| Pantelion Films | Release Date: May 4, 2018 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
3
Mixed:
14
Negative:
10
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Critic Reviews
Overboard has been made with enough bubbly comic spirit and skill that the gender switch turns out to be a smart move, from both an entertainment and commercial vantage. Like the original, the new version is a snarky situational farce that evolves into a cheese-dog fable of home and hearth, and the role reversal lets it feel halfway fresh.
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The snotty rich bastard? That role goes to Eugenio Derbez, Mexico's biggest star, who's allowed to speak a big chunk of his dialogue in Spanish, complete with subtitles. It's the one original idea that this retrofitted Overboard has to offer. The rest of the movie wears out its welcome muy rapido.
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First-time directors Bob Fisher and Rob Greenberg start off with a movie so dull it threatens to vanish from the viewer's memory before it's even finished. Things get better midway through, with the directors' screenplay finally playing to the talents of at least one of its stars, Derbez.
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It all adds up to a bicultural comedy that is good-natured if not especially or consistently well-written. The movie takes too long to get moving, stays a tad too long, and efforts to retrofit the movie as a vehicle for Derbez come at the expense of Faris, a talented comedian who has very little to do here.
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