Capone

Vertical Entertainment | Release Date (Streaming): May 12, 2020

5.1	USER SCORE Mixed or average reviews based on 61 Ratings

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ZumadancerSep 8, 2020

I'm always eager to see anything with Tom Hardy but this movie proves even a good actor can't elevate a terrible idea. Instead of a movie about the hey-day of one of the most infamous gangsters in American history this is a turgid examinationI'm always eager to see anything with Tom Hardy but this movie proves even a good actor can't elevate a terrible idea. Instead of a movie about the hey-day of one of the most infamous gangsters in American history this is a turgid examination of Scarface's post-prison life, a prisoner now of dementia and violent fantasies. There was obviously no theatrical market for this turkey so it went right to video..… Expand

1 of 2 users found this helpful11

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RalfbergsFeb 27, 2021

I found it very boring and didn't get why such movie was needed. Only Tom Hardy's acting was good, but overall movie was very boring and I guess they tried to show consequences of how it ends for a gangster but I don't think it was good as aI found it very boring and didn't get why such movie was needed. Only Tom Hardy's acting was good, but overall movie was very boring and I guess they tried to show consequences of how it ends for a gangster but I don't think it was good as a movie. Watched half and decided just to skip through rest and didn't seem like I missed anything… Expand

0 of 0 users found this helpful00

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B52nukerSep 13, 2020

Reluctantly upped this to 3, for ambition and cinematography only. Deadly dull, aimless and frustrating script, which hamstrung both Hardy and Trank, though I suspect both had met their match in material and character. The verdict isReluctantly upped this to 3, for ambition and cinematography only. Deadly dull, aimless and frustrating script, which hamstrung both Hardy and Trank, though I suspect both had met their match in material and character. The verdict is beginning to appear that Trank is no Tarantino (note: I have reservations that Tarantino is no Tarantino) as the shapelessness and leaden pacing of this film demonstrates. The repetitive focus on Hardy's immobile and expressionless face reminded me of the lazy writing/direction that has overtaken The Handmaid's Tale with its once thrilling but now tiresome reliance on Offred's skyward stare (at least it evokes her vengefulness). I'd like to see Hardy pull back from the Gonzo and hold it in reserve for a project with demonstrable substance. I can't imagine he found any in the script he saw when he signed on.

There was an interesting idea here that went wildly awry.… Expand

0 of 0 users found this helpful00

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