West of Dead

Despite the small bugs and a skewed economy that diminishes the experience, West of Dead is still something I can’t put down. The developers seem committed to fixes and I expect the experience to improve as time goes on, but it’s already an incredibly solid game that I enjoy and can easily recommend.

West of Dead is a refreshing take on multiple genres. It’s a great cover-based twin-stick shooter. It’s a different kind of roguelite. And it’s just a solid all-around action game that’s a joy to play. It’s highly challenging, and it rewards smart play, so what you ultimately get is a satisfying experience that’s fun and invites you to put the time into learning its intricacies.

West of Dead isn’t without its standoff moments of frustration, but a squint of the eye and a sweat-bead zero-flinch will see you standing tall post-Purgatory call out. Honestly, I just want to see more of it at this stage, maybe in less repetitive form, but as a continually-fleshed out new IP and one that keeps its creative skull-fire burning.

It may take a while to learn how to play West of Dead effectively but the journey is ultimately rewarding and a ton of gunslinging fun.

Upstream Arcade’s West of Dead is an impressive roguelike. With a solid twin-stick shooting system, West of Dead has a more than serviceable gameplay loop. However, the game is truly anchored by it’s incredible visuals and art design. Add on top of this an excellent voice performance and unique sense of worldbuilding, and you’ve got a roguelike formidable in any standoff.

West of Dead is a beautiful looking cel-shaded game which made me feel like a bad ass cowboy, with a sprinkling of Ghost Rider. I felt some of the hit boxes were off slightly on occasion – I’m don’t think I’m that much of a bad shot… The clever mechanics of cover and using light and dark to “hide” your enemies is a good addition. Rogue-lites can be fun if balanced well and this is a wonderfully put together example.

West of Dead had excellent potential to stand out very well in the roguelite scene, but the developers' work was only half done.

West of Dead offers a satisfying blend of tactics and rogue-like gameplay that I didn’t expect. Levels offer plenty of options for how you want to approach a situation, the gunplay is fast and precise, and the execution of creating a wild west style shoot out is perfect. The game is dripping with personality and Ron Perlman delivers each word with purpose and meaning. Every aspect of gameplay and aesthetic is tailored to telling the story of Mason in a way that feels natural and unique. It’s a blast to play over and over again despite issues with the geometry interfering with aiming and dodging not quite feeling as useful as it ought to.

West of Dead on Xbox One is a beautiful and entertaining western shooter that you’ll probably enjoy playing it if you are into roguelikes. The game doesn’t waste its potentials when it comes to gameplay mechanics, however, unbalanced and unrewarding level design are major issues that the game suffers from.

West of Dead is a very interesting action game, very punitive, as dying is definitive, but entertaining. If you manage to tame its camera angles, you'll find a pleasant alternative to Hotline Miami.

West of Dead elevates its experience thanks to to the storytelling and art design. Some aspects of the game can be frustrating, but the total package is generally rewarding in its gameplay and beautiful in its design. And as William Mason himself says, "they say a hero dies only once, but I say a hero keeps coming back," and coming back for each playthrough in hopes to finally pull off that perfect run is a mighty fine time in West of Dead.

West of Dead has plenty of great gunplay and a fascinating setting, but be prepared to die over and over and put up with an unrelentingly unfriendly continue system.

The premise and production values are pretty much the only things that made me interested in West of Dead but the frustration over not being able to gain a proper foothold for forward progress really got to me. Character advancement doesn’t carry over into each new play session, making any boosts you find a zero-sum game. These days, my time is increasingly valuable. Nothing about the experience was ever fun and at the end of the day, I fell into the mindset that the only way to win was to simply not play.

While the game’s style is like a Homeric epic seen through the panel of a comic book, the soundtrack of melancholic twanging guitar complicates the theme to something new and unexpected, a kind of undead western. It’s slickly compelling stuff, if repetitive after a few hours and, invariably, punitive. Yes, in West of Dead, death is an inconvenience rather than a sentence, but it’s one that is often delivered quickly and without reprieve, which makes selecting a “New Run” a little bit harder with each cruel setback.