In the Name of My Daughter
Cohen Media Group | Release Date: May 8, 2015 CRITIC SCORE DISTRIBUTION
57
METASCORE
Mixed or average reviews based on 21 Critic Reviews
Positive:
10
Mixed:
9
Negative:
2
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Critic Reviews

Critic scorePublicationBy date
88
Philadelphia InquirerTirdad DerakhshaniMay 21, 2015
A fascinating, suspenseful story about obsessive love, money, the Mafia, and murder. Read full review
83
The A.V. ClubAdam NaymanMay 13, 2015
Like any good prosecutor, Téchiné gives us enough information to render a verdict without bullying us into agreement. His gift to his viewers is the space to think for ourselves. Read full review
80
New York Daily NewsGraham FullerMay 15, 2015
Best of all is Deneuve, who brilliantly justifies her position as French cinema's First Lady. Read full review
75
San Francisco ChronicleMick LaSalleMay 21, 2015
This is a deluxe French film, longer than usual, with strong performances by French cinema mainstays Catherine Deneuve and Guillaume Canet and a movie-stealing turn from relative newcomer Adele Haenel, who has become a major French actress in just the past couple of years. Read full review
75
ObserverRex ReedMay 13, 2015
It’s a high-class thriller without a single goose bump, but between the mother, the daughter, the lawyer, the Mafia, and the investors determined to separate Renée from her money and power, there’s enough material to juggle several balls in the air at the same time. Read full review
70
The DissolveMike D'AngeloMay 6, 2015
These characters are so richly drawn, and inhabit such a precise milieu, that they deserved a less perfunctory, anticlimactic fate. The truth will allegedly set us free, but it often puts filmmakers in chains. Read full review
67
Charlotte ObserverLawrence ToppmanMay 28, 2015
When the movie shifts gears, coming forward almost 30 years, Maurice becomes less interesting – and so does the picture. Read full review
67
Christian Science MonitorPeter RainerMay 22, 2015
This is Téchiné’s seventh film featuring Deneuve, and it’s not one of the better ones. (The best is probably 1986’s “Scene of the Crime.”) Still, it has its true-crime fascinations, and, until its misbegotten 30-year flash-forward to Maurice’s trial, it has a silky allure of sun-kissed depravity. Read full review
63
RogerEbert.comOdie HendersonMay 15, 2015
Those looking for a courtroom drama or the emotional tugging that might result from a mother’s 30-year fight to get justice for her daughter will find little to chew on here. Read full review
63
Slant MagazineClayton DillardMay 4, 2015
This adaptation is to concerned with narrative fidelity and formal objectivity to pierce the veil of power dynamics that largely comprises the film's concerns. Read full review
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