| Columbia Pictures | Release Date: June 23, 2023 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
29
Mixed:
17
Negative:
4
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Critic Reviews
In the hands of director and Stevenson High School grad Gene Stupnitsky (“Good Boys”), who co-wrote the screenplay with John Phillips, this is a hit-and-miss romp with just enough wit and heart to carry the day over the utterly predictable plot and the occasional bit of physical comedy that misses the mark.
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SlashfilmJun 21, 2023
No Hard Feelings is enjoyable because Jennifer Lawrence is still one of the most delightful actresses of her generation. (At one point, another character dryly dubs her "America's sweetheart," but the moniker does kind of fit in a sincere way.) She's well matched by Andrew Barth Feldman here; their performances are what make this film work.
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No Hard Feelings ends up belonging to Andrew Barth Feldman, who very soon may be one of Hollywood’s go-to leading men (following his year-long stint as the titular role in Dear Evan Hansen). Despite the script’s slightly jumbled ending, Feldman aces his character’s transformation, and finds dozens of moments to truly shine.
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In its quieter moments, No Hard Feelings gestures towards real emotion. More often than not, though, it gets sidetracked by chaotic set pieces, with naked fistfights (the actress, surprisingly, goes full frontal here), mace sprayings and even an ingenious homage to The Shining, working Lawrence’s knack for slapstick to the funny bone. It’s fleeting fun, when a bit more honesty and candor might have made it her answer to Young Adult.
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This R-rated sex farce only plays at being dirty. Behind the carnal jokes lurks a Hallmark heart. But a never-friskier or funnier Lawrence, as a 30-ish Uber driver hired to seduce a college-bound kid (terrific newcomer Feldman) is well worth the price of admission. The rest gets a hard pass.
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RogerEbert.comJun 22, 2023
If it wasn't for Lawrence and Barth Feldman's joint comedic excellence, with their commanding charm and chemistry fueling its laughs, No Hard Feelings would have been a disaster. But thanks to them, it's a serviceable summer comedy that should keep the J. Law lovers happy, even though her talents are better used elsewhere.
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In between the nudity and four-letter words, the film looks seriously at grief, arrested development and economic inequality, and there’s a sweet rapport between the two leads. A series of irritating plot twists and a predictable trajectory ultimately undercut Lawrence’s bravely brash portrait of a woman going nowhere fast.
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Movie NationJun 21, 2023
The TelegraphJun 21, 2023
It’s not simply that its various comedic scenarios aren’t funny (though they aren’t); or that all of its would-be snappy one-liners drop on the floor like wet socks (though they do), or that the timing is so off that it feels like the film was edited with a spork. It’s that nobody on screen, Lawrence included, seems remotely invested in the exercise in the first place.
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The PlaylistJun 21, 2023
The flaccid script, co-written by Stupnitsky and John Phillips (“Dirty Grandpa”), addresses timely subjects like income inequality, helicopter parents, Gen-Z’s addiction to screens, and the compulsion to record everything, but never actually seems to have a point of view on any of these subjects. Instead, this shallow film uses these topical issues to propel its characters from one preposterous comedy set piece to the next.
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