Focus Features | Release Date: September 25, 2020
7.2
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Generally favorable reviews based on 66 Ratings
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9
wayne_poshNov 29, 2020
Miranda July’s Kalillionaire offers a glimpse into the lives of a cartoonishly frugal family scraping to survive in LA county. They keep their clothes modest and live adjacent to a soap factory which keeps their living quarters routinelyMiranda July’s Kalillionaire offers a glimpse into the lives of a cartoonishly frugal family scraping to survive in LA county. They keep their clothes modest and live adjacent to a soap factory which keeps their living quarters routinely seeping sudds. These choices aren’t bohemian or gypsy in nature. This family is cheap. While a common struggle often creates a strong bond, there is no suggestion that this family is any closer because of their seemingly endless struggle. The audience sees just one afternoon of this family’s routine, but we get to see this family commit non payment of rent, fraud, and a federal offense to top it all off. But this life of crime isn’t for any larger scheme; it’s to survive. When this family’s luck runs out and is on the brink of eviction is when the plot kicks in and we see how deeply this family’s problems are rooted.

The narrative takes no pauses to allow the audience to keep up. An hour into the movie, and the viewer may still be unsure of the protagonist’s name (which does get revealed in a hilarious anecdote). Nor does the audience necessarily need such handholding. The humor and wit of the writing distracts from the possibly confusing meandering. This is ultimately the heart of the story: the audience develops a strong, loving bond to the characters (some more than others) without really knowing why or how. But the viewer definitely bonds with Evan Rachel Wood’s protagonist. Both cajoled by her parents to live a life of crime (both petty and federal) to pay bills and survive in Los Angeles and completely emotionally neglected, the protagonist garners sympathy from the viewer and maintains an intrigue throughout the narrative. Gina Rodriguez’s Melanie acts as foil to Evan Rachel Wood’s character exuding confidence instead of doubt, obvious beauty instead of oversized track suits. As their relationship develops, both the characters and the audience gain a glimpse into the humanity of being wanted and appreciated. In a particularly poignant moment, the protagonist is rebirthed in a moment of terror accepting everything she was denied and realizing everything she will seek to gain a sense of self going forward. The culmination of both characters’ arcs leaves a satisfying, sweet taste that lingers and urges a second viewing.

Knowing nothing of Miranda July’s catalogue, I knew not what to expect from this film. Based on this viewing, it could be assumed that July’s MO is to break convention, and every moment of the film that broke away from filmmaking standard are what endeared me to this film so immediately and profoundly. The acting is great, the humor unexpected, and the narrative completely novel; any one of these elements would make a film worth viewing, but together, create a film you cannot miss.
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2 of 2 users found this helpful20
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7
moviemitch96Sep 26, 2020
In this offbeat little indie, Evan Rachel Wood stars as a young woman, who, along with her parents (Debra Winger and Richard Jenkins) get by and live day by day as petty thieves and con artists. They soon recruit another young woman (GinaIn this offbeat little indie, Evan Rachel Wood stars as a young woman, who, along with her parents (Debra Winger and Richard Jenkins) get by and live day by day as petty thieves and con artists. They soon recruit another young woman (Gina Rodriguez), and things soon become strained and complicated between the four. This is a film that takes a surprising amount of unexpected detours and turns throughout. From the at times unusual dialogue to the simply bizarre scenarios that unfold, nothing is ever quite what it seems in this film. There are times where this works really well, and there are other times where it just seems random and pointless, so it was pretty hit and miss for me personally. However, the four lead actors all give odd yet strangely intriguing performances, with Wood and Rodriguez especially standing out to me by the film's end. I did start to feel as though the story had lost much of its sense of direction by the film's final half hour or so, but everything beforehand, along with the performances kept it interesting enough for me. Overall, random and pointless at times, but quirky and endearing in others, along with four great lead performances made this one just enjoyable enough for me. Expand
2 of 2 users found this helpful20
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8
theredskyOct 3, 2020
I was really surprised that I came out of this film really loving it. The trailers didn’t do a whole lot to impress me but I checked it out anyway and it was worth it. This has some of the best writing and lead performances of the yearI was really surprised that I came out of this film really loving it. The trailers didn’t do a whole lot to impress me but I checked it out anyway and it was worth it. This has some of the best writing and lead performances of the year although not my favorite. Miranda July definitely knows what she is doing here. Her directing and writing feel so personal and intimate and she is able to craft one of the most unique stories of the year. There were a couple of slow bits but that didn’t bug me too much but overall, the story was fascinating and engaging. Mostly because the characters here are very well developed and performed. Evan Rachel Wood and Gina Rodriguez were amazing here and I thought their characters were great. The parents played by Richard Jenkins and Debra Winger were also great too. Each has their own motivations and personality that is separate from everyone else and unique. The film was also very well shot and edited and the humor mostly hits. For a comedy, I didn’t get a ton of laughs out of it but there were a lot times where I did chuckle. Even though some of the comedy didn’t hit, it succeeded very well at all of its emotional hits. Go check this out when you get the chance because it’s not getting enough attention. Expand
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10
DrBlahBlahDec 28, 2020
Another outstanding comedy from Miranda July, one of the most original and insightful directors of her generation.
1 of 1 users found this helpful10
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7
ThatFilmGuy20Oct 18, 2020
A beautiful mess of emotions and storytelling that pierces the heart in its way, KAJILLIONAIRE was all of that and some more. in this wacky and frankly out of sync delivery one tend to lose track of time and reality and just enjoy what's onA beautiful mess of emotions and storytelling that pierces the heart in its way, KAJILLIONAIRE was all of that and some more. in this wacky and frankly out of sync delivery one tend to lose track of time and reality and just enjoy what's on display, this film offers something quite rare, the ability to see yourself and project your own feeling into it, and that is just amazing, it reflects so many aspects of life no matter what you do or where you live, it's quite universal. I believe that no medium except film can offer such a specific feeling or a style of life, I think this film encapsulates the never ending movie magic that leaves you unbelievably fulfilled. Expand
1 of 1 users found this helpful10
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10
MommoMangoApr 3, 2021
Miranda July is brilliant. This film is a slow burn with a huge emotional payout, about a disfunctional family unable to show their daughter love. When she ends up in a parenting course and watches a film of a newborn bonding with its mother,Miranda July is brilliant. This film is a slow burn with a huge emotional payout, about a disfunctional family unable to show their daughter love. When she ends up in a parenting course and watches a film of a newborn bonding with its mother, her world begins to unravel as she sees her parents cold cruelty toward her. Part absorbing, visually beautiful in its own weird way, this film has an extraordinary emotional payoff as you root for the daughter to break free. Expand
1 of 1 users found this helpful10
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10
katezoeJul 17, 2021
Another brilliant film by Miranda July about a family of grifters in L.A. Although, that is just the simple premise. The acting by Richard Jenkins is pitch perfect. Debra Winger is unrecognizable. And Evan Rachel Woods and GINA Rodriguez areAnother brilliant film by Miranda July about a family of grifters in L.A. Although, that is just the simple premise. The acting by Richard Jenkins is pitch perfect. Debra Winger is unrecognizable. And Evan Rachel Woods and GINA Rodriguez are wonderful. Film is a great surprise. Expand
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7
alejandro970Aug 13, 2023
This film is one of those that generate polarized reactions. It gives the impression that nothing is happening and it is not picking up speed even with a rocket, and as a comedy it is not what one would suppose. However, the performances doThis film is one of those that generate polarized reactions. It gives the impression that nothing is happening and it is not picking up speed even with a rocket, and as a comedy it is not what one would suppose. However, the performances do just enough so that the walk is not a waste. Expand
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9
LeonlighteningNov 20, 2020
A stunning movie that masters the subtle and the overstated at the same time. I loved it. 9/10 all day long.
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7
geewahApr 1, 2022
A meloncholy movie about self discovery that at times gets bogged down with it's slow pacing. The highlight though is the performance of Richard Jenkins as the neurotic head of the family.
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8
CarlElmoreNov 24, 2022
The story and characters are all fascinating to watch and the performances help back this up.
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7
rmurray847Aug 10, 2023
Robert (Richard Jenkins) and Theresa (Debra Winger), along with their grown daughter Old Dolio (Evan Rachel Wood) are a "team of con artists" living on the fringes of society. The parents have raised their daughter to follow in theirRobert (Richard Jenkins) and Theresa (Debra Winger), along with their grown daughter Old Dolio (Evan Rachel Wood) are a "team of con artists" living on the fringes of society. The parents have raised their daughter to follow in their footsteps. This sounds like it could be the basis for an intense drama or even thriller. It could also be the basis for a wacky comedy or a family comedy or a dark comedy.

Set your expectations elsewhere. KAJILLIONAIRE is its own very unique, strange drama/comedy hybrid. I put "team of con artists" in quotations because these guys are TERRIBLE at what they do. They put A LOT of energy into their schemes yet things go wrong or the amount of return they expect is way above reality. They live on the fringes of society (in fact, they live in a crumbling office suite that is located next to a bubble factory , a bubble factory] and each day they must get back to their home/office at the same time in order to clear away the bubbles that leak through the wall). They barely have enough money for food. Your first thought after spending 10 minutes with them is "if they just put this energy into a real job, they'd be fine." But the parents also are paranoid: the government is watching them, there are secret rays beaming at us through cell phones, etc. etc. These guys are nuts (I realize that's a very uncharitable and non-PC characterization, but believe me, watching the movie, you will have the same reaction.) And their adult child has been raised like this. Mistrusting. Living on the edge of the law. And without hugs and affection either. She's emotionally stunted, and even moves through the world with weird posture. She doesn't fit in. You can sense she's aware that she's in an unworkable and abnormal situation, but has no sense of a way out.

Into this strange, fringe family comes Melanie (Gina Rodriquez), a vibrant, flashy, energetic but also troubled young lady who develops a fascination with the family and wants to join in on their con artist ways. She's a natural at the work, but she's also living on a different wavelength. Flashy when they are quiet. Ballsy when they are cowardly. And affectionate. At first, it's the parents that are entertained by her (and Old Dolio is alarmed by her). Yet, these relationships are forced to develop in new ways because of Melanie's intrusion.

The PLOT of the film is almost beside the point. It's the relationships that matter. Lots of things happen in the movie, but there's never a strong sense of a beginning, middle and end. And this gives the film a highly rambling quality, which coupled with these very strange people, makes for a tough movie viewing experience. We're not quite sure how our loyalties should lie (or if we should even forge any). Writer/director Miranda July has made the quirkiest movie I've seen in a long time. Sometimes its a playful quirkiness that can make for a bit of fun. Sometimes it feels quirky just for the sake of it, and this deadens the pace of the film at times. The tone of the movie is very challenging; a tightrope walk. July and her cast aren't always 100% successful in staying on the rope.

Yet the movie offers plenty of rewards for the patient viewer. When Melanie hits the scene, the carefully constructed strangeness of the central family is blown apart and the film is nearly completely unpredictable at this point. You have the chance to really DISCOVER what happens next, not just sit there and expect the events to unfold in a certain way. These characters are so odd it is almost impossible to guess what they will think, say or do next. And that almost complete uncertainty is its own reward. And the performances are stellar too. Jenkins and Winger are old pros and are a hoot to watch. Rodriquez (who brought so much optimistic energy to Jane The Virgin) explodes on the screen...she was a perfect casting choice. Bubbly and upbeat is SO different than what the others are, it is just fun to see how she causes ripples upon ripples. And Evan Rachel Wood is fascinating. Her voice and mannerisms are unique, and getting to watch her emotionally stunted character at least think about perhaps blossoming just a little is really the true joy of this film. The movie hinges on her ability to pull off the job of taking a very strange character and making her believable. She sticks the landing 99%; and the end of the movie is a quiet but powerful treat.

This is a challenging movie. Slow paced (especially the first 30 minutes). Weird. Characters we don't immediately recognize or empathize with. Sounds like a recipe for a poor evening of movie-watching. But in the end, I was oddly exhilarated. The payoff was more emotional than I expected; July planted the seeds of empathy and we didn't quite know it until suddenly they sprouted. A nice surprise!
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