| Metro-Goldwyn-Mayer (MGM) | Release Date: October 29, 1993 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
2
Mixed:
9
Negative:
13
|
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Critic Reviews
The best things about this movie are first-rate comic performances by Young, Sherilyn Fenn (as Assante's worshipful secretary), Kate Nelligan (Assante's absurdly faithless wife), and by Assante himself. We knew he was a great straight man, but who would have guessed he had the timing for this? He has it. And Fatal Instinct has its moments. [30 Oct 1993, p.G1]
Carl Reiner's hit-or-miss film noir parody, a collection of gags that vary much too wildly in terms of timing and wit. All that hold this comedy together are a playful outlook and a conviction that detective stories are intrinsically funny, especially if the detective is as much of a blockhead as Ned Ravine.
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Just identifying the references is a feast for film buffs, but the comedy here is so specifically film-oriented that the laughs, with rare exception, have no deeper resonance. The gags, both sight and verbal, come fast and furious, and more than a few connect. But the ultimate result is wearying, as if one were forced to sit through an endless succession of "Carol Burnett Show" parodies. Another problem is that the films parodied are often less than stellar; "Sleeping With the Enemy," for instance, was already a tired thriller rehash. [19 Oct 1993]
What Fatal Instinct seems to overlook, though, is that erotic thrillers such as "Basic Instinct" and "Fatal Attraction" do a pretty good job of parodying themselves. Rather than really develop any of their setups, writer David O'Malley and director Carl Reiner seem to think it's enough simply to cite the originals. [29 Oct 1993, p.51]
If I see another send-up of Sharon Stone's character in Basic Instinct, I think I'll walk out of the theater. It wasn't funny the first time, and, by now, it's gotten downright annoying. Who cares if she uncrossed her legs without any panties on? Let's move onto something new. Belaboring that issue is like watching this movie: pointless.
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A more pointed genre parody intent on proving there’s noir business like show business could’ve been ripping fun. But director Carl Reiner is more intent on offering Cliff’s Notes for VCR couch spuds than satire. It’s the kind of endlessly referential, toothless spoof that sticks an elbow in your side every 20 seconds or so: “Now we’re doing the ‘Body of Evidence’ candle wax scene! Recognize the funny-hats montage from ‘Sleeping With the Enemy’? Get it?”
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Considering the degree to which Fatal Attraction and Basic Instinct are already self-parodies, writer David O'Malley and director Carl Reiner don't have to do much to show how silly they are; in order to understand how silly this movie is, on the other hand, all you have to do is sit through it.
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What exactly is funny about "Basic Instinct" or "Fatal Attraction"? Other than sending up specific scenes-say, Sharon Stone's uncrossed legs from "Basic Instinct"-there is no humor to be mined. The "Airplane" films kidded the genre rather than just duplicating scenes; director Reiner is operating at the level of a high school parodist. [29 Oct 1993, p.C2]
Fatally dreadful. This umpteenth parody flick of the year moves sooooooo slowly, it may be the first movie candidate for a pacemaker. The Naked Guns and the Hot Shots may not be Noel Coward cocktail parties. But those films toss out so many joke grenades, a few are bound to set off laughs. Not director Carl Reiner's latest. He takes the same five gags and grinds them into the ground like old cigarettes. Or allows each bit to drag on and on like the toilet paper that keeps sticking to femme fatale Sean Young's killer pumps. [29 Oct 1993, p.4D]
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