Atomic Heart

Atomic Heart is full of stuff that will absolutely make you love it immediately, but each one of those things comes with a major flaw that ultimately pulls it back from being a great game. It's far from perfect, but will still give you hours of awesome story, world, gameplay and music.

Atomic Heart does many things well. It capably takes what games like Bioshock did before and puts a unique spin on it. The guns and powers are fun to use, fighting rampaging robots is a blast, and the setting of an alternate-history 1950’s Russia is fresh and interesting. The protagonist, unfortunately, is a deluge of awful dialogue, and the attitudes for female-presenting characters are concerning. Mix in slogging through open-world segments of infinitely respawning enemies, and you have a good game that is a few better choices away from being great.

Atomic Heart stands out for its remarkable art direction and unique theme, in a retro-futuristic world dominated by the Soviet Union. It suffers from repetitive fetch quests, which intensely slow down the game's pace, becoming a barrier to the enjoyment of this virtual world. The story has to be approached with a touch of irony and sarcasm, but that doesn't always excuse some dubious voice-acting. Mundfish's debut has a few rough edges, but a lot of promise for the future.

Atomic Heart is a bit of a surprise. It's not perfect and the open world is an unneeded dilution, but when you're in the story missions it's always entertaining, despite occasionally dragging things out a little. It can be a bit strange, but it's the self aware kind of strange that can be a bit charming. And the robots are pretty great.

Frankly stunningly beautiful, Atomic Heart opens with stunning architecture and a catchy pitch before unfolding a story that struggles a little to convince and lets out dozens of dialogues that can make you wince. Remains a rather decent gameplay divided between classic and robust combat, hyper clever puzzles and barely decent platforming.

Setting aside the game’s pervasive Soviet imagery in these complicated times, Atomic Heart is an often impressive game with too many systems and not enough connective tissue between them. Combat and other mechanics veer between janky, confounding moments and an exhilarating flow as the complex narrative tone swerves between disparate lanes. Atomic Heart can wow you, confuse you, and frustrate you in the span of a few minutes. Atomic Heart has the feel of a classic obscured by too many ideas that never quite harmonize.

There are problems, but it is still a worthy trip to the alternate past.

Atomic Heart leaves a lot to be desired, but its unique setting, varied gameplay and often inventive enemies go a long way to keep you interested in your traipse through its ruined utopia. Just bear in mind that while it may look like a AAA game, it’s not; Mundfish has achieved a great deal here, but there are signs of corners being cut and a considerable lack of polish. And so, you might want to wait for a patch or two to sort out some of its unfortunate bugs and other blemishes, but you could do a lot worse than venture into the hostile world that Atomic Heart offers.

Atomic Hearts is an interesting case of ambitious scientific experiment. Even if not everything went smoothly, the results are still fun, exciting, and a bit uneven. What matters here — is a brave attempt at something rather bold. And who knows what tomorrow will bring, as practice makes perfect.

Atomic Heart offers an unique style and atmosphere with exciting gameplay and an incredible soundtrack. The game, however beautifully crafted, falls short in various departments. The protagonist is absolutely awful and shows no interest in all the stuff that is going on in the world of Atomic Heart. That also leads to not really wanting to explore the world to find all the secrets, because the protagonist just doesn't care.

Atomic Heart can be a frustrating experience, but it also gives you as the player more than enough variety to warrant a look if you are searching for an interesting shooter that has lots of options when it comes to your play style. There are some compelling ideas here, but much like the entirety of the game, they're a mixed bag. It's a little rough around the edges but there definitely is a good time to be had if you're looking for a spiritual successor to the Bioshock franchise.

Although Atomic Heart is fun to play for its combat encounters, it’s packed to the brim with frustrating platforming and horrendous writing, making it tough to recommend. Ultimately, Atomic Heart feels like a Ubisoft game made by edgelords who love BioShock and Russia in equal measure. It’s a jack of all trades and master of none, which lands it somewhere near “decent.” The end result is an uneven gaming experience that has fun moments sprinkled throughout a marathon of cringe.

I admire the gusto with which Mundfish approached its debut game because it’s created one hell of a world to explore. But beyond its pristine setting and ass-kicking soundtrack, it’s largely forgettable. Maybe if the gameplay evolved beyond its basic beginnings or if the story was — I don’t know, good — I might be willing to give it another go. However, given how unlikely such a monumental change like that would be, Atomic Heart is destined to be a one-and-done type of experience.

This mashup of shooter, stealth, and RPG wears its influences proudly but rarely matches them. Its alt-history setting is interesting and there are plenty of ways to approach the robot-killing, but these elements are at odds with messy storytelling and characterisation.

These are just some of the many signs that suggest the game was rushed past the finish line (including a reference to game crunch), but its problems run deeper than something that can be fixed with a couple of patches. The story isn’t explained well, the dialog is over the top, the tutorials don’t do their job, and the open world is just a boring place to be. While the combat and the linear facilities go some way to redeeming Atomic Heart, it’s not a game that I can faithfully recommend right now.

Atomic Heart has an impressive command of aesthetics and occasionally gives you the tools to enjoy its world, but an unstable console build, unsatisfying systems and complete misfire of a script prevent these atoms from achieving the necessary fusion.

Atomic Heart is an interesting approximation of better games that is slowed down by a tedious open world, messy writing, and jarring tonal shifts.

The mix of highbrow story concept and complex first person combat is certainly reminiscent of Bioshock, but this churlish homage has nowhere near the same nuance in terms of either plot or gameplay.

Atomic Heart is the result of 15 years of thoughtful world-building and storytelling, but fails to live up to any of it. Individual parts work well, and would fair far better if the padding was stripped away, but those who enjoy combat for its own sake will be happy with the amount on offer. I’ve never encountered a world that was simultaneously so intriguing and so off-putting. Every system implemented to pad out the playtime is the antithesis of fun, yet I’m still drawn to the more bespoke parts of Facility 3826. Atomic Heart is three times too big and beats erratically, but its more confident components prevent it from flatlining.