| Warner Bros. | Release Date: March 29, 2018 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
33
Mixed:
22
Negative:
1
|
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Critic Reviews
The GuardianMar 28, 2018
It’s a film in which Spielberg’s traditional reverence for the wonder and idealism of youth has had to compromise with wised-up survivalist toughness of the new YA mode. But what extraordinary visuals this films conjures up, with images that appear and disappear like quicksilver memes.
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An even more callow cousin to Steven Spielberg’s The Adventures of Tintin, Ready Player One combines motion-capture performance with state-of-the-art animation to free the filmmaker from the constraints of the traditional, live-action format. Yet form seems to be about all the movie is really interested in.
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Ready Player One has no obligation to be a rigorous intellectual exercise, even if it amounts to a wasted opportunity to explore who else might steer tech, and society, toward greater equity. But it doesn’t have to be so facile, either. Maybe next time the screenwriters shouldn’t set the difficulty mode to “easy.”
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The joy of Ready Player One does indeed come from its world-building and kaleidoscopic mashup of pop culture—what Spielberg would likely dub its “movie” elements.... At a certain point, though, Ready Player One wants to be appreciated as a film as well as a movie, no matter what Spielberg says. And that’s where it begins to falter.
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