| A24 | Release Date: April 12, 2024 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
49
Mixed:
14
Negative:
1
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Critic Reviews
The film does not have easy answers, but rather than making it seem shallow, its lack of clear moral coding instead offers us something more primal and more powerful. It’s a film about the open-ended question of how much humanity we as a species have left in us, and that makes it a provocative, thrilling monster of a movie that will sear itself into your eyeballs.
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RogerEbert.comMar 15, 2024
Civil War is a furiously convincing and disturbing thing when you're watching it. It's a great movie that has its own life force. It's not like anything Garland has made. It's not like anything anyone has made, even though it contains echoes of dozens of other films (and novels) that appear to have fed the filmmaker's imagination.
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The Film StageMar 15, 2024
As a cautionary tale about America’s inevitable self-destruction, the relentless cynicism of its narrative is often preposterous, but as a visionary look at the horrors that lie ahead for a great country on the rocks—and what America has done to itself already—this is one of the most harrowing yet exhilarating science-fiction epics ever made.
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SlashfilmMar 14, 2024
As a road trip movie, Civil War is quite good, with some segments proving more enthralling than others. Dunst is the standout among the cast, keeping us anchored through the more episodic elements, but Wagner Moura, Stephen McKinley Henderson, and Cailee Spaeny contribute strong work.
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When focusing on the micro-verse inside a news van and the four passengers taking the trip, Civil War does a good job dissecting the damage done by a desensitization to violence. But it botches the background and features an ending that belongs in another movie (preferably one featuring Gerard Butler).
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Movie NationApr 12, 2024
It’s sometimes riveting, almost wrenching at others and kind of depressing. And it generally succeeds in its main mission, de-romanticizing “civil war” and “secession,” words that the glib, the rural, old-enough-to-know-better low-information voter types and their leaders throw around.
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I found it coldly gripping, as well as a mite ham-fisted. At its best, this vision of American end times, an election or two from now, sets aside its less persuasive “tell” for more persuasive “show,” without generic spectacle (though with a $50 million production budget, it’s Garland’s and distributor A24’s biggest gamble to date) or diversionary thrills.
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Despite its myopic politics, it’s hard to deny that Civil War is an engrossing film. The performances given by the central cast are quite remarkable, with Moura and Dunst operating as foils and McKinley Henderson providing his characteristic brand of steely gravitas (he also delivers one of the film’s best moments).
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