Obsession
Columbia Pictures | Release Date: August 1, 1976 CRITIC SCORE DISTRIBUTION
59
METASCORE
Mixed or average reviews based on 10 Critic Reviews
Positive:
5
Mixed:
5
Negative:
0
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Critic Reviews

Critic scorePublicationBy date
75
Chicago Sun-TimesRoger Ebert
Sometimes overwrought excess can be its own reward. If Obsession had been even a little more subtle, had made even a little more sense on some boring logical plane, it wouldn't have worked at all. Read full review
75
Chicago ReaderJonathan Rosenbaum
There's nothing in the aesthetic and neo-Freudian delirium within hailing distance of Vertigo, and the plot's often more complicated than complex, but Herrmann's overpowering score and De Palma's endlessly circling camera movements do manage to cast a spell. Read full review
75
Slant MagazineEric Henderson
Bujold’s enthusiasm as a performer redeems the entire picture, especially when she’s asked to perform flashback scenes that shouldn’t work, but, thanks to her, represent another of De Palma’s fearlessly experimental whims. Read full review
70
The A.V. ClubNoel Murray
The heightened luridness of Obsession does succeed in making Vertigo’s twisty plot seem all the more inessential to that film’s power. What both movies do is cut a tale of murder and madness down to its essence, exploring characters who’ve been damaged by social expectations and their own desires. Read full review
70
VarietyStaff (Not Credited)
Robertson’s low-key performance is as crucial to the manifold surprise impact as Bujold’s versatile, sensual and effervescent charisma. Read full review
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