Men, Women & Children
Paramount Pictures | Release Date: October 1, 2014 CRITIC SCORE DISTRIBUTION
38
METASCORE
Generally unfavorable reviews based on 36 Critic Reviews
Positive:
5
Mixed:
19
Negative:
12
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Critic Reviews

Critic scorePublicationBy date
60
Total FilmKate StablesJan 9, 2015
Reitman’s topical and melancholy drama is commendably ambitious. But its OTT plotting and alarmist tone make it a Reefer Madness for the Instagram generation. Read full review
60
The GuardianHenry BarnesSep 13, 2014
A huge improvement on the muddled melodrama of Labor Day, Men, Women and Children is still a flawed Jason Reitman film. Its scope is too big, his ambitions too high. Read full review
50
St. Louis Post-DispatchJoe WilliamsOct 16, 2014
There’s a good movie to be made about the alienating effects of modern technology. In 2013, a little-seen indie called “Disconnect,” starring Jason Bateman, came closer than this well-intentioned failure, which has virtually no heart, humor, sense of place or central point of view. In trying to be a big, important movie, Men, Women & Children is about none of the above. Read full review
50
Miami HeraldRene RodriguezOct 16, 2014
The problem with Men, Women & Children — and it’s a big one — is that the movie isn’t telling us anything we don’t already know. Read full review
50
Philadelphia InquirerSteven ReaOct 10, 2014
Men, Women & Children isn't a cartoon. It wants to be real, terribly. Instead, it's just terrible. Read full review
50
Washington PostAnn HornadayOct 9, 2014
To its credit, Men, Women & Children seems to allow for a rational middle ground between technophobic Luddites and the lamentably over-wired. It never turns down the moral panic entirely, but neither does it let it completely boil over. Read full review
50
The New YorkerDavid DenbyOct 6, 2014
Reitman is a witty filmmaker, but here he seems a little disconnected, too. Read full review
50
USA TodayClaudia PuigOct 2, 2014
Audiences could use a wise and probing movie about the meaning of our increasingly digital, techno-juiced lives.Men, Women & Children is about half that movie. Read full review
50
Boston GlobeTy BurrOct 2, 2014
It’s one of those multi-character morality plays — think “American Beauty” meets “Crash” — and it will play especially well to freaked-out parents, even as it distances itself from them by acknowledging that the kids (most of them, anyway) are all right. Read full review
50
Chicago TribuneMichael PhillipsOct 2, 2014
All of it is plausible, if one were to break the narrative into its component parts; together, though, those parts resemble "Babel" or "Crash" or other determinedly topical mosaics that end up falsifying their own concerns. Read full review
50
Entertainment WeeklyChris NashawatyOct 1, 2014
The problem isn't so much what the film is saying but its shrill, alarmist tone. You don't have to be a sociological genius to look at all of us walking down the street like zombies, obliviously staring at our smartphones, and know that something's wrong. Read full review
50
McClatchy-Tribune News ServiceRoger MooreSep 30, 2014
There are a TV season’s worth of soap opera betrayals, melodramatic traumas and blundering efforts to learn from and escape this media miasma. Read full review
50
The New York TimesA.O. ScottSep 30, 2014
Veering between alarmism and cautious reassurance — between technohysteria and shrugging, nothing-new-under-the-sun resignation — Men, Women & Children succumbs to the confusion it tries to illuminate. Read full review
50
VarietyJustin ChangSep 13, 2014
This painfully well-meaning but largely unpersuasive bid for cross-generational understanding feels at once of-the-moment and too obvious by half, like a less overblown version of “Crash” for the information superhighway. Read full review
42
IndieWireEric KohnSep 13, 2014
Men, Women and Children is so married to the idea of humanity's insignificance that it presents support for that argument with its very existence. Read full review
42
The PlaylistKevin JagernauthSep 13, 2014
It's a shame Reitman goes down such a dull and tired road with his movie, because the cast give some really nice turns. Read full review
40
EmpireHelen O'HaraDec 1, 2014
Both heavy-handed and ham-fisted, this is a self-important morality tale where you can see everyone's uppance coming long before it arrives. Read full review
40
New York Magazine (Vulture)Bilge EbiriOct 5, 2014
The real problem is that the film doesn't know what to do with its depiction of life in the interconnected age. It’s a nothing movie. Read full review
40
Time OutJoshua RothkopfSep 15, 2014
The first Reitman film to make the 36-year-old director seem about 400 years old. Read full review
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