A Fine Mess

Edwards's mess isn't so fine. In trying to revive the great tradition of rough-and-tumble farce, he strains so hard for vigorous slapstick and wild gags that he forgets to be funny...In the end, there's something basically askew when a movie gives its heroes a valuable piano to move -- a classic Laurel and Hardy situation -- and then makes it an easy job, without a single teetering bridge to carry it across! Stan and Ollie, where are you when we need you? Read full review

Unless you're a constipated horse or a lover of truly tasteless cinema, A Fine Mess is one you don't want to wander into. [8 Aug 1986, p.D15]

Ted Danson ("Cheers") is made for the small screen; blown up he looks empty. And his co-conspirator, played by comedian Howie Mandel in his film debut, isn't much better in a role that obviously was designed to let him do his sound-effects-filled comedy act whether the story warrants it or not. The film's many chases will wear you out in short order, save for one funny speeded-up sight gag. [15 Aug 1986, p.A]

Blake Edward’s obsession with the slapstick comedy genre has produced some all-time comedy classics and some best-forgotten clinkers. A Fine Mess belongs in the latter category. Read full review

Mr. Edwards, who on happier occasions gave us the Pink Panther movies, piles on the pileups until you may suspect that he is trying to distract the audience from the absence of a diverting story or dialogue. Read full review

Director Edwards confused humor with speed; so the pace is 150 mph, but there is no time to laugh even if there were any reason to. Read full review

The biggest disappointment is Danson, who created an exquisite satire on the American superstud in TV's Cheers; his extension of the role here, as Sex Machine Spence, is a downright embarrassment. Read full review