| Columbia Pictures | Release Date: May 29, 2015 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
3
Mixed:
21
Negative:
12
|
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Critic Reviews
Aloha isn’t horrible, but it does have a pitiable odor about it, like a dog that’s sat too long on the beach. Crowe aspires to Golden Age of Hollywood repartee, but something feels off, just as it did in “Elizabethtown” (2005) and “We Bought a Zoo” (2011). Everyone just seems to be trying too hard.
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All three sides of the love triangle are appealing, and the movie as a whole might have been winning if it weren’t for the absurdist style that was clearly dear to the filmmaker’s heart. Sometimes Aloha reminded me of John Huston’s cheerfully unfathomable “Beat the Devil.” More often than not, though, it left me yearning for simplicity and sweet clarity.
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The entire movie has a creepy aura of self-consciousness. In addition to the aforementioned definitions of aloha, the word also doubles as a coming-and-going greeting in the Hawaiian vernacular. Here, it regrettably signifies the possible goodbye to a once-promising career of a filmmaker who had us at hello.
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All Crowe's movie has going for it is casting, a lineup of favored actors wasted in a screenplay unsure of what it wants to be. Aloha is by turns a love quadrangle that never materializes, an ode to Hawaiian sovereignty, an opposites-attract cliche and an outer-space weapons caper, all of which is clumsily executed.
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