| Netflix | Release Date: September 16, 2022 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
21
Mixed:
26
Negative:
10
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Critic Reviews
The main thing the movie misses in portraying Marilyn solely as a tragic sex bomb isn't just the pleasure that Monroe herself brought to millions, but de Armas's inner light too. The spark and vitality so evident in previous projects like Knives Out and No Time to Die has been smothered down to one note: walking wound. What's left is mostly empty iconography and a few indelible images, a bombastic curiosity wrapped in the guise of high art. Some like it cold.
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Any truthful portrait of Norma Jeane Baker, the woman who became Marilyn Monroe, would of course have to reckon with the tightly coiled double helix of her art and her tragedy. But Blonde is all tragedy, and its single-mindedness isn’t just dull and punishing but also wearyingly unimaginative.
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Ana de Armas is inspired and flawless as Marilyn Monroe, and yet “Blonde” is a total bomb. Intuitively, that would seem impossible, for someone to be that good in a failed picture. Here’s something else that would seem impossible: “Blonde” has seriousness of purpose and a strong director, Andrew Dominik, who clearly made the movie he wanted to make. It’s still bad.
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