| 20th Century Studios | Release Date: September 9, 2022 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
35
Mixed:
3
Negative:
0
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Critic Reviews
Cregger slowly builds bone-chilling and suspenseful sequences up to screechingly operatic moments of face-melting horror, and then swiftly cuts to a different chapter, making a hard left into a completely different mode, taking us all on the roller-coaster ride. His facility with comedy also aids in these jarring tone switches, and Barbarian is as funny as it is terrifying.
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Undoubtedly, Barbarian will raise comparisons to last year’s Malignant, a similarly wild-as-hell horror flick that zigs and zags down all manner of crazy roads. And to be sure, there’s a similarly perverse glee to be found here, as Cregger toys with your expectations before jumping you to another element of his insane narrative.
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The deceptively simple premise of Barbarian, the horror debut from writer/director Zach Cregger, is enough to induce genuine goosebumps. However, Cregger takes a creepy idea and concocts a breakneck tale of unyielding terror, giving audiences whiplash with each unpredictable revelation.
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Barbarian serves up all the requisite thrills with panache, but it also provokes deeper, longer-lasting reflections. That balance is why the film has continued spreading so organically months after its release, and why it’ll keep tempting viewers down to the basement for years to come.
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The TelegraphOct 29, 2022
The middle stretch is genuinely scary, though, thanks to the film’s clammy aptitude for trapping us alone in the dark. Somewhere in here, there’s a thesis brewing about how predators ply their trade and cover their tracks while purporting to be the good guys. The product of their actions is ghastly, and it’s lumbering at us fast.
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Cregger plays brilliantly with your expectations throughout. The characters constantly make the wrong choices – peeking round dark corners, going back to check out a noise – but those choices don’t go in the usual directions. Cregger isn’t smug or sly about that. He isn’t winking at the audience. He’s using your horror knowledge against you by rarely giving you what the genre has conditioned you to anticipate.
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Barbarian doesn’t feel the need to signal that it’s better than genre clichés by constantly winking at them, nor does it deploy them with the punishing determination of David Gordon Green’s Halloween movies. But Cregger has thought about why they work, and he keeps paying them off in unexpected ways.
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Just when you think Barbarian can’t get any sillier or further from the promise of its intriguing premise, it does, in a way I had to sort of begrudgingly respect. It feels like Zach Cregger really had something here and couldn’t quite figure out what to do with it and then just started flailing. But that flailing is so transparent and unabashed that it’s almost a kind of performance art.
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ColliderSep 7, 2022
Allergic to the ponderous brand of overdetermined ‘metaphorror’ currently in vogue, Cregger possesses a showman’s instincts, his energies primarily invested in pound-for-pound entertainment value. Maybe that’s why the subject at hand feels so perfunctory, the broad feminist stance filling out the vacant space in otherwise unrelated macro- and micro-scaled tricks of structuring.
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