Kine might organise itself like a musical composition, but it also keeps you at arm’s length from the music. You’re here to move the performers around, not strut your stuff. Perhaps the moral of the story there is that raw talent only gets you so far; that the biggest stars took off not just because they had the best tunes, but because they had managers who knew how to move them up the ladder. Or perhaps this is just a game that, for all its enormous cleverness and warmth, hasn’t quite put the pieces together.