Copycat
Warner Bros. Pictures | Release Date: October 27, 1995 CRITIC SCORE DISTRIBUTION
54
METASCORE
Mixed or average reviews based on 19 Critic Reviews
Positive:
10
Mixed:
7
Negative:
2
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Critic Reviews

Critic scorePublicationBy date
100
San Francisco ChroniclePeter Stack
Intelligent and crackling with crisp, provocative visual energy, Copycat, the new thriller starring Sigourney Weaver and Holly Hunter, is so creepy and dangerous-feeling that it's like a knife edge pressed against the jugular. Read full review
88
ReelViewsJames Berardinelli
With its rare mixture of intelligent plotting, flawless acting, and start-to- finish tension, Copycat is a force to be reckoned with. Read full review
88
Chicago Sun-TimesRoger Ebert
It creates original characters - Hudson and, especially, the little dynamo M. J. - and makes them more important than the plot. We care, and that's the key. Read full review
80
VarietyTodd McCarthy
Ending is on the conventional side, more so than anything else in the picture , but script by Ann Biderman and David Madsen keeps the tart surprises coming throughout most of the picture with only occasional lapses into red herrings and artificial manipulation. Read full review
75
San Francisco ExaminerBarbara Shulgasser
Copycat is as steady and reliable as a pulse and as exhilarating as a surge of adrenalin. Read full review
75
Entertainment WeeklyKen Tucker
The movie is, in short, a trash conundrum. What nearly redeems the movie is its acting. Read full review
75
TV Guide MagazineStaff(Not Credited)
Aside from some effective suspense sequences, the film's strengths lie in the relationship between the heroines, which is well developed and plausible by genre standards. Read full review
70
The New York TimesJanet Maslin
The screenplay for Copycat, by Ann Biderman and Jay Presson Allen from a story by David Madsen, is otherwise so crackling good that character development threatens to eclipse the actual crimes. Read full review
70
NewsweekDavid Ansen
Copycat is satisfyingly tense, but the disgusto factor is balanced by its obvious theatricality--neatly captured in the contrasting performaces of Weaver and Hunter, the one playing neurotic standard poodle to the other's tightly wound terrier. [6 Nov 1995, pg.86]
70
Washington PostRita Kempley
Jon Amiel, who previously directed "Sommersby," delivers a taut, gripping thriller and, with the help of his accomplished leads, succeeds in camouflaging some of the mammoth holes in Ann Biderman and David Madsen's otherwise intelligent and inventive screenplay. Read full review
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