7500

Amazon Studios | Release Date (Streaming): June 18, 2020

6.2	USER SCORE Generally favorable reviews based on 44 Ratings

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MattKingsburyJun 23, 2020

This review contains spoilers, click expand to view. For a film with such a short runtime, there is a hell of a lot of filler here. Just because people are shouting, does not mean tension is being developed. Every scene just lingers a bit too long...and then the film just ends. Abruptly and unsatisfyingly. Joseph Gordon-Levitt provides a satisfactory performance here with the material he has been given (some of the dialogue is particularly bad), but the rest of the cast feels weak and cliché: the one terrorist who has a change of heart and the hero tries to win over, only to die in the end. Captain Phillips did this style of film significantly better, and I recommend you watch that instead.… Expand

1 of 1 users found this helpful10

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bir_insanOct 8, 2020

Don't watch. He shows us, the Turks, as terrorists. 0/10
It just wasn't even beautiful as a movie. 4/10

0 of 2 users found this helpful02

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sebastianaliJul 13, 2021

This review contains spoilers, click expand to view. Muy mala la verdad. Al igual que muchas otras películas de este estilo, donde siempre transcurre toda la historia en un mismo lugar, se termina haciendo bastante blanda y ademas de que no sabemos los motivos reales de los terroristas, ni porque uno de los secuestradores al final decide arrepentirse (aunque luego pretende seguir sus propios intereses, mismos que tampoco sabemos). Termina siendo muy predecible. Encima da mucha gracia como tanto los directores como la prensa intentaron hacer esta película como "realista", cuando muchos de los personajes, en especial los secuestradores..... son unos tontos.… Expand

0 of 0 users found this helpful00

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Mauro_LanariJun 19, 2020

(Mauro Lanari)
"7000" of Patrick Vollrath in his debut fits into the vein of "Locke" (Knight, 2013), "Beast of Burden" (Ganslandt, 2018), "The Guilty" (Möller, 2018): propagandized as an elegant exercise of style in the footsteps of the most(Mauro Lanari)
"7000" of Patrick Vollrath in his debut fits into the vein of "Locke" (Knight, 2013), "Beast of Burden" (Ganslandt, 2018), "The Guilty" (Möller, 2018): propagandized as an elegant exercise of style in the footsteps of the most claustrophobic Hitchcock, instead it is an attempt to minimize production costs (this time 5 million dollars) by employing a single location and little more than just one actor, a monologuing one-man show for about an hour and a half. The absolute void with autopilot, "all in all is just another crap in the wall".… Expand

0 of 0 users found this helpful00

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