| Metro-Goldwyn-Mayer (MGM) | Release Date: October 29, 1993 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
2
Mixed:
9
Negative:
13
|
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Critic Reviews
If I see another send-up of Sharon Stone's character in Basic Instinct, I think I'll walk out of the theater. It wasn't funny the first time, and, by now, it's gotten downright annoying. Who cares if she uncrossed her legs without any panties on? Let's move onto something new. Belaboring that issue is like watching this movie: pointless.
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A more pointed genre parody intent on proving there’s noir business like show business could’ve been ripping fun. But director Carl Reiner is more intent on offering Cliff’s Notes for VCR couch spuds than satire. It’s the kind of endlessly referential, toothless spoof that sticks an elbow in your side every 20 seconds or so: “Now we’re doing the ‘Body of Evidence’ candle wax scene! Recognize the funny-hats montage from ‘Sleeping With the Enemy’? Get it?”
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Considering the degree to which Fatal Attraction and Basic Instinct are already self-parodies, writer David O'Malley and director Carl Reiner don't have to do much to show how silly they are; in order to understand how silly this movie is, on the other hand, all you have to do is sit through it.
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What exactly is funny about "Basic Instinct" or "Fatal Attraction"? Other than sending up specific scenes-say, Sharon Stone's uncrossed legs from "Basic Instinct"-there is no humor to be mined. The "Airplane" films kidded the genre rather than just duplicating scenes; director Reiner is operating at the level of a high school parodist. [29 Oct 1993, p.C2]
Fatally dreadful. This umpteenth parody flick of the year moves sooooooo slowly, it may be the first movie candidate for a pacemaker. The Naked Guns and the Hot Shots may not be Noel Coward cocktail parties. But those films toss out so many joke grenades, a few are bound to set off laughs. Not director Carl Reiner's latest. He takes the same five gags and grinds them into the ground like old cigarettes. Or allows each bit to drag on and on like the toilet paper that keeps sticking to femme fatale Sean Young's killer pumps. [29 Oct 1993, p.4D]
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