| Netflix | Release Date: July 3, 2024 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
17
Mixed:
26
Negative:
4
|
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Critic Reviews
Screen RantJul 2, 2024
EmpireJul 2, 2024
All involved have done a solid job in executing what most fans likely want from a very belated Beverly Hills Cop sequel. This is not an action movie with the slickness or invention to take on any current blockbuster franchise. It’s cheerfully old-fashioned and easy. It feels like you should be popping open a VHS case to watch it.
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SlashfilmJul 2, 2024
If you're simply looking to see Murphy slip back into a familiar role and have a little fun, "Beverly Hills Cop: Axel F" might do the trick. Even though this film is lackluster, it's still fun to watch Eddie Murphy do his thing, and there are moments here where he genuinely seems to be having a good time, and that can be contagious. So maybe that's enough to satisfy. Or, when you sit down and fire up Netflix to watch this film, you can make a wiser choice and just watch "Dolemite is My Name" instead. It'll be a much better use of your time, I promise.
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The Observer (UK)Jul 11, 2024
Now in his 60s – not quite old enough to be a US presidential candidate but not far off – the actor lacks some of the hunger and aggression that ignited his career in the 80s, but he remains a uniquely magnetic performer. And somehow he manages to bring a degree of freshness to material that was stale several decades ago.
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This is a movie that doesn’t just heart the Eighties. It actually wishes it still were the Eighties, casting a fond glance to a simpler, more star-driven blockbuster era. Two hours later, however, and the thrill of getting this particular banana in your tailpipe feels like the most distant of memories.
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With “Axel F.,” a parade of watchable clichés (not just retro-cop-thriller clichés but Eddie Murphy clichés) staged by director Mark Molloy in a slovenly utilitarian style, the series comes full circle: the product/schlock of the ’80s meets the product/schlock of Netflix. Welcome to nostalgia minus the soul!
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The IndependentJul 2, 2024
While the newer Bad Boys films have delicately sidestepped the contemporary conversations around law enforcement, Axel F seems happy to offer up its protagonist as a figurehead for the active endorsement of police misconduct. I’d argue you could just let Harold Faltermeyer’s earworm of a theme song drown out that noise – but, alas, for a certain generation, that’s also been ruined by the crazy frog on the invisible motorcycle.
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