Springsteen: Deliver Me from Nowhere
20th Century Fox | Release Date: October 24, 2025 CRITIC SCORE DISTRIBUTION
59
METASCORE
Mixed or average reviews based on 51 Critic Reviews
Positive:
25
Mixed:
26
Negative:
0

Critic Reviews

Critic scorePublicationBy date
60
iFrancesca SteeleOct 28, 2025
The Bear’s Jeremy Allen White plays Springsteen in a performance that hits all the right beats, including some enjoyably sweaty, raspy musical set pieces (White sings the numbers himself), without ever elevating the role to anything greater. Read full review
60
Radio TimesTerry StauntonOct 23, 2025
Deliver Me From Nowhere works best when it’s small, when its sharper focus is on a troubled thirty-something burying himself in the creation of what would become one of his most celebrated records, digging deep into music both haunting and healing. Read full review
60
The Irish TimesTara BradyOct 23, 2025
Despite the best efforts of Graham, menacing in monochrome flashbacks, the sanitised script never truly pins whatever unprocessed trauma is eating at the rising star. Read full review
60
SlashfilmChris EvangelistaOct 23, 2025
This is ultimately a worthwhile musician biopic if only for Jeremy Allen White's thoughtful, tortured performance. He's so damn good playing Bruce Springsteen that you more or less want to forgive the movie its flaws. Read full review
60
Little White LiesDavid JenkinsOct 22, 2025
Where the film suffers is in its lack of a coherent dramatic arc, as it instead chronicles a chunk of time that marks a confluence of small epiphanies and aching fallbacks. Read full review
60
ColliderRoss BonaimeOct 21, 2025
Springsteen: Deliver Me From Nowhere can’t shake what we know about the biopic, but it does at least create some moments and provide some decent performances that make the audience forget about those clichés, at least temporarily. Read full review
60
Screen DailyTim GriersonOct 21, 2025
The picture affirms Nebraska’s stature without shedding much light on the man who brought it to life. Read full review
60
EmpireJordan KingOct 17, 2025
Driven by a boss Jeremy Allen White performance, Scott Cooper’s Bruce Springsteen biopic — just like its subject — finds its true voice once it stops trying to play the hits. Read full review
60
Time OutLeonie CooperOct 16, 2025
If you want American gothic with a side of pancakes, you’ve come to the right place. Read full review
60
ScreenCrushMatt SingerOct 3, 2025
At a certain point, Deliver Me From Nowhere sort of loses the thread of its stripped-down, unadorned approach. Read full review
59
Paste MagazineJesse HassengerSep 30, 2025
Springsteen’s earnestness makes him seem like a nicer, more open-hearted sort than Dylan in A Complete Unknown. It also makes for a less prickly character in a less entertaining movie. Read full review
50
Christian Science MonitorPeter RainerOct 28, 2025
To make us begin to understand the anguish on display here, the movie needed more emotional layers and fewer obvious signposts. Read full review
50
The Travers TakePeter TraversOct 24, 2025
This intriguing fraction of a biopic rises above a clumsy script and stagnant direction on the strength of watching rock icon Bruce Springsteen, admirably played by Jeremy Allen White, show depression who’s the boss. Read full review
50
The RevealScott TobiasOct 23, 2025
Cooper leans toward a chronicle of Springsteen’s depression, which makes sense given his emotional state at the time, but too much of the film is explained when it’s better dramatized. The act of turning angst into music is more dynamic than finding every source for it. Read full review
50
The New YorkerRichard BrodyOct 23, 2025
Cooper’s movie certainly doesn’t make Bruce’s childhood look happy, but in limiting Bruce’s retrospective gloom to the personal realm, it ignores the singer-songwriter’s wider social vision. The movie doesn’t have the courage of the real-life Springsteen’s convictions. Read full review
50
The Film VerdictAlonso DuraldeOct 23, 2025
It’s always applause-worthy when a biopic focuses on a few key years rather than try to tackle the span of a notable life, but Cooper never fully captures the mental anguish or the artistic glory tied up in Nebraska’s creation. It’s as spare as the album it chronicles, but never as subtle or satisfying. Read full review
50
ObserverSiddhant AdlakhaOct 22, 2025
The first and final scenes of any film are vital, and contained within these bookends you can find the entire story of Springsteen: Deliver Me From Nowhere. Unfortunately, nearly everything in between is standard biopic filler and reinforces filmmaker Scott Cooper’s unique position in the Hollywood landscape: he’s a tremendous director of actors and quite unremarkable at most other parts of the job. Read full review
50
Boston GlobeOdie HendersonOct 22, 2025
Springsteen: Deliver Me From Nowhere has enough good material to make you wish it were better. Unfortunately, it owes debts to the biopic genre that no honest film can pay. Read full review
50
Slant MagazineKeith UhlichSep 30, 2025
There are plenty of real-life anecdotes that Scott Cooper draws from Warren Zane’s 2023 book Deliver Me from Nowhere: The Making of Bruce Springsteen’s Nebraska, but they’re filtered through the hoariest of biopic clichés. Read full review
50
VarietyPeter DebrugeAug 30, 2025
The technical side isn’t nearly as dramatic as it sounds, and there’s only limited interest in watching White navigate the icon’s first serious bout of depression. That is, unless one understands just how much that record represents to the next generations of musicians and why. Read full review
42
The A.V. ClubLuke HicksOct 9, 2025
Springsteen: Deliver Me From Nowhere is a slog, confused about the artist at its heart and stuck on unconvincing ideas about his art. Read full review
40
The IndependentClarisse LoughreyOct 24, 2025
Deliver Me from Nowhere’s Springsteen is untouchable and untethered – little more than a bundle of hurt feelings floating aimlessly across the Garden State. Read full review
40
Screen RantGregory NussenOct 24, 2025
The film's best attribute is the romance between Bruce and Faye. White and Young's chemistry is palpable, and Cooper solidly helps us understand why an artist on the verge of overwhelming fame might be interested in a working-class single mother, whose planted smile belies the pain of someone abandoned and bereft. There's a nuance here that the rest of the film sorely lacks and needs. Read full review
40
Wall Street JournalKyle SmithOct 23, 2025
Occasionally the movie does offer up a pleasing little nugget about the creative process, as when Springsteen changes a lyric from the third person to the first: There is glory in such little adjustments. But most of the movie’s backstage material is uninspired. Read full review
40
The GuardianPeter BradshawOct 23, 2025
The film is a derivative, if well intentioned, piece of fan fiction. Read full review
40
LooperAudrey FoxOct 22, 2025
Jeremy Allen White, Jeremy Strong, and especially Stephen Graham do their level best, but they're let down by a bafflingly inept script and unimaginative filmmaking from Scott Cooper. Read full review
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