| Miramax | Release Date: May 28, 1993 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
17
Mixed:
1
Negative:
0
|
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Critic Reviews
Odd, playful, and sweet. It equates the boiling point of water for hot chocolate with the height of passion. With occasional surrealistic fantasy sequences interspersed between the commonplace goings-on of regular lives, the film weaves a subtle spell of enchantment -- until a disappointing conclusion.
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With its cowlike Cinderella heroine pining for forbidden love while she slaves over her bewitching recipes (and knits a shawl as long as a city block), Like Water for Chocolate offers old-fashioned romantic masochism-Harlequin pulp-dressed up in a magical-realist veneer. It makes being a happy homemaker seem wondrous again.
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The simplicity of Like Water for Chocolate - a Mexican expression for the boiling point - is that of a sophisticated hand paring away all excess until what's left is primal, elemental. In Esquivel's and Arau's fabulist hands, it's the hand that tends the cookfire that rules the world. [19 Mar 1993, p.50]
The story was adapted by Laura Esquivel from her novel, a bestseller in Mexico. Arau, the actor turned filmmaker, tells the story with the equivalent of a saucier's night out -- the film is physically lovely, and never so sumptuous as when it is concentrating on Tita's creations in and out of the kitchen. [02 Apr 1993, p.G4]
Though much of Like Water For Chocolate simmers with humor and the stumbling plight of human life, the movie takes its soul from deeper strains -- unfulfilled longing, the tyranny of social customs in a macho-dominated world, and the final outrage that love and death are inseparable, often indistinguishable companions. [26 Mar 1993, p.C1]
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