| Columbia Pictures | Release Date: September 27, 1996 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
12
Mixed:
14
Negative:
0
|
Critic Reviews
Extreme Measures is a suspense picture that should excite thinking audiences as well as thrill-crazy ones. One possible exception: fans of Michael Palmer's novel, who may wonder why his plot and people disappeared. But after all, in movies as in medicine, extreme measures may be necessary.
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Extreme Measures isn't going to be described as the "slam bang thrill ride" of the Autumn, or any other such nonsense. The film's inherent tension comes not from the shootouts and chases, but from its core ethical questions -- questions that ultimately have to be addressed, not only in movies, but in real life. "If you could cure cancer by killing one person, wouldn't you have to do it?" Obviously, there's no easy answer, and, whether you agree or disagree with the position taken by Extreme Measures, at least the film frames its response in an entertaining, and occasionally thought-provoking, package.
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John Bailey's cinematography goes beyond the norm: Darkened rooms full of conspirators are as unsettling as Luthan's descent into an unlit subway tunnel. Danny Elfman, a mainstream film composer now that his alternative rock career is over, adds an apt score; he's angling for the late Bernard Herrmann's spot on Hollywood's scare scale. [27 Sept 1996, p.6E]
The action moves along at a good clip, and Apted, who made "Gorillas in the Mist," "Nell," "Coal Miner's Daughter," and the "7-Up" series of documentaries, doesn't allow the plot to bog down in details. But the so-called moral dilemma that Myrick's work poses - kidnapping the homeless and torturing them to death in the name of medical science - is laughable.
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