Magnolia Films | Release Date: November 11, 2011
6.7
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Generally favorable reviews based on 537 Ratings
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363
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75
Negative:
99
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8
jimmytancrediNov 15, 2011
Some say that this is the most sensitive film by Lars von Trier (and who attribute it to a certain "maturity from the director"), a filmmaker who is famous for hype (which I love). Perhaps because it has been this strange feeling ofSome say that this is the most sensitive film by Lars von Trier (and who attribute it to a certain "maturity from the director"), a filmmaker who is famous for hype (which I love). Perhaps because it has been this strange feeling of contentment and discontent. Each of the leading film is meticulously disguised, which leads to two paths: Lars wanted to communicate something through acts apparently trivial or these acts were banal alone and nothing else? I believe the first guess, since the director's job has always followed this line. Would Justine's father be a humanized version of God? One to whom all turn when they need, but isnâ Expand
2 of 4 users found this helpful22
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0
aj4xNov 14, 2011
Probably one of the worst movies I've seen in my life. What exactly is the point of it and what exactly does it show? I might as well watch paint dry.
7 of 20 users found this helpful713
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0
JayManNov 14, 2011
Unbearably tedious, pretentious crap. You may 'enjoy' it, or relate to it if you suffer from depression, but otherwise steer well clear. This is 2 hours of sheer nothingness.
12 of 29 users found this helpful1217
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4
MikeMoNov 13, 2011
This review contains spoilers, click expand to view. First, the positive things. I thought Kirsten Dunst and Charlotte Gainsbourg did wonderfully with their roles. This was a major departure particularly for Ms. Dundst, who truly threw herself into this movie and gave it her all.

Before I go on, I'm looking at this movie against the framework of how believable the actions portrayed in this movie are compared to how normal folks would react to such severe trials. if someone is going to look at a movie like this, I think my concerns are valid. If you're going for a more allegoric view, my concerns will probably not ring true.

Call me overly practical, but throughout the movie, I kept questioning the plausibility and realism of the actors actions. To start out with, we have Ms. Dunst's character at her wedding. In a matter of a few hours, she goes from total happiness to abject depression, wandering aimlessly around and throwing the marriage away. How realistic is it that a person would take this severe turn of mood in a course of a few hours? Why would the groom not notice things were going strange, and pull her aside and talk to her privately? Great artistic conceit, but I just thought it was strange.

Later as the planet Melancholia came closer, the wife (Gainsbourg) was reading on the internet about the coming disaster, and her husband chided her about buying into something what experts said would not happen. Here we have her family and sister sitting on an information island, no TV or Radio news, no newspapers, the help doesn't say anything, these folks are behaving as if they're the only ones who notice this gigantic planet on the horizon. Again, stretches credulity to believe that they would or even could operate in total isolation like this.

Then, as the disaster gets closer, their butler does not show up - "strange, he never misses work". We have a massive planet coming out of nowhere, no power, the help isn't coming to work (but we're still bathing - let's hear it for cold baths!), and nobody thinks to maybe go to town and see what's happening. Nope, let's just have lots of dark stares, discuss the earth is filled with evil people, etc. Now, before I get flamed by everyone for missing the key "deep messages" of this movie - the isolation of depression, acceptance of fate, how optimism breaks under severe tests of fate - I know that's what the director was aiming for. I just kept thinking to myself, if I saw a planet racing towards me, I'd be spending time with family and friends saying final good byes, reflecting on my life, and staying abreast of current news developments. Not seeing any of these activities, even in passing, undercut the movie for me.
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3 of 9 users found this helpful36
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6
wishmasterNov 13, 2011
Rare movie did not understand the conecccion wedding with the rest frame of the movie, though was very good work, I felt I was seeing the tree of life 2 .... but the third part of the movie left me stunned, scared, wrapped in despair that heRare movie did not understand the conecccion wedding with the rest frame of the movie, though was very good work, I felt I was seeing the tree of life 2 .... but the third part of the movie left me stunned, scared, wrapped in despair that he shared with Claire ... cheers for Dunst and Gainsbourg were fantastic, great. Expand
11 of 16 users found this helpful115
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7
lahaineNov 13, 2011
Melancholia is a rightly titled spectacle that follows a family in the final days of human existence. Its a sweeping science fiction melodrama that I would probably find difficult to watch again, but remains a strong film due to its denseMelancholia is a rightly titled spectacle that follows a family in the final days of human existence. Its a sweeping science fiction melodrama that I would probably find difficult to watch again, but remains a strong film due to its dense story telling and deep character studies. And deep those characters were; Gainsbourg and Sutherland played their complex roles with skill and precision. And special applause to Kirsten Dunst who gives a powerhouse performance, it would be a shame if she does not receive some awards recognition this year, despite the atypical nature of the movie. This is simply a very good art-house film, that challenges its viewers. Expand
5 of 7 users found this helpful52
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10
poelease22Nov 13, 2011
This is a mesmerizing, raw, beautiful, damaging look at life just before death and the way different people accept their fate. It's not just your usual what if. Its long, unnerving but consistently sooo cinematic. Brilliance abounds for thoseThis is a mesmerizing, raw, beautiful, damaging look at life just before death and the way different people accept their fate. It's not just your usual what if. Its long, unnerving but consistently sooo cinematic. Brilliance abounds for those who actually have an understanding and appreciation for the ART of filmmaking and are able to let themselves fall in and feel the impact of the emotionally charged performances of Kirsten Dunst and Charlotte Gainesbourg, and briefly John Hurt and Charlotte Rampling. If you have a movie lover's soul you will know after seeing this movie because you wont be able to get it out of your head, its that effecting!!! Expand
6 of 8 users found this helpful62
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0
bjnotnjNov 13, 2011
Bland characters, no personality, and PAINFULLY slow and dull. Stylistically, this was beatuiful, but the story moved slower than a snail, it was stagnant. While I loved Take Shelter and it's barely moving pace, in this film it was simplyBland characters, no personality, and PAINFULLY slow and dull. Stylistically, this was beatuiful, but the story moved slower than a snail, it was stagnant. While I loved Take Shelter and it's barely moving pace, in this film it was simply unbearable. I found it difficult to relate to any of the characters, especially the two leads, Kirsten Dunst and Charlette Gainsbourg, both of whom ranged from annoying to just wishing they would go away. The story itself could have been so much more, if not for the sleep enducing dialogue and lack of speed in which anything at all happened. The highlight was certainly within the last minute where it was clearly, the end...of everything...no more...these bland and irritating characters will be gone forever. Expand
4 of 13 users found this helpful49
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7
JackkNov 13, 2011
I did not understand why this movie has been shot with English spoken actors.
Movie is completely European, made by Europeans, (I think) shot in Europe, so was that necessary to put a little American sauce in?
Besides, it was cool...
3 of 6 users found this helpful33
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10
francescoNov 13, 2011
The movie begins with the wedding party of Justine(Kirsten Dunst)and Michael(Alexander Skarsgard)arranged by her sister Claire(Charlotte Gainsbourg).But what could have been a perfect party becomes an absurd evening due to the increasingThe movie begins with the wedding party of Justine(Kirsten Dunst)and Michael(Alexander Skarsgard)arranged by her sister Claire(Charlotte Gainsbourg).But what could have been a perfect party becomes an absurd evening due to the increasing depression symptoms of Justine.Meanwhile a planet threatens to collide into the earth. Although this movie is surely the most accessible among the movies by Von Trier,some audiences will find it boring and meaningless due to the slowly pace of the movie and its controversial subject.But I think this is one of the best movies of the year with remarkable performances and a beautiful story of characters that makes you feel every inner turmoil.It's not a predictable portrait of emotions that are often bad portrayed in other movies of mental illness and fear.So if you expect dynamic don't watch it.Von Trier is a master and I am sorry for his bad reputation of egomaniac and daring director of movies made only for narrow audience.But nobody can deny that he is one of the most original and fascinating director out there."Melancholia" is a stunning and captivating movie,impossible to forget.I dare to say it's art because there are some poetical moments and moving scenes that are overwhelming.It's almost perfect.The Wagner music elevate this powerful experience.This movie is occasionally too meaningful to be caught by some people who will find it difficult but unique.The acting is absolutely great.Kirsten Dunst is terrific in her complex role.She proved she is an A-level young actress and her win at the last Cannes film festival is completely deserved.An Oscar nomination would be a must for the Academy although I fear that they will snub her in favor of more stereotyped performances and due to the lack of a big studio behind it.Charlotte Gainsbourg is amazing as well even if her role is less showy.The supporting cast(Kiefer Sutherland,Charlotte Rampling,John Hurt and Stellan Skarsgard)is equally great.My vote of the movie is 8/10. Expand
3 of 5 users found this helpful32
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8
MarcDoyleNov 13, 2011
An extremely intense film in its latter half, and a fun and funny film in its first. Kirsten Dunst is getting all the award season hype for her role, but she's not even close to being the best actor in this movie. The always-great CharlotteAn extremely intense film in its latter half, and a fun and funny film in its first. Kirsten Dunst is getting all the award season hype for her role, but she's not even close to being the best actor in this movie. The always-great Charlotte Gainsbourg eats her lunch in just about every scene they're in together. I appreciate what Dunst does with the role, but hey, she apparently had much on which to draw from in her personal life, so I have a feeling it wasn't a huge stretch for her - which was great casting by Trier and company. Kiefer is excellent, and Eric Northman is good in his brief but effect performance. The Wagner score is absolutely terrific. And the sense of impending doom over the last 30 minutes or so is palpable. I can see this being talked about for years to come - for many reasons. Expand
4 of 8 users found this helpful44
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0
eladthegreatNov 12, 2011
Please please please do not believe these people that there is anything to this movie. Something being stylistic does not make it good or deep. Something with depraved sexuality and the end of the world does not make it interesting.Please please please do not believe these people that there is anything to this movie. Something being stylistic does not make it good or deep. Something with depraved sexuality and the end of the world does not make it interesting. Something that is an art house movie does not make it a worthwhile movie. This movie is an empty hollow shell. Behind the classical music and the stylistic shots is absolutely nothing. Don't waste your time. Expand
8 of 20 users found this helpful812
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10
IswearimsmartNov 12, 2011
An author writes what he knows. This definitely rings true for writer/director Lars von Trier, whose new film Melancholia deals with the personal issue of depression.
While it is widely known that Von Trier has suffered from depression,
An author writes what he knows. This definitely rings true for writer/director Lars von Trier, whose new film Melancholia deals with the personal issue of depression.
While it is widely known that Von Trier has suffered from depression, Melancholia doesn't exploit the disturbing nature of the condition but rather presents us with a fascinating observation of how someone suffering from it faces the end of the world.
The film opens with quite possibly the most beautiful and aesthetically pleasing sequence of the year. For the first seven minutes of the film, all that is shown are highly stylized images of characters juxtaposed with the cosmos moving in slow motion. These glorious shots are accompanied by the operatic music of the famous composer Richard Wagner. The montage ends with a shot of the collision of Earth and a massive planet. While the thought of the end of the world is terrifying, Von Trier is somehow able to render it beautiful.
After we watch the annihilation of Earth, the film splits into two parts, the first part titled "Justine." Justine (Kirsten Dunst) is a beautiful bride en route to her wedding reception with her new husband, Michael (Alexander Skarsgård). The reception, to which they are wildly late, is being held in the castle owned by Justine's sister and her husband. The couple appears happy, yet Justine is far from it. It takes everything to force a smile.
Justine has been struggling with depression for a long time, and she hoped finally getting married to Michael would alleviate her problems. How anyone could be depressed when tying the knot with Alexander Skarsgård will probably remain a mystery to the women of the world, but Dunst's effortless performance makes Justine a realistic and tangible character.
Justine's slow downward spiral on her wedding night is painful to watch, but entirely absorbing. At the end of part one, she notices a planet in the horizon that doesn't seem to belong there.
Part two of the movie is called "Claire," after Justine's sister, played by Charlotte Gainsbourg. It's revealed that what Justine saw on her wedding night is a massive rogue planet named "Melancholia." Claire fears that the planet is destined to collide with Earth, but her husband John (Kiefer Sutherland) assures her otherwise.
As Claire struggles to deal with the possible end of the world, she must also care for Justine. Since her wedding night, Justine's depression has worsened to the point that she can barely eat, walk or talk.
Through situational irony, the audience knows the fate of their world, yet it is still fascinating to watch these characters cope. In fact, Von Trier stated that he wanted to show the destruction of Earth at the start, so audiences would focus on the characters instead of their ultimate fate.
With its stunning visuals, impressive acting and wonderful music, Melancholia is one of the best films of the year.
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6 of 9 users found this helpful63
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10
MrtonightNov 12, 2011
one word: beautiful. depressing, convulsive but penetrative. Love Dunst, Gainsbourg and Trier is really a great director. Melancholia is a state of mind.
4 of 8 users found this helpful44
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10
MorriBeyNov 12, 2011
Weird Weird Weird. Wonderful Wonderful Wonderful. It all begins to make sense towards the end so all the questions and confusion of the beginning makes sense. If you are patient enough and curious enough you will be greatly rewarded. MakeWeird Weird Weird. Wonderful Wonderful Wonderful. It all begins to make sense towards the end so all the questions and confusion of the beginning makes sense. If you are patient enough and curious enough you will be greatly rewarded. Make time for the movie. Understand that it will be great. You only get to see such a movie maybe only once a decade. Expand
16 of 23 users found this helpful167
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2
listenerNov 11, 2011
Just another self-indulgent nihilistic trash from seriously disturbed mind who likes to think about himself as the world's greatest film director-and unfortunately some people believe he really is.
11 of 28 users found this helpful1117
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9
HottonMachadoNov 11, 2011
Beautifully depressing, killed me in every possible way. I was touched by its sadness. Two unbelievable performances, Kirsten Dunst and Charlotte Gainsbourg were incredible.
9 of 12 users found this helpful93
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8
michaelmilNov 11, 2011
This film will not suit every taste; however it is artfully done, haunting yet beautiful. Aptly named this film still remains with me. Kristen Dunst has never been better.
5 of 7 users found this helpful52
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