| United Artists Releasing | Release Date: December 17, 2021 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
27
Mixed:
18
Negative:
2
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Critic Reviews
Thanks to the cast (which also includes Ben Mendelsohn, near-unrecognizable as the villainous De Guiche), Cyrano is worth seeing, either now or later. But it's a relatively modest addition to the title's storied history, one where the music subtracts at least as much as it adds to the story's inherent poetry.
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As a musical, only a few songs really stand out, which is always problematic. There’s also a staginess to the whole endeavor that feels awkward and ham-handed when transposed onto the big screen. But director Joe Wright does get excellent performances from his whole cast, and creates a lush and beautiful period piece playground for the characters to exist within.
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Cyrano is gorgeous to look at and periodically to listen to, but narratively it’s a lazy take on the material, combining Victorian ideas of purity with Love Actually clichés prizing impotent schoolboy pining over actual connection. In spirit it’s a lot more like the boring, beautiful Christian than it is the audacious homely Cyrano.
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The story – two guys, one girl, much deceit – is eternally contemporary. Sometimes gigglingly so in the hands of ever-erratic Joe Wright (Anna Karenina, Atonement, Pan), who injects horny, corny musical theatre-kid energy into this latest iteration of Rostand’s doomed love triangle.
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Cyrano is a disappointment. The set design and camera work are first rate, as are the performances of Dinklage and Bennett. It causes one to wonder whether, had the songs been excised in favor a straightforward telling, Cyrano might have played better. As it is, however, it’s merely a handsome looking period piece with too many mediocre songs and a major downer of an ending. Not exactly a great way to ring in a new year.
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