Hob

A beautiful, vibrant environment that literally shows off megalomaniac miracles in a small space. It is slightly undermined by the occasional drop of fps, its controls and the fixed isometric camera. Still, the Hob is a decent farewell of Runic Games studio. Although it does not match the Torchlight series, it offers interesting duels and funny platforming.

Perhaps this is due to my less than favorable inclination for puzzle/platformer action games as I seldom search out for games of this genre, but Hob felt lacking an identity- a clear element to call its own that really makes it standout amongst the rest of the games in the genre. While it most certainly looks pleasing to the eyes and feels competently made, I never felt excited to get back into the world of Hob after picking up a controller for another play session. As much as I would love to say that Runic Games went out after creating their best work yet, I cannot in good conscious as Hob is a solid, albeit unremarkable game.

Death is forgiving in Hob in that progress isn’t lost in the way of items collected or enemies defeated. However, respawning in Hob takes a long time and the checkpoints can sometimes be inconveniently far away from where you died. Backtracking is usually easy enough since most enemies don’t respawn and sometimes there are shortcuts that can be opened to quickly reach where you had been before. But running through the parts I had already done felt like a chore, especially if my death was less my fault and more to do with Hob’s wonky platforming mechanics.

Hob has a lot of style, just not much heart. The game is far more than a walking simulator but its stripped-down approach to combat, loot and character development can leave the player unsatisfied. The visual elements can be striking and beautiful, and the platforming is generally mechanically sound, but Hob's progression feels aimless and ultimately disappointing. Despite the attractiveness of the world, there simply isn't enough story or emotional content to support the game's ten or so hours of play.

It's good to have such game from Runic as Hob, but it's bad to not have Torchlight 3.

Hob is made for gamers who love to explore, tinker, and problem-solve. Combat is present, but not as a central element. Gameplay consists, by a considerable margin more, of looking for ways to inventively raise, lower, move, open up, or interact with the environment. While, some puzzles are clumsy puzzles, each has a logical solution – though it reaching this point might require a temporal investment.

I see two principal flaws in Hob. First of all, none of the game’s elements is outstanding. The second problem is the repetitiveness of goals, puzzles, combat. Hob might relax you, but it will definitely not excite you. [13/2017, p.52]

Though it pains to proclaim such a promising title as this — given how obviously ambitious its world-building stands, how undeniably strange-but-enticing its organic-mechanical aesthetic is or how inviting the otherwise isolating ambience of its sound design is — Hob may well be one of the more disappointing showings for the genre this year when all is said and done. What starts off in its first half as a platformer rife with engaging mystery and many an incentive to know more quickly devolves into a rehashed and seemingly never-ending loop of puzzles unlocking puzzles unlocking more similarly-deprived puzzles without fruitful meaning or purpose. Though it tries to maintain the facade and continually promise greater things to come, it soon becomes apparent that Hob is somewhat deprived of an end goal — interested solely in the long-distant allure than it is the up-close-and-personal meaning and value behind it all.

Hob is a beguiling action adventure that's hamstrung by its platforming and a sub-par second half.

Hob is a beautiful but unoriginal Zelda-like that lacks an interesting story and has mind-numbingly dull combat and exploration.