| Paramount Pictures | Release Date: March 10, 2023 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
31
Mixed:
19
Negative:
3
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Critic Reviews
The latest installment proves 'Scream' still has the chops to outdo itself consistently and cleverly. An effortless balance of dark comedy and intense set pieces make it worth checking out. Come for the return of a beloved franchise, and stay for a killer joy ride through New York City.
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Emotions and brutality are at an all-time high in Scream 6, setting it up to be the best sequel in the franchise yet. Though it does ultimately fumble the reason for Sidney Prescott’s absence, RadioSilence has officially proven that there’s a future for the franchise with or without its original final girl by giving us strong connections to the new Core Four.
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ColliderMar 8, 2023
It finds just the right combination of nostalgia and fresh blood, telling a story that manages to feel familiar in its winks at the past, but breaking with tradition in ways that are exciting and new for this series. Scream VI might be a sequel to a requel, but this franchise still finds new ways to feel original in its approach to this world.
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The GuardianMar 8, 2023
While the film’s ending expects audiences to untie some impossible fan-theory knots, the climax is also packed to the rafters with murder and mayhem and even a little on-the-nose movie-theatre nostalgia, resulting in moments that demand fits of laughter, gasps and, of course, screams.
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The Film StageMar 8, 2023
As a whodunnit it largely works, save one aspect easy to spot miles away. Stakes-wise it’s high, even if it pulls its punches once or twice on who bites the bullet. As a return to form for Scream, this is a sigh of relief––notwithstanding some key issues VI has a freewheeling sense of lunacy, and it’s way too fun to decry.
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PolygonMar 8, 2023
Screen RantMar 8, 2023
Scream VI evokes a different kind of nostalgia, taking what made the franchise's original college-set sequel great and amplifying it to a 10. Scream VI is bloodier, scarier, and funnier, nodding to its past while carving a brutal path forward for Ghostface and the new franchise torch-holders who find themselves at the receiving end of the blade.
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Compared to other franchises that have resurrected their seemingly indestructible purveyors of murderous mayhem long after they should have remained dead and buried (Halloween Ends, anyone?), this latest entry in the ongoing saga of Ghostface demonstrates its premise remains viable, though admittedly showing a few signs of calcification.
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If the last “Scream” movie made noise by wedding the old with the new, Scream VI reinforces how shrewd the producers were in casting the next generation, with Melissa Barrera and Jenna Ortega ably carrying this chapter of horror’s most self-referential franchise. Throw in a new venue and the same old thrills and kills, and Paramount should be slashing all the way to the bank.
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Despite the change of scenery, Scream VI is less a sequel and more a stutter-step, a half-movie with some very satisfying stabbings but no real progress or even movement. It’s like treading water in gore. And to fully enjoy this “sequel to the requel,” you need to have watched most of the others.
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Splattery, puncture-heavy violence — the hard-R rating is earned — alternates with deadening rafts of therapy-speak, including an actual therapy session. But there's no deeper meaning to any of it; the Scream idea, meta to its core, was always a preening celebration of its own cleverness, never mind the occasional half-explored nods to toxic fandom or cancel culture.
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That’s the worst thing about these new Scream films — they couldn’t spook a kitten. They’re much more concerned with so-so jokes and overly geeky observations about the horror genre. Yes, Scream always commented on other scary movies, but never so obnoxiously and repetitively as now.
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