Quiver Distribution | Release Date (Streaming): June 5, 2020
5.5
USER SCORE
Mixed or average reviews based on 41 Ratings
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Positive:
16
Mixed:
14
Negative:
11
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6
JLauSep 18, 2020
This review contains spoilers, click expand to view. Escaped convict neo-nazis invade an ethnically-diverse family before the daughter inflicts home alone-worthy bloody carnage on them. Expand
1 of 1 users found this helpful10
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4
madlaneJun 13, 2020
This review contains spoilers, click expand to view. Another in what is now a seemingly endless stream of "girls rule, boys/men/white skinhead men drool" as #MeToo exacts its revenge for a century of man misbehavior, both in the cinema and outside of it. The trouble is, this C-grade revenge flick is a pale imitation of much better films with the same idea, to wit "Kick-Ass" (or for that matter Kick-Ass 2 even), or "Hanna." If you need to see young teen girls kicking grown men's asses, those should be your go-to's. Lulu Wilson, who seems to have some talent, is saddled with a one-note character who is just angry all the time in this film. Kevin James' stunt casting is okay physically, but his light voice removes alot of the menace. Giant wrestler Robert Maillotte is an interesting physical presence, but everyone else in the film is bland as all get-out. The African American child actor never even moves off the couch or utters a word in the entire film. He may as well not even be there. So while Hollywood may be fixing its girl problem, it has a ways to go it would seem toward fixing its race problem. Expand
0 of 1 users found this helpful01
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4
JLuis_001Jun 13, 2020
A bet on recycling that loses tension and entertainment much sooner than I think it expected.

Lulu Wilson and Kevin James are the most relevant elements of this film, however, the two of them don't work in the same way, and this is precisely
A bet on recycling that loses tension and entertainment much sooner than I think it expected.

Lulu Wilson and Kevin James are the most relevant elements of this film, however, the two of them don't work in the same way, and this is precisely due to the plot itself.

On one hand, Smith's dramatic turn is surprising, but the directors doesn't really give him much to do and are unable to get anything more relevant out of his role.
Lulu Wilson on the other hand plays on a cliché of a violent teenager and she really doesn't do anything more interesting.
And that's why Becky never starts to carbure and what's left is just what you read in the synopsis.

If there's one thing to emphasize about Becky, it's that perhaps Smith can achieve something more interesting in the dramatic field later on, because other than that you'll forget everything else very soon.
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0 of 0 users found this helpful00
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6
OrukayuJan 22, 2023
This review contains spoilers, click expand to view. 2020 thriller movie. From the very first scene, the movie tells how the whole movie will be and how it will end. I think it would have been more impressive without the first scene.

Father and daughter are going to their house in the forest. Meanwhile, 4 notorious and ruthless thugs escape from the prison vehicle and come to their house. What the bandits want is in their houses. But only the little girl knows that.

Although there are many illogical scenes, the movie is watched with interest. But something is missing. I think this is innocence. For this reason, the audience cannot be with Becky completely.


Why is the little girl so angry with her father?

What is the story of the key that is so sought after throughout the movie?

Why do men leave the key in a house for others to find?


There is no sex or nudity in the movie.
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0 of 0 users found this helpful00
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