| | Release Date: April 26, 2019 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
10
Mixed:
13
Negative:
0
|
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Critic Reviews
There’s nothing about this watchable but somewhat workmanlike dramatisation of the literary fraud behind author ‘JT LeRoy’ which is anywhere near as extreme as the story on which it is based. But Justin Kelly’s low key directing choices allow the two very fine central performances to take centre stage.
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The movie is not particularly well directed by Justin Kelly (a protégé of Gus Van Sant), and his screenplay (co-written with the real Savannah) has the toxic naturalism of a drag revue. Dern is never less than fascinating, even in Gothic raspberry wigs, and does everything possible to bring a sense of human urgency to an unconventional dual role, but the film deserts her midway.
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JT Leroy is on safer ground when Albert and Knoop are matching wits, mainly because it’s a pleasure to watch the perfectly cast Dern and Stewart on the screen. It’s easy to understand what attracted these fine actors to these roles, but the script allows them to only scratch the surface of this maze-of-mirrors story, where the truth remains deliciously elusive.
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The GuardianAug 15, 2019
It’s a very forthright performance from Dern, but Stewart is simply too opaque and subdued in the role of Knoop. The film itself pulls its punches, unwilling to satirise either her or the egregious Albert too fiercely; it is inhibited about really attacking the vanity of the situation.
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