Read Positive User Reviews for Melancholia

10

MorriBeyNov 12, 2011

Weird Weird Weird. Wonderful Wonderful Wonderful. It all begins to make sense towards the end so all the questions and confusion of the beginning makes sense. If you are patient enough and curious enough you will be greatly rewarded. MakeWeird Weird Weird. Wonderful Wonderful Wonderful. It all begins to make sense towards the end so all the questions and confusion of the beginning makes sense. If you are patient enough and curious enough you will be greatly rewarded. Make time for the movie. Understand that it will be great. You only get to see such a movie maybe only once a decade.… Expand

16 of 23 users found this helpful167

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10

HalfwelshmanMar 18, 2012

Melancholia may very well be the greatest story about depression ever committed to film. It's profoundly moving, complex and well-performed. Kirsten Dunst, Charlotte Gainsbourg and Kiefer Sutherland make for a very impressive cast, with DunstMelancholia may very well be the greatest story about depression ever committed to film. It's profoundly moving, complex and well-performed. Kirsten Dunst, Charlotte Gainsbourg and Kiefer Sutherland make for a very impressive cast, with Dunst delivering the performance of her career. Who'd have thought an intimate analysis of the effects of crippling depression would effectively mesh with a disaster movie? Ony such an unconventional director as Lars von Trier would even consider such a combination. A planet colliding with the Earth and humanity's ultimate doom makes for a great metaphor for crippling depression - feeling like the whole world is baring down on you, and that you're utterly isolated and helpless. It's a surprisingly effective thematic juxtaposition, that makes for an extremely intelligent and beautiful overall filmic experience. The film is equal parts epic and intimate, blockbuster and and arthouse, melodrama and realism. You have some great scenes if extreme contrast - the strikingly honest, observant scenes where Justine (Dunst) and her condition clash with the understanding and the patience of her wedding guests, and the utterly terrifying apocalyptic scenes of the film's finale where humanity faces its inevitable and utter destruction. The use of Wagner's layered, evocative music and the sparing but effective use of dazzling special effects also help to make the film utterly memorable. In the end, the tragedy of Melancholia is not its undeniably pessimistic ending, or the way in which it approaches its extremely dark subject matter, but the lack of recognition it will receive due to von Trier's Cannes outburst. Had he kept his thoughts to himself, the film would undoubtedly have been the runaway awards-winner of 2011. It should have been an instant classic, a film that will influence many generations to come, but what will be remembered is the director's misjudged and undeniably insensitive jokes about the Holocaust and Nazi affiliations. This is a real shame, because as a viewing experience, Melancholia will stay with you long after the film reaches its climax - it's an emotional, mesmerising, extremely well-written and utterly human experience.… Expand

2 of 2 users found this helpful20

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8

LynDec 26, 2011

The mood and imagery of this film have really stuck with me in the weeks since I saw it. I was a little disappointed in one of the plot twists, and also because I expected a somewhat more realistic treatment. (I guess I picture a real familyThe mood and imagery of this film have really stuck with me in the weeks since I saw it. I was a little disappointed in one of the plot twists, and also because I expected a somewhat more realistic treatment. (I guess I picture a real family interacting with other people and the media as the End of the World threatens, not having languid breakfasts on the patio.) Still, it was moving and Dunst and Gainsbrough were great, even if they don't look like they could possible be related.… Expand

1 of 1 users found this helpful10

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9

VidsRuleMar 25, 2012

I'm reviewing this because I can't get it out of my head. There's something so haunting about an hour of "what is the point of this (even though it's kinda interesting)", to the next hour of overwhelmingly powerful unrelated intensity. II'm reviewing this because I can't get it out of my head. There's something so haunting about an hour of "what is the point of this (even though it's kinda interesting)", to the next hour of overwhelmingly powerful unrelated intensity. I gotta see this again.… Expand

1 of 1 users found this helpful10

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8

asthobaskoroApr 1, 2012

Melancholia is not "movie for everybody," well it's Cannes movie. Lars Von Trier put depression and distraction on screen with amazing performance by Dunst and Gainsbourg. The first eight minutes was beautiful, entire movie was visually stunning.

1 of 1 users found this helpful10

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8

Tazmania32Dec 24, 2011

Wow, what can I say. Strange movie, but in a good way. The whole cast was excellent, even with some humor in the beginning although drowned in sadness, which turned out to be good in the end. Excellent shooting as well.

1 of 1 users found this helpful10

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8

IAmPhongNguyenDec 31, 2011

Melancholia is a beautifully directed film of the depression of two sisters who are timorous of the planet Melancholia colliding the Earth; it was like watching a painting. This movie was art.

1 of 1 users found this helpful10

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7

MagnificentMDec 22, 2011

Melancholia is something different and I can't always tell if that's a good thing or a bad thing. The movie is told in two parts and is a tale of two types of depression. We have Kirsten Dunst's character, Justine, who is depressed by everyMelancholia is something different and I can't always tell if that's a good thing or a bad thing. The movie is told in two parts and is a tale of two types of depression. We have Kirsten Dunst's character, Justine, who is depressed by every day life on earth and we have her sister Claire (played by Charlotte Gainsbourg) who is depressed by the thought of death. The leads give strong performances and the film is supported by beautiful cinematography. Director Lars von Trier is good at creating an atmosphere of woe even in the midst of a wedding. However it is not a perfect movie. One little thing nagged at me throughout the film and that was the fact that Justine's entire family spoke with an English accent except for her. It's a small detail, I know, but it still distracted me throughout the movie. I also felt that the film fell short in providing much insight into Justine's depression. We knew she was depressed, but we never really saw the root of her depression and we never see an emotional journey or insight into her character. There isn't much depth to Claire's character either, but at least we know that she is depressed due to the possible end of the world. The movie can also be a little slow at times and I had to finish it in two sittings, but it still packs a fairly powerful punch and is worth the watch.… Expand

1 of 1 users found this helpful10

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8

The3AcademySinsMar 6, 2019

Such a strange, crazy, but beautiful follow up to Antichrist. Lars Von Trier pushes the artistic capabilities he has to the edge in Melancholia. Without giving too much away, the story is a presentation of depression shown through the lens ofSuch a strange, crazy, but beautiful follow up to Antichrist. Lars Von Trier pushes the artistic capabilities he has to the edge in Melancholia. Without giving too much away, the story is a presentation of depression shown through the lens of cosmic catastrophe. Fantastic performances, beautiful cinematography, great uses of surrealism and metaphor too. The only thing that holds Melancholia back from being a higher score than an 8 is that sometimes it gets a little too over-indulgent in it's tragedy, which will definitely prove to be a hurdle for a lot of viewers.… Expand

1 of 1 users found this helpful10

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10

BikerjamesJan 16, 2012

This is the best film I saw all year, and I go to the movies a lot. The first hour of the film (the wedding reception) is uncomfortable and even irritating to sit through. This is purposeful by the filmmaker. He even uses the "ever movingThis is the best film I saw all year, and I go to the movies a lot. The first hour of the film (the wedding reception) is uncomfortable and even irritating to sit through. This is purposeful by the filmmaker. He even uses the "ever moving camera" technique that I wish filmmakers would stop using once and for all. I should not have to take a motion sick pill before going to a movie. We find out in the second half of the film, however, when it turns into a Science Fiction movie, why Justine (Kirsten Dunst) had such erratic behavior at her reception. The second half of the film is simply mesmerizing. Atmospheric, beautiful, scary, suspense building. Great visuals throughout the film - you will think about what you saw long after the film ends. Dunst is great in this film, but Charlotte Gainsbourg who plays her sister is equally wonderful. This film may not be mainstream enough to win awards at Oscar time, but it's not to be missed. I could write more about this great film, but I don't want to give anything away.… Expand

6 of 7 users found this helpful61

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9

RodrigoBGCNov 30, 2011

This movie is made for those who really enjoy watching a movie, is slow and heavy in many ways but shows you perfectly two different kinds of melancholia, really good photography work and great music, the story well is difficult to explainThis movie is made for those who really enjoy watching a movie, is slow and heavy in many ways but shows you perfectly two different kinds of melancholia, really good photography work and great music, the story well is difficult to explain but all that i can say is that things happen when you don't expect to… Expand

4 of 5 users found this helpful41

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10

DieguinDec 30, 2011

To me, Melancholia was like having a perfect slow cooked meal in great company --- that one enjoys while having but later on remembers with an even more delicious memory. It is beautifully filmed, slow, simmering, thought-provokingTo me, Melancholia was like having a perfect slow cooked meal in great company --- that one enjoys while having but later on remembers with an even more delicious memory. It is beautifully filmed, slow, simmering, thought-provoking (especially after it is over). I rated it as my 8th best film of 2011, but as time went by it climbed to # 4. It is hard to explain its beauty and depth. I still think of it often and plan to see it again.… Expand

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9

HottonMachadoNov 11, 2011

Beautifully depressing, killed me in every possible way. I was touched by its sadness. Two unbelievable performances, Kirsten Dunst and Charlotte Gainsbourg were incredible.

9 of 12 users found this helpful93

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10

poelease22Nov 13, 2011

This is a mesmerizing, raw, beautiful, damaging look at life just before death and the way different people accept their fate. It's not just your usual what if. Its long, unnerving but consistently sooo cinematic. Brilliance abounds for thoseThis is a mesmerizing, raw, beautiful, damaging look at life just before death and the way different people accept their fate. It's not just your usual what if. Its long, unnerving but consistently sooo cinematic. Brilliance abounds for those who actually have an understanding and appreciation for the ART of filmmaking and are able to let themselves fall in and feel the impact of the emotionally charged performances of Kirsten Dunst and Charlotte Gainesbourg, and briefly John Hurt and Charlotte Rampling. If you have a movie lover's soul you will know after seeing this movie because you wont be able to get it out of your head, its that effecting!!!… Expand

6 of 8 users found this helpful62

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9

MovieMachineJan 9, 2012

A truly beautiful concoction from the ever-unstable mind of von Trier. The first five or so minutesof the movie say it all. Shot in exceptional light and scenery, Richard Wagner's prelude to Tristan und Isolde plays as characters flee, thingsA truly beautiful concoction from the ever-unstable mind of von Trier. The first five or so minutesof the movie say it all. Shot in exceptional light and scenery, Richard Wagner's prelude to Tristan und Isolde plays as characters flee, things burn, and Justine (Kirsten Dunst) seems as calm as ever. Very slow, and very inspiring. Unfortunately, the movie doesn't speed up any faster, as we have to bear through the worst wedding reception you may ever witness, leading to Justine's scandalous behavior on the golf course, her unemployment, and her immediate divorce. As Melancholia, the death-bearing planet, approaches, so too does Justine and her sister Claire's (Charlotte Gainsbourg) personalities grow, and finally, in a frightening, emotion-evoking, but tear-lacking ending, everyone incinerates at the approach of Melancholia. This may seem depressing, but to be honest, Justine was probably more depressing than anything else in the movie. And I mean that in a good way. Dunst definitely deserves her award at the Cannes Film Festival. This is definitely a movie worth watching. Warning, though; there is nudity.… Expand

3 of 4 users found this helpful31

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9

CalRFeb 27, 2012

As with all of Von Trier's work saying his films are an acquired taste is rather an understatement. However, I disagree with the public conception that his films are wholly pretentious and without meaning, because more often than not they areAs with all of Von Trier's work saying his films are an acquired taste is rather an understatement. However, I disagree with the public conception that his films are wholly pretentious and without meaning, because more often than not they are full of meaning. Having followed Trier's career vaguely with interest other recent years, his most interesting films to note have been the muddling Dancer In The Dark and the unsettling Anti-Christ. Neither film was awful, yet Von Trier persists- as he does here- to enforce upon the viewer a unpleasing pacing for all of his films. Melancholia is no different. It's build up in following the disaster of Dunst's wedding merely pads the films with material and not a lot of plot. However, this can be overlooked if we view what the feature actually is inherently: a character piece. Fans of Anti-Christ will be with mixed views about this feature, as it resonates in similar themes and motifs, but that is not to say that in viewing Anti-Christ, then the beauty of Melancholia will be damaged somehow. Ultimately, Gainsbourg and Dunst would have been worthy candidates for Oscar nominations, but still this is not mainstream circuit material. The cinematography is indisputably incredible, as is this features score, but what shines best with this feature, even with its mass of flaws (and there are many) is that what is being conveyed here- though the metaphor is rather heavy-handed- works incredibly well. As a piece of science-fiction drama comparisons can be made to The Fountain, but whilst that film spends much of its time jumping over three timelines, there is enough here in continuity and anguish to deliver an emotional impact that is just as meaningful. Between this and Drive, I would have to say Melancholia edges it slightly due to the formers over-simplistic, though beautifully told tale, whilst Melancholia yearns to be revisited, making it in my eyes the best film of the year.… Expand

3 of 4 users found this helpful31

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7

lahaineNov 13, 2011

Melancholia is a rightly titled spectacle that follows a family in the final days of human existence. Its a sweeping science fiction melodrama that I would probably find difficult to watch again, but remains a strong film due to its denseMelancholia is a rightly titled spectacle that follows a family in the final days of human existence. Its a sweeping science fiction melodrama that I would probably find difficult to watch again, but remains a strong film due to its dense story telling and deep character studies. And deep those characters were; Gainsbourg and Sutherland played their complex roles with skill and precision. And special applause to Kirsten Dunst who gives a powerhouse performance, it would be a shame if she does not receive some awards recognition this year, despite the atypical nature of the movie. This is simply a very good art-house film, that challenges its viewers.… Expand

5 of 7 users found this helpful52

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8

michaelmilNov 11, 2011

This film will not suit every taste; however it is artfully done, haunting yet beautiful. Aptly named this film still remains with me. Kristen Dunst has never been better.

5 of 7 users found this helpful52

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10

IswearimsmartNov 12, 2011

An author writes what he knows. This definitely rings true for writer/director Lars von Trier, whose new film Melancholia deals with the personal issue of depression.
While it is widely known that Von Trier has suffered from depression,An author writes what he knows. This definitely rings true for writer/director Lars von Trier, whose new film Melancholia deals with the personal issue of depression.
While it is widely known that Von Trier has suffered from depression, Melancholia doesn't exploit the disturbing nature of the condition but rather presents us with a fascinating observation of how someone suffering from it faces the end of the world.
The film opens with quite possibly the most beautiful and aesthetically pleasing sequence of the year. For the first seven minutes of the film, all that is shown are highly stylized images of characters juxtaposed with the cosmos moving in slow motion. These glorious shots are accompanied by the operatic music of the famous composer Richard Wagner. The montage ends with a shot of the collision of Earth and a massive planet. While the thought of the end of the world is terrifying, Von Trier is somehow able to render it beautiful.
After we watch the annihilation of Earth, the film splits into two parts, the first part titled "Justine." Justine (Kirsten Dunst) is a beautiful bride en route to her wedding reception with her new husband, Michael (Alexander SkarsgÃ¥rd). The reception, to which they are wildly late, is being held in the castle owned by Justine's sister and her husband. The couple appears happy, yet Justine is far from it. It takes everything to force a smile.
Justine has been struggling with depression for a long time, and she hoped finally getting married to Michael would alleviate her problems. How anyone could be depressed when tying the knot with Alexander SkarsgÃ¥rd will probably remain a mystery to the women of the world, but Dunst's effortless performance makes Justine a realistic and tangible character.
Justine's slow downward spiral on her wedding night is painful to watch, but entirely absorbing. At the end of part one, she notices a planet in the horizon that doesn't seem to belong there.
Part two of the movie is called "Claire," after Justine's sister, played by Charlotte Gainsbourg. It's revealed that what Justine saw on her wedding night is a massive rogue planet named "Melancholia." Claire fears that the planet is destined to collide with Earth, but her husband John (Kiefer Sutherland) assures her otherwise.
As Claire struggles to deal with the possible end of the world, she must also care for Justine. Since her wedding night, Justine's depression has worsened to the point that she can barely eat, walk or talk.
Through situational irony, the audience knows the fate of their world, yet it is still fascinating to watch these characters cope. In fact, Von Trier stated that he wanted to show the destruction of Earth at the start, so audiences would focus on the characters instead of their ultimate fate.
With its stunning visuals, impressive acting and wonderful music, Melancholia is one of the best films of the year.… Expand

6 of 9 users found this helpful63

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10

lilkillpappyDec 22, 2011

for 2 hours I really felt like the world was going to end. I have never been so fully enveloped by a movie before. Whatever this film may be, depressing, disturbing, emotional, beautiful, I'm glad that I watched it, and feel somehow changed by it.

4 of 6 users found this helpful42

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7

rnnbrwnJun 4, 2012

This review contains spoilers, click expand to view. Didn't know what to expect as I hadn't read much about this, other than that it was "weird". First 20 minutes were hard going - and confusing - but it grew on me and I really enjoyed it at the end. Sutherland's demise didn't sit right with me, though. That seemed a bit of a cop out.… Expand

2 of 3 users found this helpful21

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8

NKOASNov 17, 2012

Like Van Gogh

2 of 3 users found this helpful21

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10

KneginjaJun 3, 2012

I don't know how to not give it a 10, instantly became one of my favorite films. This movie is bleak and beautiful at the same time, made almost entirely of detestable characters. It still buggles me how von Trier made all these elements workI don't know how to not give it a 10, instantly became one of my favorite films. This movie is bleak and beautiful at the same time, made almost entirely of detestable characters. It still buggles me how von Trier made all these elements work - but he did. Dunst is truly amazing on this one.… Expand

2 of 3 users found this helpful21

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9

brettjm18Nov 25, 2011

What a wonderfully bleak movie by Lars Von Trier. After his last feature Anti-Christ, which was underwhelming to say the least, he returns with a fighting punch with Melancholia, a "disaster" movie directed exactly how we expect a Lars VonWhat a wonderfully bleak movie by Lars Von Trier. After his last feature Anti-Christ, which was underwhelming to say the least, he returns with a fighting punch with Melancholia, a "disaster" movie directed exactly how we expect a Lars Von Trier film to be - a beautifully rendered art film. The movie is written in two parts, part one titles "Justine" and the second titles "Claire". Both titles refer to the characters in the film, one played by Kirsten Dunst and the other Charlotte Gainsbourg. Both actresses are outstanding. A lot of praise has been given to Kirsten Dunst who won best actress at this years Cannes film festival, the role almost seems like a breakout role for the already well known actress, but it's Charlotte Gainsbourg who I believe gave the strongest performance, adding that extra heart and emotion to the film, and should also be strongly considered for award recognition this winter. The movie ties it's two parts perfectly, making a strong metaphor for unity. Two families brought together while two planets are about to collide. Melancholia is one the most depressing and beautiful films of the year. The ending will leave you gasping in shock and sadness and will remain engraved in your mind for days to come.… Expand

2 of 3 users found this helpful21

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8

dj1982Dec 3, 2011

A portrayal of depression and sadness, which will stick with one for days. Performances are really strong (especially Kirsten Dunst and Charlote Gainsbourg), visual beautiful. While some might find it slow, when one is as depressed as JustineA portrayal of depression and sadness, which will stick with one for days. Performances are really strong (especially Kirsten Dunst and Charlote Gainsbourg), visual beautiful. While some might find it slow, when one is as depressed as Justine (Kirsten Dunst), time does not run.… Expand

2 of 3 users found this helpful21

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10

JohnnyHollywoodJan 16, 2012

This review contains spoilers, click expand to view. Happy New Year Indeed

It's the holiday season again, and with it comes the usual slate of talking-animal Christmas movies and lame rom-coms set on New Year's Eve. I feel it's my duty to counterbalance this overt cheerfulness with just a little bit of morbidity. So, to open 2012, I'm going with my favourite film of last year bar none: Lars von Trier's Melancholia, a film about a newlywed bride's severe depression and crumbling relationship with her caretaker sister. Sounds none too festive, right? It gets better. The story is set during the last days on Earth, before a foreign planet collides with ours and all life is obliterated forever. Yeah.

Before anyone becomes too concerned with the end of the world, though, we are treated to Justine's (Kirsten Dunst) wedding, an extravagant affair paid for by her sister Claire (Charlotte Gainsbourg) and Claire's husband John (Kiefer Sutherland). After everything that could go wrong does go wrong during the evening, Justine does not leave the party with her new husband (Alexander Skarsgard), but stays at Claire's castle where the reception took place. The next day, as John and son Leo (Cameron Spurr) become increasingly giddy at the chance for a firsthand glimpse of the planet expected to simply 'pass us by', Claire's anxiety peaks and Justine's depression consumes her.

The film exists in two distinct parts: one covering the wedding night, and the other the aftermath. Surprisingly, Part One makes for such a well crafted, engaging story that the whole 'world is ending' angle almost seems like an unnecessary gimmick. It is an intriguing, intimate look into the mind-numbing array of family dynamics at play during what should be Justine's special night. Much of its brilliance must be credited to a tight script and, subsequently, the characterisation of the act's central figure. Rather than being lazily written as a 'woe-is-me' sad sack that finds no joy in the night's proceedings, Justine draws audience sympathy nice and early through her efforts to make the best of things despite the social disaster unravelling around her. One gets the impression that she does have a genuine love for some people, but the vexing truth is that, in spite of the seemingly significant ramifications of this night, things are about to get far more sinister. We know this because von Trier leaves the viewer in no doubt as to how this film will end. The opening act is an incredible collection of surreal scenes depicting the Earth's destruction, set to the chilling prelude to opera Tristan und Isolde. So when Claire's fears are temporarily relieved towards the end of the film, it feels devilishly cruel to lead on this fearful individual when the audience is already aware of what is still to come. Put simply, it could be said that Part One is the cinematic masterclass, with heavy emphasis being placed on all things that make a quality film (beautiful imagery, well-structured dialogue and purposeful character interaction) while Part Two is the thematically charged intellectual piece, where the audience is not spoon-fed, but rather challenged to find personal meaning in the events unfolding on screen.

Certainly, by the time the second half comes around, the security blanket separating caged fiction from terrifying reality has well and truly been removed. In the morning after the wedding, the world has become a much darker place, in both a literal and metaphysical sense. Justine's condition has degraded from a person battling with flashes of doom, to one that has become sedate and eerily calm in her total submission to the illness. In contrast, Claire, who has lived a balanced, comfortable life up until this point according to universal standards (big house, married, young son, et al), and who therefore has so much more to live for, refuses to accept the inevitable. It is through this polarising pair of characters that Melancholia offers the foundation of many different interpretations regarding the film's true meaning. Personally, it appears to be not only an exposition of universal perception and understanding one's significance in the context of all things, but also an assertion of how human beings might act in times of inescapable disaster. It begs the question: 'How do you think you would react in this situation?' But perhaps more importantly: 'How would you like to react?' This notion is hammered home when, in the film's heart-pounding and visually spectacular closing moments, the seemingly soulless Justine still finds time for one last act of utterly selfless heroism, even in the face of certain death.

*There's nothing I love more than a bit of feedback, good or bad. So drop me a line on jnatsis@iprimus.com.au and let me know what you thought of my review.*… Expand

2 of 3 users found this helpful21

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9

smijatovDec 3, 2011

While being an extremely slow and long film, Melancholia is an extremely effective film as well. The basic premise is that a planet is colliding with Earth, and the events preceding the collision are portrayed through the disturbed lives ofWhile being an extremely slow and long film, Melancholia is an extremely effective film as well. The basic premise is that a planet is colliding with Earth, and the events preceding the collision are portrayed through the disturbed lives of two sisters, played by Kirsten Dunst and Charlotte Gainsbourg. Both performances are nothing less than spectacular. They have a very controlled quality to themselves, very reminiscent of Nicole Kidman in "Rabbit Hole" or Annette Bening in "The Kids are All Right." The supporting cast is also rather good, especially the bitterness-filled mother of the two sisters, as is Gainsbourgh's husband, played by Keifer Sutherland. Visually, the film is stunningly beautiful, with interesting, beautiful cinematography. The score is perfectly appropriate to the apocalyptic doom-feel of the film. What is truly remarkable, though, is the way that von Trier lays out the idea of how the end of the world, or just death for that matter, can be truly beautiful and something to embrace and (ironically) "live to the fullest," if the time is right. The psychological switch that happens between the two sisters is interesting, but remains ultimately within their characters' inner psyche, without actually diverging too far from the first part of the film. Kirsten Dunst gives an excellent portrayal of depression and the realisation of imminent death, and its acceptance in a rather calm, rational manner. Charlotte Gainsbourg, on the other hand, shows the attempt to cover the inner restlessness, fear and hopelessness with the veneer of rationality, but ultimately failing. As the end of the world approaches, Dunst is the one that keeps her head high, looks straight death in the eye, while Gainsbourg fidgets around missing the ultimate beauty of her death, and in association, her own life.… Expand

3 of 5 users found this helpful32

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10

francescoNov 13, 2011

The movie begins with the wedding party of Justine(Kirsten Dunst)and Michael(Alexander Skarsgard)arranged by her sister Claire(Charlotte Gainsbourg).But what could have been a perfect party becomes an absurd evening due to the increasingThe movie begins with the wedding party of Justine(Kirsten Dunst)and Michael(Alexander Skarsgard)arranged by her sister Claire(Charlotte Gainsbourg).But what could have been a perfect party becomes an absurd evening due to the increasing depression symptoms of Justine.Meanwhile a planet threatens to collide into the earth. Although this movie is surely the most accessible among the movies by Von Trier,some audiences will find it boring and meaningless due to the slowly pace of the movie and its controversial subject.But I think this is one of the best movies of the year with remarkable performances and a beautiful story of characters that makes you feel every inner turmoil.It's not a predictable portrait of emotions that are often bad portrayed in other movies of mental illness and fear.So if you expect dynamic don't watch it.Von Trier is a master and I am sorry for his bad reputation of egomaniac and daring director of movies made only for narrow audience.But nobody can deny that he is one of the most original and fascinating director out there."Melancholia" is a stunning and captivating movie,impossible to forget.I dare to say it's art because there are some poetical moments and moving scenes that are overwhelming.It's almost perfect.The Wagner music elevate this powerful experience.This movie is occasionally too meaningful to be caught by some people who will find it difficult but unique.The acting is absolutely great.Kirsten Dunst is terrific in her complex role.She proved she is an A-level young actress and her win at the last Cannes film festival is completely deserved.An Oscar nomination would be a must for the Academy although I fear that they will snub her in favor of more stereotyped performances and due to the lack of a big studio behind it.Charlotte Gainsbourg is amazing as well even if her role is less showy.The supporting cast(Kiefer Sutherland,Charlotte Rampling,John Hurt and Stellan Skarsgard)is equally great.My vote of the movie is 8/10.… Expand

3 of 5 users found this helpful32

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9

HipsteranNov 16, 2011

It's pretty impressive that Lars Von Trier always manages to make movies that are always controversial among both critics and the audience. Melancholia is certainly one of them. We see death as a main topic here; depression, dysfunctionalIt's pretty impressive that Lars Von Trier always manages to make movies that are always controversial among both critics and the audience. Melancholia is certainly one of them. We see death as a main topic here; depression, dysfunctional families, wedding... Some might say it is dark, long and slow. And in fact they are right. However, weirdly this makes you feel every damn emotion it the picture, you almost feel like you're a part of the movie. That's why Melancholia is a success for the director. With is multi dimensional script, great acting and moving visuals (the opening scene) it is one of the best movies of the year.… Expand

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7

PamRosenthalNov 16, 2011

This review contains spoilers, click expand to view. An odd thing happened to me on my way out of the theater last night after seeing "Melancholia." Suddenly, the movie, which I'd been mixed at best about, began to seem like a terrific set of jokes, most of them slyly, cunningly visual. Suddenly, this art film about depression and the end of the world, with its upscale country-estate visuals and high-minded Wagnerian soundtrack, became lowdown laugh-out-loud funny. "And what was up, anyway, with that dress the bride's mother wore?" I asked my viewing companion. "Didn't it look more like a tie-dyed teeshirt?" Pretty soon we were both giggling and guffawing. "In fact, weren't all the dresses sort of tacky?" "Melancholia" begins with a gorgeous, expensive wedding party from hell, the lovely bride who's been functioning up until now in cheerful, productive denial collapsing into total depression in the midst of friends' and family's selfishness and bad behavior. Both her parents make horrible, hostile speeches; her boss (also the best man) fires her after she tells him what she really thinks of him; the cute, babyish groom goes home with his parents after she rejects him sexually. Every guest -- not to speak of the wedding planner -- has his or her moment of meanness, rudeness, or stupidity. But there's no sense that any of these characters have a shared history. Absent a believable social nexus, there can be no social satire: vintage Von Trier, the wedding scenes roll by as misjointed episodes of inappropriate behavior and jittery camera. Nor is anyone on screen the kind of upscale movie rich person you can have fun feeling superior to even as you enjoy looking at them. No one except the clueless groom even looks that good; the nut-case bride, Justine, becomes increasingly oppressed by a silly, puffed-up, unbecoming, and ever more crushed and wilting gown. For me the wedding was a long meandering frustration, much less fun than I kept expecting it to be. So I was glad (though not optimistic) when Part II -- shot much more serenely -- began. Some time has passed at the lush country estate (it belongs to Justine's sister Claire's rich husband). Justine's mental condition has continued to deteriorate; Claire's taking care of her. There are some intimate domestic scenes and lovely landscapes, sugesting that perhaps even an awful wedding isn't the end of the world. But wait, it IS the end of the world. A newly-discovered planet called Melancholia is making its way toward Earth. Scientists don't foresee a collision, just a fantastic cosmic show for amateur astronomers. But we who have seen the movie's opening montage know differently and so does Justine, whose depression has put her in tune with the big engines of destruction. Pretty soon, of course, everybody can do the math or simply observe the rogue planet looming larger, ever more gorgeously visible even during the day. Claire becomes as overwrought as I (and I'm guessing you) would be, while Justine begins to flourish. In a particularly stunning night scene with the Liebestod theme on the soundtrack, she reclines naked on a riverbank; bathed in Melancholia's deathly light, she's as open to ravishment by her own and everyone else's oncoming death as she was shut off from sex with her young husband. None of this is exactly profound, but it was effective and I enjoyed it. Neither Justine nor Claire is given any genuine depth of character or specificity of motivation (Justine's the crazy one, Claire's reasonably adjusted to what seems a more-or-less typically imperfect life, except with a lot more money). But in the face of imminent annihilation their words, actions, and expressions are freakishly recognizeable. I was particularly moved by Charlotte Gainsbourgh's Claire, clutching at her young son, making hysterical, futile attempts to escape to somewhere, do SOMETHING. While as for Justine's wilder side of the equation: my natural tendancy is to respond with annoyance, even to take offence, at any romanticization of death; my guess is that lots of depressives would be just as terrified by the prospect of the world coming to an end as the rest of us; and don't even get me started about Wagnerian mysticism. But for all that, I have to confess I found Big Oblivion as Von Trier delivers it in the final scenes to be big sublime fun, and terrific to look at. A nasty, narcissistic streak runs through it, of course: the adolescent fantasy of being in touch with big destructive forces, and of taking everybody less sensitive than you with you when you go. Von Trier knows this, I think. His two-sisters structure is a way of identifying with Justine but not entirely. The movie has it both ways and so did I. And so does anyone emerging safe and sound from the theater, the deferred humor from the wedding scene bursting forth to break the tension, sending you into gales of helpless laughter, after the apocalypse, later, out there on the staircase.… Expand

3 of 5 users found this helpful32

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8

MarcDoyleNov 13, 2011

An extremely intense film in its latter half, and a fun and funny film in its first. Kirsten Dunst is getting all the award season hype for her role, but she's not even close to being the best actor in this movie. The always-great CharlotteAn extremely intense film in its latter half, and a fun and funny film in its first. Kirsten Dunst is getting all the award season hype for her role, but she's not even close to being the best actor in this movie. The always-great Charlotte Gainsbourg eats her lunch in just about every scene they're in together. I appreciate what Dunst does with the role, but hey, she apparently had much on which to draw from in her personal life, so I have a feeling it wasn't a huge stretch for her - which was great casting by Trier and company. Kiefer is excellent, and Eric Northman is good in his brief but effect performance. The Wagner score is absolutely terrific. And the sense of impending doom over the last 30 minutes or so is palpable. I can see this being talked about for years to come - for many reasons.… Expand

4 of 8 users found this helpful44

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10

MrtonightNov 12, 2011

one word: beautiful. depressing, convulsive but penetrative. Love Dunst, Gainsbourg and Trier is really a great director. Melancholia is a state of mind.

4 of 8 users found this helpful44

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7

JackkNov 13, 2011

I did not understand why this movie has been shot with English spoken actors.
Movie is completely European, made by Europeans, (I think) shot in Europe, so was that necessary to put a little American sauce in?
Besides, it was cool...

3 of 6 users found this helpful33

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8

jimmytancrediNov 15, 2011

Some say that this is the most sensitive film by Lars von Trier (and who attribute it to a certain "maturity from the director"), a filmmaker who is famous for hype (which I love). Perhaps because it has been this strange feeling ofSome say that this is the most sensitive film by Lars von Trier (and who attribute it to a certain "maturity from the director"), a filmmaker who is famous for hype (which I love). Perhaps because it has been this strange feeling of contentment and discontent. Each of the leading film is meticulously disguised, which leads to two paths: Lars wanted to communicate something through acts apparently trivial or these acts were banal alone and nothing else? I believe the first guess, since the director's job has always followed this line. Would Justine's father be a humanized version of God? One to whom all turn when they need, but isnâ… Expand

2 of 4 users found this helpful22

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10

MikefromAngusMar 15, 2012

An amazing movie! I found the film, to be very real. It felt like a documentry. As I watched the 2nd act of the movie, it felt like watching the characters final moments. The movie was slow, but yet intresting. I had a feeling of being there.An amazing movie! I found the film, to be very real. It felt like a documentry. As I watched the 2nd act of the movie, it felt like watching the characters final moments. The movie was slow, but yet intresting. I had a feeling of being there. Excellent!… Expand

2 of 4 users found this helpful22

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8

aaronduNov 16, 2011

i'm a little nonplussed by the reviewers who scorn this movie for being self-indulgent and depressive. it's a LARS VON TRIER film titled MELANCHOLIA. His bjork film dancer in the dark was one of the saddest films I've ever seen and it had ai'm a little nonplussed by the reviewers who scorn this movie for being self-indulgent and depressive. it's a LARS VON TRIER film titled MELANCHOLIA. His bjork film dancer in the dark was one of the saddest films I've ever seen and it had a positive name. As goes Kirsten Dunst's best line in this film: what did you expect?
Me, i thought it was an occasionally excessive but sometimes wonderfully weird and self-indulgent movie, often actually humorous (in the painful von trier way) and offering some interesting dualities to consider between the attitudes of depression and pragmatism (as represented by the two lead actresses), and in which situations these attitudes are more helpful. It even rewarded a second watching.… Expand

2 of 4 users found this helpful22

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9

Christopher_G2Sep 2, 2012

This film is not going to be for everyone, but I loved it. From a crazy wedding party where hardly anything goes right, to the potential coming of the end of the world, it hooked and shook me like very few films have in recent years. It dealsThis film is not going to be for everyone, but I loved it. From a crazy wedding party where hardly anything goes right, to the potential coming of the end of the world, it hooked and shook me like very few films have in recent years. It deals with the relationship of two sisters, played by Kirsten Dunst, in a career best performance, and Charlotte Gainsbourg who is also terrific. Kiefer Sutherland is also very good as the husband of the latter. It's disturbing, beautiful, and emotionally resonant. It's not slow, but well paced. A Von Trier film will always be a bit polarizing. Personally I really disliked his previous film Antichrist, but I loved this.… Expand

1 of 2 users found this helpful11

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7

j30Apr 23, 2012

Great performances all around particularly the two leads Kirsten Dunst and Charlotte Gainsbourg. I found the movie both thought-provoking and beautiful to look at. If you don't like art-house type film (where the emphasis is on style notGreat performances all around particularly the two leads Kirsten Dunst and Charlotte Gainsbourg. I found the movie both thought-provoking and beautiful to look at. If you don't like art-house type film (where the emphasis is on style not story) this is not your kind of movie, but if you do you will be rewarded.… Expand

1 of 2 users found this helpful11

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10

ariel84May 9, 2013

it's been a year since i first watched MELANCHOLIA. it is still one of the greatest films i've ever seen. kirsten dunst is as beautifully magnificent. the setting and cinematography still astonish. my favorite apocalyptic film of all time.

0 of 1 users found this helpful01

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7

JacobparkerMay 14, 2013

I like that in the movie not the apocalypse is in the foreground, but the events around it.
the movie is very long and the story takes a long time until it gets interesting, but the movie is worth to be seen.

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8

kyle20ellisMar 28, 2022

While Melancholia is not a perfect film and I can totally understand the polarisation, I found myself very much impressed by it. Some of the dialogue is rather awkward, one or two of the characters sketchy and there are a few ideas that areWhile Melancholia is not a perfect film and I can totally understand the polarisation, I found myself very much impressed by it. Some of the dialogue is rather awkward, one or two of the characters sketchy and there are a few ideas that are were introduced and broached but could have been explored more. The pros outweigh the cons though, because it is a ravishing film to look at. The settings are breathtaking, and while the cinematography has a technique that is not going to be everybody's cup of tea Melancholia was an example of its utilisation being effective and somewhat necessary. The music is likewise amazing, Wagner's Tristan and Isolde is one of my favourite pieces and was in sync with the visuals perfectly, very like a symphony on film. The story, while slowly paced, has emotional complexity and the groom's love and affection is done very tenderly. Its hybrid of European art-house and Hollywood sci-fi is very interesting. It is not an easy movie to like and get invested in straight away and does I think need to be seen more than once, but on repeat viewings you get more out of it and is rewarding as a result. The opening sequence is truly arresting and one of the best opening sequences of any film in recent years, while the ending is similarly moving. Lars Von Trier's direction is accomplished and never amateurish, again not for all tastes(I know many people who have a wide ranging taste in film and have never warmed to Von Trier). Other than the visuals and the opening, it was the acting that made the film as good as it was. Kirsten Dunst earned best actress and deservedly for a courageous- and her most meaty, performance. Charlotte Gainsburg is more composed but is a very well-characterised and affecting contrast. John Hurt and Charlotte Rampling as the parents give droll turns, while Udo Kier is appropriately surly. In conclusion, a very well film but understandably polarising. 8/10 Bethany Cox… Expand

0 of 1 users found this helpful01

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8

PanchogulSep 19, 2020

This review contains spoilers, click expand to view. Honestamente no me gustó mucho la primera vez, luego de la maravillosa y cruda Antichrist del 2009 mis expectativas hacia Melancholia eran muy altas y no fueron alcanzadas en aquel entonces. El concepto general es muy irregular, el personaje de Justin (K. Dunst) protagonizó toda la primera mitad de la película y si bien su actuación es buena, no transmite nada, todos los hechos a su alrededor son un desastre tras otro y no ayudan a sostener la historia que recién se deja ver en el segmento de Claire, pero insisto, todo el rollo de la hermana melancólica, la familia disfuncional, un matrimonio desastroso y la completa falta de química entre los personajes aunado a un casi inminente fin de los tiempos no pegan ni con engrudo, recién en los momentos finales sientes la incertidumbre, el pánico, la resignación y aceptación de lo que va a pasar y eso llega a ser tanto triste y Depresivo como bello y apaleante. Lo único que realmente destaco es el clímax final, lo demás estuvo muy demás, hubiese sido mejor profundizar la relación de las dos hermanas que una hora completa de un matrimonio, el cual no parece tener mucho sentido, a la segunda vez que la vi pude entenderla mejor y vale la pena, no tanto como Antichrist y Nymphomaniac cuyas historias están mejor narradas siendo mas cohesivas que Melancholia.… Expand

0 of 1 users found this helpful01

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8

Cameron_AshMay 8, 2016

Wonderful acting from both Dunst and Gainsbourg, some dramatic effects a bit too obvious - horses going wild, this one was overused quite a few times. Nevertheless its a great pieces exploring the idea of depression and destruction. BeautifulWonderful acting from both Dunst and Gainsbourg, some dramatic effects a bit too obvious - horses going wild, this one was overused quite a few times. Nevertheless its a great pieces exploring the idea of depression and destruction. Beautiful on various levels.… Expand

0 of 1 users found this helpful01

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9

JalemanyJan 6, 2015

Agreed. Weirdly wonderful. Beautifully strange. Loved it. You will read polarizing reviews about this film, and they are all acceptable reactions, but the movie, as a technical and theatrical piece, is a winner.