characters were quite likeable, even the stern and very strict foster mother, Rosa, who seems unnecessarily harsh but in time we learn some of the reasons why she is so. I felt that this film did well in portraying life in one part of Germany during the years it covers - personally, I was relieved that it didn't cover, especially in any graphic sense, the more horrific elements of the war, as I've seen some pretty unpalattable war footage (real and fictionalised) in the past and I try to avoid very upsetting films. I felt that this film did a great job of portraying things how they must have seemed, if we were the main character, that of Liesel.

I thought it was generally quite atmospheric - I enjoyed certain scenes set in large houses, where, for example, a large library is shown, with tall rows of shelves and a sliding step ladder for accessing one higher up. Visually it was a good watch. I thought the music used was well chosen - it didn't seem overbearing or too cheesy. It mostly consists of classical music played in the background of key scenes, although you do also hear the father figure, Hans, play the accordion on some ocassions as well. Cast wise, Sophie Nelisse plays the main character, Liesel. I felt she gave a great performance - she looks very much the innocent young child, trying to make sense of what may have happened to her mother and what may lay ahead, of what the future holds. She seems quite confused and angry at times and she seemed to play her role very convincingly. It would be hard not to feel emotionally concerned/attached to her, to some extent. I found myself feeling quite sorry for her when it became clear that she struggled to read and I found it heartening that she has such an interest in reading, probably mostly as I read quite a lot myself.

Emily Watson plays the no-nonsense mother figure, Rosa. As already mentioned, she seems quite stern and looks the part of a maternal disciplinarian, thus I think she did well in this role. Meanwhile, Geoffrey Rush plays Hans, the father figure. He seems at first perhaps a bit gruff, a little bit of a loner of sorts maybe, keeping himself to himself when not with Rosa but he clearly becomes attached to Liesel and I liked the interaction between the two characters, when one tries to help the other. It felt, to me, like quite a realistic family relationship, I'd have thought. Other cast members include Nico Liersch as Rudy Steiner, Liesel's good friend and Ben Schnetzer as Max Vandenburg. The film features some ocassional narration, with some witty dialogue. It is relatively thought provoking. Overall, it is inevitably somewhat sobering but it is a quality film, well made. If I had to criticise it, then I'd say that there are one or two plot details which I felt seemed a little 'convenient' and perhaps didn't feel entirely realistic (a case of 'would that really have happened like that?') but otherwise, there's little for me to complain about or criticise really.

Content wise, there is relatively little likely to especially offend or upset people, aside from the main war based theme but then, as I've said, this film doesn't focus on the most horrific elements of it, which may be a relief for some (me included). However, there is some mild violence, with fist fights shown and some instances of bullying, plus there are some corpses shown but there is no nudity and such people aren't shown with any kind of bloody injury or wounds, also said corpses are of people recently passed, so they aren't as horrific to view as perhaps footage in other (war related) films. There is little in the way of offensive language and there are no sex references. In light of this, the film has been given a 12a rating in the UK.… Expand
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8
Gamzguy17Aug 21, 2021
'The Book Thief' demonstrates that hope and happiness can still grow to be prosperous even in the worst of times and those worst of times are firmly addressed here where the darkness quite literally narrates the entire film. Strong highlights'The Book Thief' demonstrates that hope and happiness can still grow to be prosperous even in the worst of times and those worst of times are firmly addressed here where the darkness quite literally narrates the entire film. Strong highlights include all the actors involved and the well-shot environment.… Expand
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