| Columbia Pictures | Release Date: June 19, 1987 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
15
Mixed:
3
Negative:
1
|
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Critic Reviews
Brilliant and hilarious. [29 July 1987]
I can't think of a current movie in which every element is in such balance: Martin seems unfettered, expansive, utterly at ease, capable of any physical feat (except possibly drinking from a wine glass without a straw). There's a tenderness to him that's magnetic. Daryl Hannah's Roxanne, an astronomer, is smart and sublimely beautiful all at once, her skin apricot-colored in this mountain sun, her face rhapsodic as she talks about muons, gluons and quarks.
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Roxanne is the most unabashed, and most satisfying, romantic movie to come along in years. It's a swooning, delicate, heart-on-its-sleeve work. And so fulsome is its tenderness and naivete' that it requires a leap of imagination from the viewer to get on its wavelength. Few recent movies, though, reward the stretch as this one does.
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Roxanne is a charmer. Sweet-spririted, relaxed, it's a sun-dappled romantic comedy that doesn't scream Laugh! [22 June 1987, p.73]
Something is missing in Roxanne. The greatness of Rostand's play was that it touched, underneath Cyrano's panache, a place of deep yearning, a heartwarming truth about human loving. Martin and Schepisi are satisfied with the shine. [19 June 1987, p.D1]
A pleasant surprise. It's a gentle, unforced adult comedy that capitalizes on situations rather than gags. [19 June 1987, p.1D]
Martin, who wrote the pretty-funny, too-soppy script, means to drink from the river this time. He wants it all: laughs, tears, low comedy, uplift. It doesn't quite happen, partly because the movie begs for poignance like an orphaned puppy, partly because modern plastic surgery makes the plot anachronistic, partly because, even with his Cyranose, C.D. is a darned sight more attractive than his beefy rival. Aaaahh, who cares, as long as Steve Martin gets a chance to strut his physical grace, wrap his mouth around clever dialogue, clamber up to rooftops like a Tarzan of the Northwest, give new life to the old-fashioned nobility of the love letter, and drink wine through his nose?
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You want to go to the town; you want to go back to the movie. It has a mellow, dotty charm.
It takes a party pooper to point out that it's not very
good. But this is one party that people familiar with the play -
especially people familiar with Heath Lambert's memorable performance in
the title role - would do well to pass up: every addition to the original
results in subtraction. [19 June 1987]
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