| Universal Pictures | Release Date: June 10, 2022 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
9
Mixed:
28
Negative:
23
|
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Critic Reviews
There are four or five “so preoccupied with whether they could, they didn’t stop to think if they should” jokes to make here that would suffice as a perfect encapsulation not only of this film, but of the totality of the franchise, but suffice it to say you would be better served by going outside and using your imagination to explore dinosaur-themed ideas than watching how these people spent the hundreds of millions of dollars at their disposal to use theirs.
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Whatever goodwill superfan director Colin Trevorrow earned with 2015’s enjoyable reboot, Jurassic World, he pulverizes it here with overplotted chaos, somehow managing to marginalize characters from both the new and original trilogies as well as the prehistoric creatures they go up against in one routine challenge after another. Evolution has passed this bloated monster by.
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The Film StageJun 8, 2022
Jurassic World: Dominion is at best distracted, at worst boring. Playing on the nostalgic return of key heroes and frantically attempting Spielbergian wonder, it wants you to believe it’s got a back-to-basics understanding of Jurassic Park. Instead it’s convoluted notions of big entertainment ignore what Spielberg understood: dinosaurs have always had a natural hold on our collective imagination. Making them fun doesn’t have to be this hard.
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IndieWireJun 8, 2022
With little tension or humor to speak of, there’s nothing keeping Jurassic World: Dominion afloat, beyond the naïve hope that recognizing the familiar will be enough for some viewers. Maybe it will be, but it’s proof positive that we’re in one of the dullest, most artless periods of Hollywood blockbusters yet — “Top Gun: Maverick” notwithstanding — and we could be stuck here for some time.
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In an almost impressive display of ineptitude, Dominion combines the very worst vices of its predecessors in addition to a few new ones for good measure. As well as non-existent characterisation or thematic coherence, quaint concepts like comprehensible scene geography and narrative tension have all but disappeared.
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Beyond its nonsensical plot, the film imagines the audience will be delighted by a myriad of references to the first film – but in Dominion it feels less like watching a beloved band play their greatest hits and more like watching them hawk merch to pay for an expensive divorce. Embarrassing.
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