| Paramount Pictures | Release Date: December 22, 2017 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
27
Mixed:
18
Negative:
3
|
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Critic Reviews
Weird and wonderful, zigging where it should zag and zagging where it should zig, this wildly imaginative flight of fancy strikes an admirably poised balance between whimsy, screwball comedy, social satire and generous meditation on the foibles and highest aspirations of human nature.
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This is Payne's most political film since Election and refreshingly eschews the gentle social realism of Sideways and Nebraska for something much more subversive. The pointillist normalcy of those films is used well as a context in which to embed the craziness of his Kaufmanesque high concept.
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Damon is in prime everyman mode as Paul, a good guy with a good heart who wouldn’t mind catching a break, a big break, just once. Waltz has a blast playing the party king Dusan, who has some wise observations about the ways of this new world. And Hong Chau is brilliant as the fiery and funny and fantastically blunt Ngoc Lan.
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Although the sci-fi trappings of Downsizing make it seem like a big departure from Payne’s previous work — The Descendants, Sideways, About Schmidt — it is the same in important ways. It’s a movie about a man suddenly separated from people he’s loved, trying to learn how to live again.
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